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Wyszukujesz frazę "renaissance humanism" wg kryterium: Temat


Wyświetlanie 1-4 z 4
Tytuł:
“Bodies can be compelled; minds must be turned, since they cannot be compelled”: Preaching as an “Introduction” to Law in the Ecclesiastes of Erasmus of Rotterdam
Autorzy:
Nowakowski, Dawid
Powiązania:
https://bibliotekanauki.pl/articles/2034033.pdf
Data publikacji:
2021-12-21
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Ecclesiastes
Erasmus of Rotterdam
history of law
preaching
renaissance humanism
Opis:
The recent studies on the relations between humanism or humanists and jurisprudence convince that Reneaissance, especially in XVIth century, when the national states began to raise, belonged to the periods of increased interest in the issue of law. Although Erasmus was not a layer, nor he introduced in any of his works a complete theory of law, he maintained close relations with many leading theoreticians of the law and jurists (Alciati, Budé, Cantiuncula, Zasius) and sometimes spoke in the legal discussions of his age. Among hist most important works concerning the matter of law were: Institutio principis Christiani, Ratio seu Methodus verae theologiae, Christiani matrimonii institutio, De interdicto esu carnium and Ecclesiastes. In the paper I’m going to concentrate on this latter work, in which Erasmus discusses the significance of preaching, preacher and widely understood Christian rhetoric. In the Ecclesiastes Erasmus touches the law subject with the special emphasis on historical character of law and relations between the divine law, the law of Christ and the law of Nature. After a short discussion about his understaning of law I will concentrate on the essential differentiation between the letter of law and the spirit of law, and I will point at proposed by Erasmus ways of introduction of law into human life. Erasmus, on the one hand, escaped a rigidity and abstraction of law and, on the other, he neutralised an aspect of the coercion of law. In his solution Erasmus appreciated the political dimension of preaching and acknowledged preacher as a more important guide of the people, than ruler. I’m going to interpret the Erasmian concept of preaching as an rhetorical mean of introduction of law in analogical way to “introduction” proposed by Plato in his Nomoi.
Źródło:
Acta Universitatis Lodziensis. Folia Philosophica. Ethica – Aesthetica – Practica; 2021, 38; 101-113
0208-6107
2353-9631
Pojawia się w:
Acta Universitatis Lodziensis. Folia Philosophica. Ethica – Aesthetica – Practica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Humanista Francisco de Peñalosa (c. 1470‒1528) i jego Jeremiaszowe Lamentacje
Autorzy:
Odoj, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/1037971.pdf
Data publikacji:
2020-12-17
Wydawca:
Uniwersytet Opolski. Redakcja Wydawnictw Wydziału Teologicznego
Tematy:
francisco de peñalosa
the lamentations of jeremiah
spanish music
renaissance humanism
rhetoric
polyphony.
Opis:
Francisco de  Peñalosa (c. 1470‒1528), who is considered to be the greatest and finest Spanish composer prior to Cristóbal de Morales, composed a significant number of the compositions which are mainly preserved in Tarazona 2/3 (copied between 1521 and 1528), the largest source of Iberian sacred music from the early sixteenth century. Among the Tarazona compositions there are four Lamentations, of which three are attributed to Peñalosa. His Lamentations appear to be the earliest Spanish polyphonic settings of Jeremiah poems whose authorship is known. Peñalosa’s Lamentations are slightly different from the others composed at that time. Written by a composer from the peninsula, they have at least a few characteristics typical for Spanish writing, which distinguishes them from other Lamentations found in Petrucci’s collection of 1506, and some others which resulted from his individual approach to the treatment of Jeremiah verses. By special treatment of the words of the Lamentations Peñalosa joined the broad group of the composers affected and inspired by the beauty of the poem and deep emotions which it expresses.  As a composer who was a maestro de musica and music teacher of the king’s grandson, Ferdinand, and who could have studied liberal arts and known Latin fluently, Peñalosa reveals himself as a creative artist, and a true and sensitive human being, as a person who was aware of what means to be a humanist.
