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    Wyświetlanie 1-7 z 7
    Tytuł:
    O „rodzeniu się” poezji w twórczości Joanny Mueller
    The birth of poetry – Joanna Mueller’s works
    Autorzy:
    Witczak, Krzysztof
    Powiązania:
    https://bibliotekanauki.pl/articles/1041502.pdf
    Data publikacji:
    2018-10-26
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    poetry
    Joanna Mueller
    birth
    linguistic poetry
    body
    Opis:
    The essay concerns the work of Joanna Mueller, who is one of the main representatives of polish linguistic poetry. Her project combines the tradition of linguistic poetry and body experience. This strategy requires the development of a new understanding of the language, which will no longer be conceived as a trap references, but rather as one of many elements of reality. The best way to describe the work of the poet’s imagery is stratification, both in terms of the attitudes adopted by Mueller, by the subjects, to the construction of the poem. Equally important it seems to be the prospect of motherhood, both in terms of artistic activity, as well as the practices of life.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 33; 127-138
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    JĘZYKOWY OBRAZ BOGA W IDIOLEKCIE WILLIBALDA OMANSENA
    The Linguistic Image of God in Willibald Omansen’s Idiolect
    Autorzy:
    Żurawlew, Tomasz
    Powiązania:
    https://bibliotekanauki.pl/articles/444198.pdf
    Data publikacji:
    2013-06-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Omansen
    poetry
    linguistic image of God
    idiolect
    axiological linguistics
    Opis:
    The present analysis attempts to characterise a certain specific aspect of the image of God as reflected in the language of Willibald Omansen as well as to uncover some of the linguistic mechanisms this German writer employs. Maintained in the general framework of lexical semantics, the analysis focuses on the central lexeme God together with its connotational frame as well as on the indirectness with which the conceptualisation of God is encoded linguistically, typical of Omansen’s idiolect.
    Źródło:
    Acta Neophilologica; 2013, XV/1; 227-238
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Matka w poetyckim obrazie świata Wisławy Szymborskiej
    A mother in the poetic picture of the world created by Wisława Szymborska
    Autorzy:
    Dulko, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/2109384.pdf
    Data publikacji:
    2021-11-22
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    Wisława Szymborska
    poetry
    mother
    linguistic view of the world
    Opis:
    The article focuses on the ways Wisława Szymborska potrays a mother in her poetic works. The main goal of the analysis is to establish and discuss characteristic features of mother figure and to define the linguistic and stylistic measures Szymborska employs to convey her artistic vision. Additionally, the connotations of mother exposed in Szymborska’s poetry are confronted with the traditional view of maternity to highlight the differences and similarities between a generally accepted stereotype and the artistic vision of the poet. The study shows that the portrayal of mother in Szymborska’s poetry is characterized by a diversity of representation and artistic vibrancy of language used by the artist, who is not confining herself only to dictionary definitions and stereotypes.
    Źródło:
    Białostockie Archiwum Językowe; 2021, 21; 11-21
    1641-6961
    Pojawia się w:
    Białostockie Archiwum Językowe
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Poeci i Róża: wiersze polskich poetów w tłumaczeniu Rozy Alimpijewej jako ilustracja koncepcji przekładu wo/man
    Poets and Rose: Polish poems translated into Russian by Rosa Alimpieva
    Autorzy:
    Borys, Iwona
    Powiązania:
    https://bibliotekanauki.pl/articles/481088.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    cultural and linguistic norms
    literal translation
    poetry
    translation strategy
    translation studies
    Opis:
    Rosa Alimpieva, professor of Immanuel Kant Baltic Federal University in Kaliningrad, is known in Poland as a linguist, specialist in history of the Russian language and TS, but also as a great popularize of a Polish poetry and culture in Russia, especially in Kaliningrad Oblast. She translated into Polish from Russian selectes masterpieces of Polish poetry: poems of Adam Mickiewicz, Juliusz Słowacki, Adam Asnyk, Leopold Staff, Konstanty Ildefons Gałczyński, Czesław Miłosz, Jarosław Iwaszkiewicz. She decided also to translate into Russian some poems of her Polish friends Walenty Piłat and Krzysztof Dariusz Szatrawski. The translation has been acknow- ledged by Polish writers as very accurate and , but we think that the world of Polish poets (especially Mickiewicz) in Alimpieva’s translation is especially close to perception competence of the Russian reader.
