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Wyświetlanie 1-4 z 4
Tytuł:
Wybrane dzieła współczesnego polskiego malarstwa abstrakcyjnego w świetle Ingardenowskiej koncepcji jakości metafizycznych
Autorzy:
Tes, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/943891.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
Roman Ingarden
aesthetics
metaphysics
painting
abstraction
contemplation
sense
Opis:
Selected works of the contemporary Polish abstract painting in the light of Ingarden’s conception of metaphysical qualities: The main thesis of my article is that Roman Ingarden’s concept of metaphysical qualities can be adapted to analyze and interpret artworks that represent some tendencies in abstract painting. I start by summarizing this concept, taking into consideration the elements of its reconstructions that are present in the source literature, especially those aspects that concern art. Although Ingarden’s idea can be used with many examples, I employ it to analyze chosen artworks by the outstanding Polish abstract artists Tamara Berdowska, Władysław Podrazik, Tadeusz G. Wiktor and Jan Pamuła. I do not intend to refer to these paintings strictly in Ingarden’s terms, but I use these criteria in a way that allows me to enrich the interpretation of these artworks by showing them in a new light. By recognizing the role of contemplation of art, I try to fnd the genesis of the analyzed examples and reveal how metaphysical qualities manifest in them and infuence the viewer. I underline aspects that are distinctive of the presented artists and are related to the exceptional ability of abstract language to correspond to Ingarden’s idea. Subsequently, when developing my point of view I maintain the relationship between aesthetic and metaphysical sense that creates a kind of interdependence. These artists intentionally go beyond purely aesthetic efects to relate to transcendence. By adapting Ingarden’s concept to some contemporary abstractions, I try to link philosophical and critical ways of approaching these artistic phenomena with special regards to their metaphysical connotations that tend to be overlooked in contemporary discourses.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2019, 9, 1; 81-100
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
MARITAIN AND AQUINAS ON OUR DISCOVERY OF BEING
Autorzy:
Wippel, John F.
Powiązania:
https://bibliotekanauki.pl/articles/507683.pdf
Data publikacji:
2014
Wydawca:
International Étienne Gilson Society
Tematy:
Maritain
Aquinas
Gilson
essence
esse
ens
metaphysics
abstraction
judgment
separation
Opis:
The author presents and compares Maritain’s and Aquinas’s accounts of our discovery (1) of being as existing; and (2) of being as being (ens inquantum ens or the subject of metaphysics). He finds that especially in his final discussion of how one discovers being as being, Maritain’s account suffers greatly from the absence of any appeal to Aquinas’s negative judgment of separation and also from the omission of reference to the role of judgments of existence in one’s discovery of a premetaphysical notion of being. Wippel finds no evidence in Aquinas’s texts for Maritain’s defense of an intuition of being or of existence.
Źródło:
Studia Gilsoniana; 2014, 3; 415-443
2300-0066
Pojawia się w:
Studia Gilsoniana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poznanie metafizyczne w świetle rozróżnień abstrakcyjne– konkretne i ogólne–jednostkowe
Cognition in metaphysics in the light of distinctions: abstract–concrete and universal–particular
Autorzy:
Luc, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/423254.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
cognition
metaphysics
universality
particularity
abstraction
poznanie
metafizyka
uniwersalność
szczegółowość
abstrakcja
Opis:
The aim of this paper is to present an approach in metaphysics/ontology, which is founded on two distinctions: abstract–concrete and universal–particular. To different cognitive issues one can assign different “categorical coordinates”, namely: a place in the spectrum of abstractness and one of the three following characteristics: particularity, proper universality, total universality. The thesis of this paper is that metaphysics should be located in the region of universality and high degrees of abstractness. Such a localization is connected with specific cognitive difficulties which are present in this branch of philosophy. I demonstrate some problems from the history of philosophy which could be interpreted as caused by these difficulties. Applicability of my thesis to such concrete cases is treated as its indirect justification.
Źródło:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2015, 27; 215-223
0860-4487
Pojawia się w:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Redpath on the Nature of Philosophy
Autorzy:
Delfino, Robert A.
Powiązania:
https://bibliotekanauki.pl/articles/507612.pdf
Data publikacji:
2016-03-30
Wydawca:
International Étienne Gilson Society
Tematy:
Aristotle
Thomas Aquinas
Peter Redpath
Armand Maurer
philosophy
science
wisdom
first principle
sense realism
common sense
cause
universals
abstraction
formal object
method
virtue
happiness
genus
metaphysics
Opis:
In this article the author discusses Peter A. Redpath’s understanding of the nature of philosophy and his account of how erroneous understandings of philosophy have led to the decline of the West and to the separation of philosophy from modern science and modern science from wisdom. Following Aristotle and St. Thomas Aquinas, Redpath argues that philosophy is a sense realism because it begins in wonder about real things known through the senses. Philosophy presupposes pre-philosophical knowledge, common sense, which consists of principles rooted in sensation that make human experience, sense wonder, and philosophy possible. Philosophy is certain knowledge demonstrated through causes and thus philosophy is the same as science. Redpath understands science as a habit that we acquire through repeated practice. More precisely, a scientific habit is a simple quality of the intellect that enables us to demonstrate (prove) the necessary properties of a genus through their causes or principles. In this way, science is the study of the one and the many. Redpath argues that metaphysics is the final cause of the arts and sciences, providing the foundation for all of the arts and sciences and justifying their principles. Finally, he argues that with modernity’s loss of belief in God and its rejection of metaphysics as a science, utopian socialism has become an historical/political substitute for metaphysics.
Źródło:
Studia Gilsoniana; 2016, 5, 1; 33-53
2300-0066
Pojawia się w:
Studia Gilsoniana
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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