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Wyszukujesz frazę "musical semantics" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
Czy pianiści to również aktorzy, czyli kilka refleksji nad gestem w muzyce
Pianist as an actor: remarks on gesture in music
Autorzy:
Bruliński, Michał
Powiązania:
https://bibliotekanauki.pl/articles/514102.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
gesture
music
pianist
musical semantics
communication
Opis:
Apart from the functional dimension, the pianist’s gesture, which cannot be compared to linguistic sign, is a medium of various meanings, therefore it plays an important role in the extraverbal proces of communication between the pianist and the audience during the piano recital. It is stated that the agreement between pianists, as representatives of airtight world of classical music, and a crowd of aesthetically open-minded people, lies in the sphere of body and gesture. The author outlines some proposals on how to define a musical gesture and how to examine it. It is proved that the gesture is a powerful tool in the pianist's hands and that the arsenal of emotionally-communicative gestures during the piano performance process is enormous. Immensely important in the gestural context is coherence and naturalness. There exists a contradiction between the reflections derived from the modern performance practice and the common knowledge of the majority of piano teachers, caused by numerous 'historical misunderstandings'. A brief study of selected gestural cases (Franz Liszt, Ignacy Jan Paderewski, Sviatoslav Richter, Emil Gilels, Lang Lang, Martha Argerich, Yuja Wang, Waldemar Malicki) was done.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2015, 3 (26); 44-56
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Topika w muzyce – definicje, historia, znaczenie
Topics in Music – Definitions, History, and Meanings
Autorzy:
Sołtysik, Michał S.
Powiązania:
https://bibliotekanauki.pl/articles/2171377.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
music and topics
theories of musical topos
content of a musical piece
musical semantics
topical music analysis
Opis:
The aim of the article is to present the concept of topics in music, which was associated with the presentation of this term in the history of culture and literature. Due to the broader context, it will be possible to present this Greek term more fully in musicology and in relation to the interpretation of selected examples of musical works. The study consists of three complementary parts. The first introduces to the genesis of the concept, which originates from ancient rhetoric and has been described, among others by Aristotle, Cicero or Boethius. The second part of the article is the presentation of the topic in the context of the analyzes of Ernst Robert Curtius, Janina Abramowska and Jacek Jadacki in the field of literary studies. The last and most extensive part of this text is devoted to showing topics in musicology on the example of several authors. The papers on topic theory will be highlighted, which since the 1980s has been mainly developed by researchers from Anglo-Saxon countries.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 4(47); 5-26
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Topics in Music – Definitions, History, and Meanings
Autorzy:
Sołtysik, Michał S.
Powiązania:
https://bibliotekanauki.pl/articles/2176103.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
music and topics
theories of musical topos
content of a music work
musical semantics
topical music analysis
Opis:
The aim of the paper is to present the concept of topics (Gr. τοπικά) in music, which entails a presentation of its uses in the history of culture and literary studies. Thanks to such a broad context, it will be possible to interpret this Greek term more fully as applied to musicology and to the analysis of selected examples of musical works. The article consists of three complementary parts. The first deals with the origins of the concept, derived from ancient rhetoric and discussed, among others, by Aristotle, Cicero, and Boethius. The second part of the article presents topics in the context of analyses by Ernst Robert Curtius, Janina Abramowska, and Jacek Jadacki in the field of literary studies. The last and most extensive part of this paper is dedicated to the place of topics in musicology on the example of several authors. I discuss writings on topic theory, which since the 1980s has mainly been developed by researchers from Anglo-Saxon countries.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 4(47) ENG; 5-23
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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