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Tytuł:
From Research on the Musical “Trans-avant-garde”: A Contribution to the Discussion on the Terminology Concerning the Historiography of 20th Century Polish Music
Autorzy:
Karwaszewska, Monika
Powiązania:
https://bibliotekanauki.pl/articles/632422.pdf
Data publikacji:
2016
Wydawca:
Projekt Avant
Tematy:
postmodernism
Opis:
he research article discusses the concept of “the trans-avant-garde” (a term coined by theItalian art critic Achille Bonito Oliva to describe certain phenomena in visual arts, espe- cially painting, which have appeared since the end of the 1970s) and attempts to adapt it for a discussion of twentieth century Polish music. The trans-avant-garde (Italian la transavanguardia) is an Italian form of expressionism in art (neo-expressionism), origi- nating as a rejection of modernism, formalism, innovation, originality, and stylistic coher- ence, which began to treat tradition in a new way, extensively referring to 16th century mannerisms, ambiguity, stylistic pluralism and polysemy.While, on the one hand, trans-avant-garde artists are fully aware of the crisis of the avant- garde experiment, on the other, they aim to create content-packed works of deeply expres- sive and romantic character. The trans-avant-garde is widely considered to be an early stage of postmodernism, or simply its synonym. There is a difference, though, between the trans-avant-garde and the postmodern. Oliva speaks of a journey from America to Eu- rope and back. My article discusses these differences, systematizes the most important stylistic aspects and aesthetic ideas, and applies these observations to the study of music-a discipline Oliva did not take into consideration.A key issue in the description of the trans-avant-garde in Polish music is analysis of the trends that precede it, are synchronous with it, and follow it in history. It is also important to trace borrowings and differences along this time axis. In order to offer an insight of thiskind, I first present the different concepts of “modernity” and “postmodernity” that haveappeared in music (and art) of the twentieth century, and I then juxtapose those with the Italian original idea of la transavanguardia.
Źródło:
Avant; 2016, 7, 1
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ARISTOTLE AND THE POSTMODERN WORLD
Autorzy:
Marcos, Alfredo
Powiązania:
https://bibliotekanauki.pl/articles/507366.pdf
Data publikacji:
2012
Wydawca:
International Étienne Gilson Society
Tematy:
Aristotle
postmodernism
Opis:
With the support of recent scholarship the author proposes an understanding of the Aristotelian Corpus inspired by the biological works. He points out that this understanding is bound up with other current philosophical discussions, especially on biology, rationality, realism, the knowledge of an individual, metaphor, and poetics. The author concludes that Aristotle offers the most promising ontological, epistemological and anthropological basis not only for undertaking a series of urgent reconciliations (of facts and values, of theoretical and practical reason, of understanding and sensation, and of intelligence and emotion), but also for solving many dualisms of modern times, in their Platonic or materialist varieties.
Źródło:
Studia Gilsoniana; 2012, 1; 65-73
2300-0066
Pojawia się w:
Studia Gilsoniana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Prawda w mediach
The Truth in Media
Autorzy:
Zanussi, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/20028168.pdf
Data publikacji:
2008
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
media
truth
postmodernism
Opis:
It used to be that if some message came from an oral source, its weight depended on reliability of the one who had transmitted it and on the one who had heard it. If, on the other hand, something was printed it intrinsically became credible. Democratization of access to print and similar democratization of media, apart from its undoubtedly positive side, brings also a negative novum – it encourages everyone to speak freely. It is impossible to talk about truth in media, or truth in any other sense, and not relate to the fashionable nowadays in the humanities the vanquisher of Marxism – called postmodernism. This very movement in its popular form sows the seeds of fear of all who proclaim the existence of objective truth or, what is worse, absolute truth. They caution that the supporters of this truth will introduce it by force, so we are in danger of facing totalitarianism, fundamentalism and dark dictatorship. It is uncertainty that drives people to violence. Those who have something to hold on to are more unaffected by despair. The fanatics are often recruited from those who are adrift. Less often from those with a questing mind. But in order to seek one needs to believe that truth exists. Even if it were always incomplete and imperfect in the form in which we are able to assimilate it. To the charges that every certainty leads to violence, I reply that most frequently it is the opposite. It is fear and feeling adrift that drive people to the false certainty. Whoever believes that truth exists will easier accept that he will never grasp it. In the very important debate that was conducted some years ago, the fear of fundamentalism was juxtaposed with the fear of nihilism. I see the latter as a greater threat.
