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Wyświetlanie 1-3 z 3
Tytuł:
Bylica pospolita, „synfitonizm” i ekspozycje roślinno-ludzkich historii
Artemisia vulgaris, ‘synphytonism’ , and plant-human history exhibitions
Autorzy:
Zamorska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1944326.pdf
Data publikacji:
2021-03-30
Wydawca:
Narodowe Centrum Kultury
Tematy:
rośliny
muzeum przyrodnicze
ochrona przyrody
choreografia
in situ
plants
natural history museum
environmental protection
choreography
Opis:
What curatorial gesture would make it possible to give rise to a temporary museum in situ where anthropogenic inscriptions could be presented by the living exhibits themselves? In this article the past of the Anthropocene is defined as a time of intensified activity of Homo sapiens in the early Holocene, before our impact on the hydrosphere, geosphere and atmosphere became irreversible. The author ponders whether the current definition of a natural history museum can incorporate a project of a living, embodied, post-anthropocentric and post-institutional museum. She suggests plants as essential partners in the human becoming across the biosphere. Chlorophyll organisms initiated the Great Oxidation Event, or Oxygen Catastrophe, which led not only to the extinction of anaerobic organisms but also to the proliferation of oxygen-dependent life, including humans. The human-plant co-existence is studied through the consequences of the ‘desire for sunlight’ of the former and the ‘desire for mobility’ of the latter. Synanthropic plants, which thrive growing next to people, emerge as the protagonists of this story, with the shared interspecies history and anthropogenic mutations inscribed in their bodies. This is a story of the human–plant co-evolution where contemporary, ‘spontaneous’ synanthropic plants are depicted as agents. In this context the author describes the artistic practices of Andrea Haenggi, analysing them as curatorial gestures for an interspecies dialogue within the framework of a ‘museum setting’.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 113, 1; 60-73
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rapsodie na temat muzeum historii naturalnej. Marka Diona dyletanckie gry z ekspozycjami przyrody
Rhapsodies on the theme of a natural history museum. Mark Dion’s dilettante play with natural history exhibitions
Autorzy:
Tańczuk, Renata
Powiązania:
https://bibliotekanauki.pl/articles/1944328.pdf
Data publikacji:
2021-03-30
Wydawca:
Narodowe Centrum Kultury
Tematy:
Mark Dion
muzeum przyrodnicze
antropocen
diorama
gabinet osobliwości
natural history museum
Anthropocene
a cabinet
of curiosities
Opis:
Recognised as archives documenting natural research and human impact on nature and biodiversity loss, natural history museums prompt questions about how to explore, interpret and put their collections in context so as to provoke a discussion on the consequences of constructed concepts of nature, pressing ecological issues, and ethical obligations towards nonhuman beings and the next generation. Answers to these questions may be found in the analysis of selected works by Mark Dion who uses museum instruments and collections not so much to criticise the museum itself but to transform it into an agora. The author studies the artist’s works that refer to cabinets of curiosities. She argues that Dion’s Wunderkammer are visual quotations derived from their 16th and 17th century prototypes. Put in a new context, the quotations eliminate boundaries between words and images, theory and practice, art and science, nature and culture. The said quotations of cabinets of curiosities are of preposterous nature. Dion’s ‘mobile dioramas’ and his Ursus Maritimus project (1992–2002) are in turn recognised as subversive works where natural history museum instruments are used to unveil the institutional framework responsible for our seeing of nature and problems of the Anthropocene such as biodiversity loss.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 113, 1; 13-27
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzeum przyrodnicze jako backteller antropocenu
A natural history museum as a ‘backteller’ of the Anthropocene
Autorzy:
Rybczyńska, Zoriana
Dziubenko, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/1944291.pdf
Data publikacji:
2021-03-30
Wydawca:
Narodowe Centrum Kultury
Tematy:
muzeum przyrodnicze
Muzeum Dzieduszyckich we Lwowie
antropocen
backteller
interpretacja muzealna
natural history museum
the State Museum of Natural History in Lviv
the Dzieduszycki Family Museum
Anthropocene
museum interpretation
Opis:
The definition of a natural history museum as an institution continues to evolve following the humanistic reflection on the Anthropocene. This article focuses on the history of the State Museum of Natural History in Lviv, one of the oldest institutions of this type, recently reopened after years of reconstruction. The text seeks to analyse the museum concept and operations through the prism of the contemporary debate on the human–nature–culture relationships. The primary questions include: (1) How was the human–nature relationship depicted in the museum space as the latter evolved into its modern concept? (2) Which problems and motives present in the museum exhibitions seem close to the contemporary challenges and vision of the Anthropocene? (3) What museum interpretations are possible in the context of old natural history collections and the contemporary debate on the museum’s function and its transformation? An important conclusion is that natural history collections not only provide a valuable material for natural research, but are also a significant testimony to changes occurring in the contemporary perception of the human–nature relationship and its impact on political, economic and cultural processes taking place in modern societies.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 113, 1; 116-130
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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