Temat: nowy realizm - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Społeczny pesymizm w prozie Romana Sienczina
Social pessimism in the prose of Roman Senchin
Общественный пессимизм в прозе Романа Сенчина
Autorzy:: Roman-Rawska, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/50389457.pdf
Data publikacji:: 2015-08-22
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: proza społeczna
nowy realizm
polityka literatury
warunki materialne
pesymizm
social prose
new realism
politics of literature
material conditions
pessimism
Opis:: The paper is an introduction to the problems of the contemporary works of a Russian writer Roman Senchin (born 1971). The author is considered to be a representative of the new realism current and his prose is a paradigmatic example of socially-oriented literature. Due to the sociological perspective, the article exposes social and political aspects of his work, but less attention has been paid to poetics as such. However, the psychological and existential aspect of Senchin’s work was also stressed. Furthermore, an attempt was made to resolve the dilemma, whether in relation to Senchin’s works it is relevant to use such theoretical concepts as politics of literature and politics in the literature.
Źródło:: Rusycystyczne Studia Literaturoznawcze; 2015, 25; 131-143
0208-5038
2353-9674
Pojawia się w:: Rusycystyczne Studia Literaturoznawcze
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Beyond the Battlefields of Memory: Historical Traumas and Hungarian Literature
Poza pobojowiskami pamięci. Historyczne traumy i literatura węgierska
Autorzy:: Kisantal, Tamás
Powiązania:: https://bibliotekanauki.pl/articles/913153.pdf
Data publikacji:: 2020-12-15
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: collective memory
traumatic events
competitive and multidirectional memory
contemporary historical fiction
new realism
pamięć kolektywna
wydarzenia traumatyczne
pamięć rywalizująca i wielokierunkowa;
współczesna proza historyczna
nowy realizm
Opis:: One can describe the contemporary Hungarian collective memory as an interpretational field of some traumatic historical events of the twentieth century. The essay aims to sketch some important tendencies of the literary representation of these events after the millennium. At first, it outlines the wider social and political contexts of these literary works. Secondly, it models the current Hungarian cultural field as an opposition between two strategies of memory labeling them in Michael Rothberg’s terminology as competitive and multidirectional ones. These approaches to the past are also associated with different ideological implications and literary canons. Finally, with a brief overview of some recent novels, the essay demonstrates some pathways of representing multidirectional attitudes to the past in the Hungarian literary fiction of the 2000s.
Współczesną węgierską pamięć zbiorową można opisać jako pole interpretacyjne kilku traumatycznych wydarzeń historycznych XX w. Artykuł ma na celu wskazanie ważnych tendencji w reprezentacji literackiej tych wydarzeń w nowym tysiącleciu. Na początku autor szkicuje konteksty społeczne i polityczne utworów literackich. Następnie przedstawia współczesną kulturę węgierską jako przeciwieństwo dwóch strategii pamięci, posługując się terminologią Michaela Rothberga – rywalizacyjnej i wielokierunkowej. Takie podejście do przeszłości wiąże się z różnymi implikacjami ideologicznymi, jak również kanonami literackimi. Wreszcie, wraz ze wskazaniem wybranych najnowszych powieści, autor pokazuje kilka sposobów reprezentacji wielokierunkowego podejścia do przeszłości w węgierskiej literackiej prozie nowego tysiąclecia.
Źródło:: Porównania; 2020, 27, 2; 47-58
1733-165X
Pojawia się w:: Porównania
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Polacy w Atelier Fernand Léger (1948-1950)
Poles at the Fernand Léger Atelier (1948-1950)
Autorzy:: Zychowicz, Karolina
Powiązania:: https://bibliotekanauki.pl/articles/1901919.pdf
Data publikacji:: 2012
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:: Fernand Léger
Atelier Fernand Léger
Pablo Picasso
Oskar Hansen
Lech Kunka
Kazimierz Ostrowski
Tadeusz Romanowski
komunizm
kultura francuska
Paryż
stypendium rządu francuskiego
Nadia Léger
sztuka abstrakcyjna
nowy realizm
realizm socjalistyczny
realizacje ścienne
sztuka zaangażowana
sztuka nowoczesna
Francuska Partia Komunistyczna
communism
French culture
Paris
French Government scholarships
abstract art
new realism
socialist realism
murals
engaged art
modern art
French Communist Party
Opis:: In Polish literature devoted to art history one can easily find information concerning scholarships of Oskar Hansen, Lech Kunka, Kazimierz Ostrowski and Tadeusz Romanowski at Fernand Léger Atelier in Paris. The subject is not strongly present in Polish art history therefore it is worth reconstruction. It shows that the French culture was still very important for Poles. What is more, the painters were in Paris at the very important moment in the French history, when existentialism and spectacular activity of the French Communist Party were developing. Abstraction and surrealism were very popular in visual arts. But Polish students were influenced by artists associated with communism. The students received scholarships funded by the French Ministry of Foreign Affairs which worried about strong influence of American culture in Europe at this time. That was the reason why so many students from Eastern Europe got this kind of scholarship. On the other hand it was the last moment to get it. The relations between two countries were getting worse and worse. The Polish students could study at the Academy of Fine Arts for free. Nevertheless, they chose the Fernand Léger Atelier. It is possible to reconstruct the nature of studies at the Fernand Léger Atelier thanks to memoirs of his students. I refer here to texts written by the Pole, Oskar Hansen, the Frenchman, Pierre Faniest and the American, Bruce Gregory. The master attended the atelier only once a week therefore the school was managed by his assistants strongly influenced by communist ideology. The atelier was located at a large building in Montmarte and was full of still lifes à la Léger. Most of students imitated the works of the master and only strong individuals kept their style. Correction of the works was quite bizarre. Léger used to say just one sentence and the best not one could get was „C'est costaud” („It's strong”). The master gave also lectures at the Atelier, showed his works and avant-garde films. Every year Léger organised the competition and exhibition of students’ works at the gallery outside Atelier. The scholarship at the Fernand Léger Atelier was particularly important for Lech Kunka and to a lesser extent for Kazimierz Ostrowski. Kunka was interested in the master’s works created during his stay in the United States (paintings where colour was separated from the line). He mixed also features of Léger style (thick black contour with pure colours) with fascination with Pablo Picasso or works from the Museum of the Human Being. Kazimierz Ostrowski was mainly inspired by the work Les Constructeurs. He mixed influences of Fernand Léger with Klee or Matisse's works. Probably also mural paintings created by both artists after return to Poland were under influence of Fernand Léger. The end of the French scholarship was astonishing. Kazimierz Ostrowski's exhibition in Sopot in 1950 was closed after few hours. Oskar Hansen didn’t take part in Polish artistic life. The cultural policy changed diametrically. The socrealism came and in the next few years nobody could take advantage of foreign scholarships.
Źródło:: Roczniki Humanistyczne; 2012, 60, 4; 253-285
0035-7707
Pojawia się w:: Roczniki Humanistyczne
Dostawca treści:: Biblioteka Nauki

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