Źródło:
Annales. Etyka w Życiu Gospodarczym; 2008, 11, 2; 191-193
1899-2226
2353-4869
Pojawia się w:
Annales. Etyka w Życiu Gospodarczym
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cracovian modernists - the 60 ties, 90 ties of the XX century - the returns
Autorzy:
Wrana, J.
Powiązania:
https://bibliotekanauki.pl/articles/391276.pdf
Data publikacji:
2009
Wydawca:
Politechnika Lubelska. Wydawnictwo Politechniki Lubelskiej
Tematy:
Cracow
modernism
postmodernism
Opis:
The European reaction of the leading architects towards the period of international style, "The idea of style has yet again become up-to-date. The modern style, covering the whole world, is uniform and coherent..." [4], promoted at the exhibition "Modernist architecture" organized in Museum of Art in New York by architects Henry Russell Hitchcock and Philips Johnson, was immediate. The leading European architects: a) Walter Gropius wrote: "The aim of Bauhaus was not to promote one particular style..." [4], b) Le Corbusier formulated "Fundamental principles of aesthetics" [4], c) Bruno Taut wrote: "Five assumptions of new architecture" [4]. The message that "The form follows the function" became the very principle of modernism. The year 1972, when the blocks of flats in St. Louis, US were blown up, and the year of the actual end of the ideology originating from CIAM, is the agreed time marked as the end of modernism. It was a few years after Le Corbusier's death (1965) - the death of the unchallenged spiritual ideologist of modernism.
Źródło:
Budownictwo i Architektura; 2009, 4, 1; 125-132
1899-0665
Pojawia się w:
Budownictwo i Architektura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
WPŁYW MALARSTWA SURREALISTYCZNEGO NA REKLAMĘ WSPÓŁCZESNĄ
Autorzy:
Bednarska, Sonia
Powiązania:
https://bibliotekanauki.pl/articles/646685.pdf
Data publikacji:
2012
Wydawca:
Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie
Tematy:
advertisement
surrealism
postmodernism
intertextuality
Opis:
The purpose of this article is to examine the influence of surrealistic painting on contemporary advertising, taking into consideration the differences in use of surrealistic references on three levels of literalness: advertisement citing specific, surrealistic images, advertisement made of mosaic of various borrowings from surrealistic painting, finally advertisement created in a surrealistic manner, considered as a type of post-surrealistic masterpiece. To begin with theoretical issues connected with postmodern culture of image, the phenomena of contemporary advertisement and its intertextual relations with art, author tries to find answers on following questions: Why surrealism became so attractive material for advertisement? Is it possible, to acknowledge advertisement profiting from surrealistic painting, as an example of postmodern statement? Is it valid, basing on its example, to treat about the type of transgression in contemporary advertisement? The conclusions of this analysis include: purpose and function of use of surrealism in advertisement, the role of visual layer, disappearance of persuasive function to the benefit of strengthening the esthetic function and inscribing advertisement into postmodern paradigm of culture.
Źródło:
Studia Humanistyczne AGH; 2012, 11, 1
2084-3364
Pojawia się w:
Studia Humanistyczne AGH
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poradnictwo zawodowe w epoce postmodernizmu
Vocational counseling in the postmodern era
Autorzy:
Paszkowska-Rogacz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2139078.pdf
Data publikacji:
2002
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
career development
counseling
postmodernism
Opis:
In the beginning of the new millennium our society moves to a new vantage point from which to view the work-role and career development. All indicators suggest the move from seeking the truth to participation in conversations; from objectivity to perspectivity. This article describes the six innovations in counseling for career development that the postmodern era has already engendered: ‘‘no more experts’’, ‘‘enable rather than fit’’, rewrite the grand narrative’’, ‘‘career is personal’’, ‘‘career development is not counseling theory’’, ‘‘stories rather than scories’’.