    Źródło:
    Acta Polono-Ruthenica; 2014, 1, XIX; 29-36
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Twórcze użycie języka w tekście literackim (analiza wiersza Urszuli Kozioł Jest mi miałko… w ramach założeń poetyki lingwistycznej)
    Creative use of language in a literary text (an analysis of Urszula Kozioł’s poem Jest mi miałko… (I’m feeling bland...) based on assumptions of linguistic poeyics)
    Autorzy:
    Dobrzańska, Teresa
    Powiązania:
    https://bibliotekanauki.pl/articles/2156646.pdf
    Data publikacji:
    2022-09
    Wydawca:
    Towarzystwo Kultury Języka
    Tematy:
    creative use of language
    poetry
    linguistic poetics
    Urszula Kozioł
    description
    confession
    Opis:
    This paper presents the assumptions of linguistic poetics, a direction that combines – in a curricular manner – the research on poetry and interpretation of poetic works with an analysis of language uses in a statement. It presents the role played by M.R. Mayenowa in shaping this stream in the Polish literary studies seeking support in linguistics and enumerates the most significant curricular studies and linguistic concepts employed in analyses of the represented world of poetry as “the world behind words”. The enclosed analysis of the lyric by Urszula Kozioł Jest mi miałko… (I’m feeling bland...) is an illustration of the methodology presented here. It shows the sense-creative capabilities of language activated in a description of an unusual state of the lyrical I of the poem–confession, who is experiencing elusive feelings that are hard to express. The whole complex organisation of the poetic statement serves the purpose of outlining these unique experiences and the evoked senses can be reached only through an in-depth analysis of the language uses in the text.
    Źródło:
    Poradnik Językowy; 2022, 796, 7; 7-21
    0551-5343
    Pojawia się w:
    Poradnik Językowy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Zagęszczenia wieloznaczeń” – gry językowe w poezji Urszuli Kozioł
    “Concentrations of Ambiguities” – Linguistic Games in Urszula Kozioł’s Poetry
    Autorzy:
    Sławek, Jolanta
    Powiązania:
    https://bibliotekanauki.pl/articles/2035330.pdf
    Data publikacji:
    2021-12-27
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    poetry
    linguistic games
    sound instrumentation
    syntactic parallelism
    paronomasia
    neologism
    semantic connotations
    Opis:
    The article presents the linguistic mechanisms used by the poet Urszula Kozioł to play poetic linguistic games with her readers. Based on selected poems, the article discusses the ways of employing means from various levels of the language system, including the phonetic, morphological, inflection, syntactic and semantic systems. It is pointed out that U. Kozioł’s linguistic games are often based on complex etymological and word-building mechanisms. As a result of these, the poetry is full of unexpected, often ambiguous word forms that surprise the readers with their unconstricted morphological and phonetic form with frequently unspecified and unclear meaning, making room for new, often non-standard interpretations.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2021, 28, 2; 353-369
    1233-8672
    2450-4939
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Językoznawcza
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dwuznaczność metafor i gier językowych w filozofii
    The ambiguity of metaphors and language games in philosophy
    Autorzy:
    Popek, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/423261.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    metaphors
    language games
    poetry
    exclusion of poets
    linguistic pragmatics
    deconstruction
    metafory
    gry językowe
    poezja
    wykluczenie poetów
    pragmatyka językowa
    dekonstrukcja
    Opis:
    The problem of the ambiguity of metaphors and language games in philosophy is significant. On the one hand, we can talk about philosophers’ openness to specially inaccurate issues. On the other hand, we can note that it is not enough to stand face to face with the problem, or, what is even more difficult, determine and accept the right solution. In the context of the considerations, in my opinion, the thoughts which are especially worthy of attention are the ones of Plato and Wittgenstein, who, although from different perspectives, would reduce the problem of metaphors and language games most willingly, even excluding them from the use, or at least significantly reducing their impact on people. While the former one even “excludes” poets of the ideal state, the latter one practically leaves no room for poetic wordplay, basically pushing so understood non-literality outside his “chessboard”. However, as I wanted to show, Plato as well as Wittgenstein largely “created” poetry themselves, though they were not poets in the strict sense. In the mind of each of them, undoubtedly, there is some ambivalence in the approach to these issues. In my work I attempt to look at the problem from the perspective of deconstruction too, because I think that it sheds new light on it and allows a deeper reflection on the subject. The end of the text provides an incentive to philosophical thought in general which, despite its complexities, brings hope of redemption from daily life.
    Źródło:
    IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2015, 27; 225-245
    0860-4487
    Pojawia się w:
    IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

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