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    Wyświetlanie 1-4 z 4
    Tytuł:
    Między (re)konstrukcją a nostalgią. Współczesny polski i rosyjski neopoganizm w kontekście „postcolonial studies”
    Autorzy:
    Nakoneczny, Tomasz
    Powiązania:
    https://bibliotekanauki.pl/articles/1022763.pdf
    Data publikacji:
    2019-08-08
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    neopaganism
    postcolonial studies
    nostalgia
    myth
    postmodernism
    Opis:
    The article proposes a look at contemporary neopoganism as a phenomenon that can be described in the context of postcolonial studies. However, analyzing neopaganism through the prism of the classic postcolonial terms seems to be insufficient to the author. Therefore, he proposes to supplement it with the concept of nostalgia. He also disagrees with the view that neopaganism is the part of the postmodern trend of contemporary culture.
    Źródło:
    Studia Rossica Posnaniensia; 2019, 44, 1; 101-112
    0081-6884
    Pojawia się w:
    Studia Rossica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Post–Yugoslav Collective Memory: Between National and Transnational Myths
    Autorzy:
    Rekść, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/594705.pdf
    Data publikacji:
    2016
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    collective memory
    Yugoslavia
    myth
    collective identity
    Yugo–nostalgia
    Opis:
    The aim of this paper is to analyse the image of Yugoslavia in the collective memories of the post–Yugoslav societies. The author of this text, basing on an assumption that every society has a great number of collective memories, highlights the fact that among the Balkan nations one can find both supporters and opponents not only of the SFRY but also of the idea of the cooperation among the Southern Slavs. Both positive and negative opinions of Yugoslavia in the collective memories are based not on the sober assessment of the historical facts but on collective emotions and historical and political myths. The anti–Yugoslav discourse in primarily based on the national mythology. The discourse of the supporters of the Yugoslav tradition one the other hand, goes back in a large extend to the transnational myths. By discussing these two types of ideas about Yugoslavia, the author of this text tries to show their impact on the current political decisions.
    Źródło:
    Polish Political Science Yearbook; 2016, 45; 73-84
    0208-7375
    Pojawia się w:
    Polish Political Science Yearbook
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “It’s a War I Still Would Go To”: The American War in Vietnam and Nostalgic Re-Imaginings of World War II
    Autorzy:
    Musiał, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/545400.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    World War II
    Vietnam War
    myth
    nostalgia
    American culture
    Opis:
    In this article, I trace the process through which World War II (WWII) has become the „good war” in American culture. Drawing on a range of books and articles published on the subject —and often written by the war’s veterans—I summarize their findings considering the essentially mythical nature of the conflict’ common memory. The well-known aspects of this myth include the view that WWII was a straightforward struggle between good and evil, that the U.S. soldiers who fought it belonged to “the greatest generation,” and that it was ultimately an expression and activization of American honor, heroism, and gallantry. Further on, I argue that beginning in the 1980s, a resurgence of cultural interest in WWII becomes evident, but now tinged not only with the emerging image of “the good war,” but also with nostalgia—and that the “nostalgization” of the conflict was caused directly by, and indeed possible only because of, the U.S. experience in Vietnam. I trace the multifaceted and multiple references to WWII in Vietnam War narratives—but also to Vietnam in some nostalgic representations of WWII.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2018, 9; 9-20
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A Gnostic in the Garden: Myth and Religion in Louise Glück’s Poems
    Autorzy:
    Zazula, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/2231471.pdf
    Data publikacji:
    2020-12-31
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    Bible
    Louise Glück
    Gnosticism
    intertextuality
    loss
    motherhood
    myth
    nostalgia
    poetry
    transpersonal perspective
    Opis:
    Louise Glück repeatedly refers to the Bible and classical mythology, even when writing about poignantly personal issues. Far from being mere high-brow literary embellishments, these cultural quotes and intertextual analogs testify to Glück’s consistent attempt to transcend the traditionally personalist scope of lyric poetry. Such a resolutely transpersonal perspective is particularly discernible in her poems dealing with broadly-conceived religious themes, especially that of cultivating the postlapsarian, modern analog of the Biblical Garden of Eden. In A Village Life(2009), for example, the ontological possibility of transcendence is alternately hinted at and questioned, with the poet inhabiting a transition zone between doubt and faith as a questioning believer, so to speak. In the much-earlier The Wild Iris (1992), the axiological status of God is explored in highly unorthodox ways, the poems’ speakers undermining many established images of God in Christian and Jewish traditions. Arguably, what the two volumes share is their Gnostic imagery, purposely veiled in A Village Life and more explicit in The Wild Iris. Already present in Firstborn (1968), Gnostic undertones can also be found in other volumes, e.g. The House on Marshland (1975) and Descending Figure (1980). Iconoclastic and transgressive, Glück’s poems often expose a destructive facet of transcendence or feature some kind of charge against God, explicit or implicit. The Creator for the most part remains irritatingly silent, with the poet constantly bringing this up—sometimes in a tongue-in-cheek, sometimes in a deadly serious manner. A virtuoso of register shifts, Louise Glück plays cat and mouse with the reader, evading any closures. Her personal creed remains a riddle.
    Źródło:
    Academic Journal of Modern Philology; 2020, 10; 255-268
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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