Źródło:
Acta Universitatis Lodziensis. Folia Psychologica; 2002, 06; 29-36
2353-4842
Pojawia się w:
Acta Universitatis Lodziensis. Folia Psychologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od „dna” ku „denku”. Postmodernistyczna aktualizacja dramatu M. Gorkiego
From the bottom to the shallowness. Postmodernism in M. Gorkie’s drama
Autorzy:
Pieczyński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/915273.pdf
Data publikacji:
2018-09-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
postmodernism
intertextuality
transcontextualization
parody
Opis:
Contemporary Russian drama is situated in a dialogue with literary and more precisely dramatic tradition. For example, this thesis clearly confirms a comedy by Igor Shpric On the bottom. The text at the level of its title refers to Maxim Gorky's play  The Lower Depths.  Shpric’s comedy parodies this work by presentingGorky's characters in the social and cultural context of contemporary reality. The main purpose of the paper is the intertextual analysis and interpretation of ironic Shpric’s comedy as the transcontextualization of language, poetics, themes, plot and characters ofGorky's text.
Źródło:
Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2014, 4; 151-158
2391-470X
Pojawia się w:
Kultury Wschodniosłowiańskie – Oblicza i Dialog
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kategoria „duchowości życia” w perspektywie religijnej i flozofcznej
Autorzy:
Guzowska, Beata
Powiązania:
https://bibliotekanauki.pl/articles/44732050.pdf
Data publikacji:
2022-10-24
Wydawca:
Polskie Towarzystwo Religioznawcze
Tematy:
spirituality
religiosity
life
postmodernism
Opis:
The category of „Spirituality of Life” is a kind of „product” of modern change in religion and religiosity. The spirituality of life strives to be an alternative to human needs that are not met in traditional religions and concern the diversity of values, norms and paths of development.
Źródło:
Przegląd Religioznawczy; 2022, 3/285; 73-80
1230-4379
Pojawia się w:
Przegląd Religioznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Specyfika postmodernizmu ukraińskiego
Specificity of the Ukrainian postmodernism
Autorzy:
Szydło, J.
Powiązania:
https://bibliotekanauki.pl/articles/398762.pdf
Data publikacji:
2013
Wydawca:
Politechnika Białostocka. Oficyna Wydawnicza Politechniki Białostockiej
Tematy:
postmodernizm
modernizm
modernizm ukraiński
postmodernizm ukraiński
postmodernism
modernism
Ukrainian modernism
Ukrainian postmodernism
Opis:
W artykule poruszono zagadnienie postmodernizmu ukraińskiego. Skoncentrowano się na analizie twórczości Jurija Andruchowycza. Pokazano, że ukraińska refleksja nad ponowoczesnością, jako zjawiskiem kulturowym, wiąże się ściśle z przełomem politycznym. Postmodernizm w dawnych państwach socjalistycznych przybrał inny kierunek niż na Zachodzie; nie jest tak bogaty, dobrze znany i wpływowy jak zachodni. Niemniej jednak okazuje się wysoce kreatywny, unikatowy i oferuje inny aspekt kulturowego pluralizmu. Zwraca się do rezerwuaru narodowego dziedzictwa, a szczególnie do tej jego części, która dawniej w modernizmie postrzegana była jako prowincjonalna, niekosmopolityczna, a na tyle międzynarodowa, aby potraktować ją poważnie i dostrzec walor narodowy. Regionalizm okazuje się jedną z charakterystycznych cech ponowoczesności. Nie wyklucza to jednak wartości międzynarodowych. Postmodernizm ukraiński jest próbą unowocześnienia ukraińskiej tożsamości kulturowej, umożliwiającej znalezienie w niej miejsca dla różnorodności.