Źródło:
Liturgia Sacra. Liturgia - Musica - Ars; 2020, 56, 2; 215-229
1234-4214
Pojawia się w:
Liturgia Sacra. Liturgia - Musica - Ars
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Культурныя i эстэтычныя аналогii ў раманах Франсуа Рабле “Гарганцюа i Пантагруэль” i Уладзiмiра Караткевiча “Хрыстос прызямлiўся ў Гароднi”
Analogie kulturowe i estetyczne w powieści „Gargantua i Pantagruel” Fran¸cois Rabelais i „Хрыстос прызямлiўся ў Гароднi” Uładzimira. Karatkiewicza
Cultural and aesthetic analogy in the novels “Gargantua and Pantagruel” by F. Rabelais and “Christ Has Landed in Grodno” by U. Karatkievich
Autorzy:
Лаппо, Марыя
Powiązania:
https://bibliotekanauki.pl/articles/944372.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
reception
grotesque
comic culture
feasting motive
democratization of language
renaissance humanism
postmodernism
literackiej recepcji
groteskowe
komiczne kultury
ucztowania
motyw
utopia
demokratyzacja języka
renesansowy humanizm
postmodernizm
Opis:
W artykule analizowane są chwyty literackie (groteska, parodia), motywy (uczty, utopijny opis idealnej społeczności), tendencje (wykorzystanie kultury śmiechu, rubasznego języka), obecne w powieściach „Gargantua i Pantagruel” F. Rabelais i „Chrystus wylądował w Grodnie” białoruskiego pisarza U. Karatkiewicz. Podkreślono związek obu utworów z systemem światopoglądowym o nazwie humanizm renesansowy, a w przypadku Karatkiewicza także z postmodernizm, o który spierają się przedstawiciele różnych szkół literaturoznawczych.
The article describes general methods (grotesque, parody), motives (feasting, utopian description), tendencies (appealing to comic culture, democratization of language) that are present in the novels “Gargantua and Pantagruel” written by F. Rabelais and “Хрыстос прызямлiўся ў Гароднi” written by U. Karatkievich. Much attention is given to F. Rable’s novel reception by U. Karatkievich. Also it is considered the novels correlation with renaissance humanism and postmodernism, because different scientists have different points of views about what literary movements which the novels can be referred to. Key words: reception, grotesque, comic culture, feasting motive, utopia, democratization of language, renaissance humanism, postmodernism.
Źródło:
Białorutenistyka Białostocka; 2015, 7; 239-249
2081-2515
Pojawia się w:
Białorutenistyka Białostocka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Культурныя i эстэтычныя аналогii ў раманах Франсуа Рабле “Гарганцюа i Пантагруэль” i Уладзiмiра Караткевiча “Хрыстос прызямлiўся ў Гароднi”
Analogie kulturowe i estetyczne w powieści „Gargantua i Pantagruel” Fran¸cois Rabelais i „Хрыстос прызямлiўся ў Гароднi” Uładzimira. Karatkiewicza
Cultural and aesthetic analogy in the novels “Gargantua and Pantagruel” by F. Rabelais and “Christ Has Landed in Grodno” by U. Karatkievich
Autorzy:
Лаппо, Марыя
Powiązania:
https://bibliotekanauki.pl/articles/2109155.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
groteskowe
komiczne kultury
ucztowania motyw
utopia
demokratyzacja języka
renesansowy humanizm
postmodernizm
literacka recepcja
reception
grotesque
comic culture
feasting motive
democratization of language
renaissance humanism
postmodernism
Opis:
W artykule analizowane są chwyty literackie (groteska, parodia), motywy (uczty, utopijny opis idealnej społeczności), tendencje (wykorzystanie kultury śmiechu, rubasznego języka), obecne w powieściach „Gargantua i Pantagruel” F. Rabelais i „Chrystus wylądował w Grodnie” białoruskiego pisarza U. Karatkiewicz. Podkreślono związek obu utworów z systemem światopoglądowym o nazwie humanizm renesansowy, a w przypadku Karatkiewicza także z postmodernizm, o który spierają się przedstawiciele różnych szkół literaturoznawczych.
The article describes general methods (grotesque, parody), motives (feasting, utopian description), tendencies (appealing to comic culture, democratization of language) that are present in the novels “Gargantua and Pantagruel” written by F. Rabelais and “Хрыстос прызямлiўся ў Гароднi” written by U. Karatkievich. Much attention is given to F. Rable’s novel reception by U. Karatkievich. Also it is considered the novels correlation with renaissance humanism and postmodernism, because different scientists have different points of views about what literary movements which the novels can be referred to. Key words: reception, grotesque, comic culture, feasting motive, utopia, democratization of language, renaissance humanism, postmodernism.
Źródło:
Białorutenistyka Białostocka; 2015; 239-249
2081-2515
Pojawia się w:
Białorutenistyka Białostocka
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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