Temat: Formalism - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Ethical vs Ideological in the Literary Discussions in Soviet Ukraine in the 1920s: Boris Eikhenbaum in Kharkiv in 1926
Autorzy:: Babak, Galina
Powiązania:: https://bibliotekanauki.pl/articles/2080848.pdf
Data publikacji:: 2019
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: formalism
modernism
Marxism
Soviet Ukraine
Eikhenbaum
Nauki Humanistyczne i Społeczne
Opis:: The article examines the theoretical discussions on the dualism of “form” and “content” in literature and art that took place in Soviet Ukraine in the mid-1920s. The subject is considered in the context of the development of two competitive approaches of study of literature and art — Russian formalism and Marxism. The problem is observed through the comparison of ethical and ideological positions of the modernists and Marxists in Russia and Ukraine in the 1920s.
Źródło:: Historyka studia metodologiczne; 2019, 49; 41-53
0073-277X
Pojawia się w:: Historyka studia metodologiczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Nie tylko technika – ekspresja konstrukcji jako estetyczny walor dzieła architektonicznego
Not just technology – expression of construction as an architectural work`s aesthetic value
Autorzy:: Ośniecka, Sylwia
Powiązania:: https://bibliotekanauki.pl/articles/514832.pdf
Data publikacji:: 2016
Wydawca:: Fundacja dzień dobry! kolektyw kultury
Tematy:: architecture
construction
expression
modernism
formalism
architektura
konstrukcja
ekspresja
modernizm
formalizm
Opis:: The article raises the problem of aesthetic role of construction in the architectural object. The building’s structure can fulfill its task not only as a technical element – bearing particular load – but it can also be an expressive value of work and, ipso facto, may affect the aesthetics of the building. Construction can be analyzed analogously to parsing the work of abstract art. In the first part of the article theories serving as a base of analysis are presented, such as Heinrich Wölfflin’s theory of formal analysis of work of art, Wassily Kandinsky’s theory respecting aesthetical influence of geometric forms, as well as theories of psychology of perception, developmental psychology and psychological perception of physical strengths acting in the structure. In the second part of the article the author presents examples of architectural objects analyzed in the view of the expression of construction, including various types of construction, among others: Crystal Palace in London, Eiffel Tower in Paris, Centennial Hall in Wrocław and Palazzo del Lavoro in Turin.
Źródło:: Amor Fati; 2016, 1(5); 45-66
2449-7819
Pojawia się w:: Amor Fati
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Spóźniona zmysłowość i nowa wrażliwość (O Przeciw interpretacji i innych esejach Susan Sontag)
The belated sensuality and new sensibility (about Susan Sontag’s against interpretation and other essays)
Autorzy:: Kopkiewicz, Aldona
Powiązania:: https://bibliotekanauki.pl/articles/969628.pdf
Data publikacji:: 2012
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:: modernism
avant-garde
sensuality
formalism
camp
modernizm
awangarda
zmysłowość
formalizm
kamp
Opis:: The article discusses early essayistic writing of Susan Sontag, mainly the well-known and influential essays Against interpretation, On style, Notes on ‘Camp’, and One culture and new sensibility. The author looks at the evolution of Sontag’s aesthetic assumptions, especially at the way her initial praise of Modernism developed into categories of Post-modernism. Interestingly, all the time Sontag’s thought went along the lines of avant-garde thinking. The author also looks at the way Sontag’s aesthetic assumptions translated into her literary criticism on the basis of her essays and reviews about the French culture of 1950s and 1960s.
Źródło:: Wielogłos; 2012, 2, 12; 135-141
2084-395X
Pojawia się w:: Wielogłos
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Porządkowanie awangardy
Autorzy:: Kmiecik, Michalina
Powiązania:: https://bibliotekanauki.pl/articles/969649.pdf
Data publikacji:: 2012
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:: modernism
avant-garde
sensuality
formalism
camp
modernizm
awangarda
zmysłowość
formalizm
kamp
Opis:: The article is an attempt at formulating a new typology of the avant-garde in its different modes of functioning. The starting point is the assumption that experimental art at the beginning of the twentieth century was first and foremost the answer to sociocultural changes and the resultant crisis of representation. Four types of attitude are proposed: the socio-affirmative one constitutes an apotheosis of the crisis, which becomes a springboard for the emergence of a new cultural era. Representatives of this stance believe in the possibility of creating entirely new means of expression or conventions and embrace the ideology of progress. The decadent type is a continuation of the Adornian aestheticism; it is characterized by melancholy and the awareness of the impossibility of overcoming the crisis, which often takes on a form of controlled chaos and tragic tomfoolery. The surrealist type tries to create an alternative reality for art, which would liberate it from its cognitive limitations. Finally, the aesthetic-religious type is characterized by the experience of past aesthetics, where the need for beauty is notoriously undermined by the awareness that the means of representation have worn out and the truth is hidden. It is often expressed by yearning after an ineffable sacred, which is not so much lost as eternally ungraspable, hidden and absent.
Źródło:: Wielogłos; 2012, 2, 12; 105-125
2084-395X
Pojawia się w:: Wielogłos
Dostawca treści:: Biblioteka Nauki

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