The text raises the question of postmodernism. It aims to show that Ukrainian postmodernism is a specific phenomenon based on the relationship between East and West. It is something distinctive from what has been previously discussed in the literature of postmodernism. It is not as clear and unambiguous, as there is no clear foundation. It is based on complexes, insularity, twists of history, and specific political “games”. Writing this text was a journey of budding creativity in a neighbouring, but yet little discovered country. The more so with so many outstanding characters absorbing attention of their talents and an interesting world view.
Źródło:
Ekonomia i Zarządzanie; 2013, 5, 2; 81-93
2080-9646
Pojawia się w:
Ekonomia i Zarządzanie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kłamstwo jako element kobiecej tożsamości w powieści Ludmiły Ulickiej "Сквозная линия"
Lying as a Feminine Identity in the Novel "Through Line" by Lyudmila Ulitskaya
Autorzy:
Tarkowska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2032392.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
identity
postmodernism
typology
manipulation
archetypes
Źródło:
Slavia Orientalis; 2018, LXVII, 4; 661-677
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Po mochlos – prolegomena do możliwych jeszcze rozważań o kondycji uniwersytetu
After mochlos – prolegomena to any still possible considerations about the condition of univerisity
Autorzy:
Chojnacki, Marek
Żardecka, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1029605.pdf
Data publikacji:
2020-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
university
mochlos
hauntology
Kant
postmodernism
Opis:
The text tackles the problem of the condition of university, in a world blindly believing that the only possible worth measure is economic in nature and, in the name of this belief, setting in motion a ruthless bureaucratic machinery that throttles all kinds of creativity and nips in the bud all nonstandard actions and creations. The world apparently is “out of joint”, and things are taking an unexpected turn. University is one of the victims, but also one of active accomplices of this despicable situation. How to speak about the university to those who are exclusively in business of calculating balance of profits and losses? How to speak about it after deconstruction, when all great ideas have been already repeatedly and manifoldly dismounted and discredited? How to speak about it, when the university’s men and women have discredited themselves repeatedly as well, oscillating between libido sciendi and libido dominandi? Trying to solve this puzzle, we are following in the footsteps of Derrida, who in his texts about university makes appeal to Kant, and inspired by his invention, we set in motion two opposite traditions, represented by Lyotard, Bourdieu, Bauman and Readings on the one hand, and by Humboldt, Schleiermacher and Jaspers on the other. With Derrida, we make noises about the return of the ideas of truth, of the light of reason, of the autonomy of university. It is, however, a return of the specters of the past, in alignment with Derrida’s hauntology. Humanists are people of academia who see these specters, but at the same time are already specters themselves – even if they still show up here and there, they are almost insignificant. They are onlyallowed to contemplate their negligibility and to confess their habitual helplessness. University always had to defend itself, and it does defend itself today.
Źródło:
Człowiek i Społeczeństwo; 2020, 49
0239-3271
Pojawia się w:
Człowiek i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od)nowa chrześcijańska? Apologia według powieści Filipa Dimitrowa Светлина на човеци
CHRISTIAN RENEWAL? APOLOGY BY PHILIP DIMITROV’S NOVEL СВЕТЛИНА НА ЧОВЕЦИ (THE LIGHT OF MEN)
Autorzy:
Drzewiecka, Ewelina
Powiązania:
https://bibliotekanauki.pl/articles/705107.pdf
Data publikacji:
2012
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Biblistic tradition
postmodernism
Apology
Christianity
Opis:
The paper raises the issue of the functioning of Christian tradition in (post)modern Bulgarian literature in the perspective of the typical for the Western mass culture exploitation of biblical images in order to deal with various "totalisms". The subject is a novel by Philip Dimitrov Светлина на човеци (2003), which paraphrases the New Testament themes makes a (re)construction of the image of the first Christians’ comunity and aspires to create a message in accordance with Christian canon. The text appears to be an apology of God's creation and its freedom and, consequently, to stand up for the institution of the Church and the Christian roots of Bulgarian culture. However, as adapting heterodox motifs, in fact, it raises a question about the boundaries of Orthodoxy and the definition of strategy of evangelization. The aim of this paper is to interpret the modern term of apocrypha in the perspective of the essentially ambivalent experience of postmodernism and posttotalitarism, as a testimony of the worldview exploration of the writer (and the entire epoch).
