Autor: Hendrykowski, Marek. - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Scenariusz filmowy jako inspiracja
The film script as an inspiration
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/917830.pdf
Data publikacji:: 2014-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: theory of practice
novel
treatment
scenario
screenwriter
script
inspiration
project
literary version
narrative
narration
poetics
standard
rhetoric of film
art of film
author
authorship
collectif work
rewriting
storyboard
shooting script
producer
cereative producer
director
remodeling
re-vision
preproduction
transition
metamorphosis
synergy
shooting
film production
crash-test
due diligence
virtual viewer
audience
spectatorship
film reception
Opis:: Screenplay is a multifunctional project written by screenwriter or screenwriters for preparing next phases of film production. Changing and many times transformed forms of screenplay belong to the nature of screenwriting. Literary vision of film changes several times being result of synergy and typical work in progress: from general idea and high concept, through story, treatment, scalette, first draft and certain number of drafts, to final draft, director’s draft and shooting script. Marek Hendrykowski’s study describes and explains these terms as forms of literary film creation in three complementary aspects: creative re-vision, rewriting and remodeling.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 211-218
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Wielkie figury semantyczne w dziele filmowym
Great semantic figures in film
Autorzy:: HENDRYKOWSKI, MAREK
Powiązania:: https://bibliotekanauki.pl/articles/921143.pdf
Data publikacji:: 2016-10-09
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: literature
film
semantic figures
narrator
narrative
narration
action
plot
author
spectator
hero
character
time
space
transition
editing
rhythm
genre
convention
style
composition
message
film art
form
content
communication
Opis:: This study is devoted to the key issue for any research on film, film art and audiovisual communication - great semantic figures. Marek Hendrykowski extrapolates the repertoire of basic concepts developed for decades in literary science (author, reader, narrator, narration, character, time, space, events, plot, style, composition, etc.) into academic film studies. Following important scientific ideas formulated half a century ago by the eminent literary theorist Janusz Slawinski, Hendrykowski stresses that the scientific sense of using these categories is not limited only to cataloguing them.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 199-216
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Poetyka etiudy Klary Kochańskiej Lokatorki
The poetics of Klara Kochańska’s film etude Lodgers
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/923079.pdf
Data publikacji:: 2018-04-26
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Polish Nation Filmschool in Łódź
student film
film etude
short feature
film style
poetics
narrative
narration
voice-over
social drama
hero
character
the art of the short film
style
fiction
direction
author
authorship
Opis:: The article provides a comparative analysis of the style and composition of Klara Kochańska’s student short feature film Lodgers. (produced by the Polish Nation Filmschool in Łódź in 2015) as an example of film narrative practices typical of the academic exercises of students today.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 21, 30
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Zelig jako docufiction
Zelig as docufiction
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/923100.pdf
Data publikacji:: 2018-04-26
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: cinema
documentary
fiction
docufiction
mockumentary
narration
narrative
moving image
reality
truth
Opis:: This close-reading analysis and interpretation examines the original form of Woody Allen’s masterpiece Zelig (1983). The author combines a film studies approach with an investigation of epistemological and semiotic reflections on moving images. The author emphasises that more than three decades ago Allen gave to a wide audience a critical, sceptical and ironic vision of the “documentary” (esp. regarding the “truth”) status of moving pictures. This study also introduces also important terminological distinction between “mockumentary” (“fake-documentary”) and a contrasting category, that is, “documentary fiction” (also called “docufiction”), giving an instructive and precise definition of both.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 21, 30
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: O właściwościach narracji filmowej
Features of film narrative
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/923142.pdf
Data publikacji:: 2018-12-22
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: narration
narrative
narrator
language of moving pictures
art of film
comparative analysis
Opis:: The aim of the article is to present a synthetic conception of film narrative both in the theoretical and practical context. The author considers the subject in terms of film theory and history. He also examines features of film narrative by using both the synchronous and diachronic method.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 23, 32
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Dwaj ludzie z szafą w perspektywie genologicznej
Two People With a Wardrobe in a Genological Perspective
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/918057.pdf
Data publikacji:: 2014-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: short film
art of film
genre
film of fiction
reality
construction
composition
condensation
language of moving images
narrator
narrative
story
plot
continuity
discontinuity
heroes
conflict
coincidentia oppositorum
Opis:: Parabola is the essence of the short film Two Men and a Wardrobe (and likewise Mammals and The Fat and the Lean). Parabola is dominant of the genre, not merely an occasional and distinguishing attribute. In its interior, we find traces of other genres. These include noir comedy, slapstick burlesque, existential drama, the thriller, and drama of the absurd, grotesque and macabre. The poetic dimension of Polanski’s short film, in which reality confronts and permeates the skilfully constructed and captivating fantasy presented by the artist, allowing all the elements of the genre to be combined into a common whole.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 171-180
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: Etiudy Romana Polańskiego
Roman Polanski’s Short Films
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/919840.pdf
Data publikacji:: 2011-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: short film
student film
student étude
production
experiment
stylistic choices
film direction
story
narrative
poetics
black humour
film art
Polish National Film
Theater and Television School
Opis:: Director/writer/actor Roman Polanski is one of the central figures in the history of Film School in Łódź. This study provides a detailed and comprehensive introduction to examine cinematic and artistic values of his early short films made between 1955 and 1961 in Poland and in France before his professional feature length debut “Knife in the Water” (1962). In his essential work Marek Hendrykowski looks at these nine shorts with in-depth analysis and adopts both historical and theoretical approach, making use of poetics terms, close reading method and socio-cultural interpretation. In its treatment of Polanski’s études this unique study discusses why these films are important in so many aspects and attracitve from many points of view and they have come to symbolise and represent modern cinema in Poland of the 1950s and early 1960s.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 9, 17-18; 159-198
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: "Rzodkiewki" Janusza Morgensterna
Janusz Morgenstern’s „Radishes”
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/920017.pdf
Data publikacji:: 2012-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: student film
etude
short feature
film style
poetics
narrative
narration
voice-over
Italian neorealism
social drama
hero
character
socialist realism
Stalin's era
Opis:: Marek Hendrykowski’s essay presents the importance of Janusz Morgenstern’s early short film Radishes made after Stalin’s death, in 1954 as a student work produced by Film School in Łódź. The main character, old worker Gruliński loses his clear hopes and human illusions. The pesimistic conclusion is closed further by the simultaneous description of the hero’s social image within a discourse of origins and the sacred which evacuates analysis of class conflict and sociological approach in the narrative of an “ordinary good man” brutally disturbed in his desires and works by the irruption and power of an omnipotent destructive stalinist “red tape” bureaucracy. The poetics of Radishes is deeply influenced by the style of an Italian neorealism, first of all by its famous masterpiece, Vittorio De Sica’s Umberto D. (1952).
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 10, 19; 89-93
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: Reality as a feeling – a feeling as reality. On the film by Joseph Cedar, Footnote
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/923274.pdf
Data publikacji:: 2019-06-15
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: intelligentsia
tradition
personality
science
culture
contemporary life
narration
narrative
Talmud
message
memory
identity
Opis:: This analytical study by Marek Hendrykowski is an attempt to re-read one of the most valuable contemporary films of Israeli production, Footnote, written and directed by Joseph Cedar. The author paid particular attention to the specific way of conducting a seemingly dependent narration, skillfully combining the image of external reality with the sphere of thought and the feelings of the main character.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2019, 25, 34; 59-68
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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