Temat: anthropology of art - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Chwasty i ruiny. O związkach krajobrazu i pamięci w projekcie Chwasty Karoliny Grzywnowicz
Autorzy:: Anna, Gańko,
Anna, Wandzel,
Powiązania:: https://bibliotekanauki.pl/articles/897627.pdf
Data publikacji:: 2018-08-01
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: plants
weeds
anthropology of art
field study
landscape
memory
materiality
environment
Opis:: The article describes Karolina Grzywnowicz’s Chwasty (Weeds) project. In order to provoke the recipients to reflect on the life of the resettled people, the artist cut out a piece of the Bieszczady meadow and transferred it to Warsaw, where the installation was accidentally mowed. Attempting to answer the question why Weeds were destroyed, we examine how accurate the artist’s recognition is that the Bieszczady landscape is a carrier of memory of the resettled people, and then we prove that the part of the meadow, which in the Bieszczady co-created the keenly practiced landscape, is alienated and transformed into a commodity, and thus it loses its culture-forming functions. The project and the concept of landscape closely related to it are analysed from two complementary perspectives: field experience and anthropology of art.
Źródło:: Przegląd Humanistyczny; 2018, 62(1 (460)); 105-120
0033-2194
Pojawia się w:: Przegląd Humanistyczny
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Nostalgia against melancholy: artistic corporeal representations of the eternal return as a solution. A comparative approach to the work of Jon Mirande and Balthasar Klossowski
Autorzy:: Estenaga, Amaia Elizalde
Powiązania:: https://bibliotekanauki.pl/articles/545487.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet Gdański. Wydział Filologiczny
Tematy:: Art, literature
anthropology
the myth of the eternal return
memory
melancholy
nostalgia
Opis:: This paper focuses on the role that nostalgia and memory play in avoiding the melancholy that the idea of death and passage of concrete real time convey to human beings. While archaic societies found collective responses to the issue and believed in the myth of the eternal return and cyclical time, their modern counterparts started to understand time as linear and, as a consequence, had to find other strategies to abolish concrete real time. By analysing art works from the anthropological and comparative approaches of art criticism, it is contended that art has been an important means to resolve the problem, as some of the corporeal artistic representations of the eternal return created during the 20th century demonstrate.
Źródło:: Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2018, 9; 157-172
2353-4699
Pojawia się w:: Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:: Biblioteka Nauki

Artykuł

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