Źródło:
Pamiętnik Słowiański; 2012, 62, 1-2; 123-136
0078-866X
Pojawia się w:
Pamiętnik Słowiański
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From The Laboratory Of The 1990s To The Novel Of The 21st Century – Contemporary Bulgarian Literature In Highlights
Autorzy:
Dimitrova, Elka
Powiązania:
https://bibliotekanauki.pl/articles/694499.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
contemporary Bulgarian literature
novel
postmodernism
Opis:
The text presents the main trends in Bulgarian literary development from the 1990s to the present day through the highlights of the lyrical boom of the 1990s and the novel wave since 2001 on. Some lines of continuity are outlined, tracing back to the 1960s (regarding the literary experiment and dissident attitude), and the period before 1944 (the adoption/challenge of the modernist tradition in the 1990s). A separate research topic is the fi xation of the critical interest on certain writers’ personalities.
Źródło:
Slavica Lodziensia; 2017, 1
2544-1795
Pojawia się w:
Slavica Lodziensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postmodernism and customer centricity
Autorzy:
Mehraramolan, Amirreza
Powiązania:
https://bibliotekanauki.pl/articles/540600.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwo Naukowe Wydziału Zarządzania
Tematy:
postmodernism
positivism
customer centricity
phenomenology
Opis:
There are many different explanations of customer centricity, and many people are in support of that concept whereas many others are against it. Different meanings can be found for customer centricity in literature. Which one could be the proper and most reliable one? Most of the views on customer centricity are based on foundational philosophical approaches and many different patterns are set as a guideline for the organizations which are willing to be customer-centric. In this paper, the aim is to look at the customer centricity phenomenon from the postmodernist point of view. The question of this study is linked to an anti-foundational philosophical approach (postmodernism) and it is shown how different the answers could be based on the philosophy approach that we choose. To collect the data, 10 in-depth interviews were done with senior business managers of customer-centric organizations in Iran. The results showed completely different answers from the postmodernist point of view.
Źródło:
Journal of Marketing and Consumer Behaviour in Emerging Markets; 2016, 1(3); 34-41
2449-6634
Pojawia się w:
Journal of Marketing and Consumer Behaviour in Emerging Markets
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Karpowiczów dwóch – o dialogu prozy Ignacego Karpowicza i poezji Tymoteusza Karpowicza
Autorzy:
Witczak, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/445642.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
Karpowicz
prose
poety
postmodernism
rhizome
Opis:
Two of Them – the dialogue of Ignacy Karpowicz prose and Tymoteusz Karpowicz poetry This essay is about the participation of poetry Tymoteusz Karpowicz at Ignacy Karpowicz novels. The basis for writing prose is fragmented, multiplying references and styles, and above all the use of quotes and quasi citations. The article analyzed the references to the Karpowicz work occurring in three works: Gesty (2008), Balladyny i romanse (2010) and Spam (2008). This feature of the postmodern novel (Hassan) is here discussed in the perspective of the concept “rhizome” (Deleuze, Guattari). Karpowicz strips his characters with delusions of values. Both artists also connects the way contact with the customer – constantly shifting horizon of meaning results in the loss of opportunities to communicate and ultimately the possibility of incurring defeat.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica; 2017, 5; 145-156
2353-4583
2449-7401
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
Dostawca treści:
Biblioteka Nauki
Artykuł
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