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Wyświetlanie 1-3 z 3
Tytuł:
Milady Součkovej prywatne archiwum pamięci (na podstawie opowiadania Rok šestašedesátý ze zbioru Neznámý člověk)
Milada Součková’s Private Memory Archive (Based on the Short Story Rok šestašedesátý from the Collection Entitled Neznámý člověk)
Autorzy:
Woźniak, Kamila
Powiązania:
https://bibliotekanauki.pl/articles/1068066.pdf
Data publikacji:
2021-02-23
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
memory studies
Milada Součková
memory
Czech literature
Czech avant-garde
Opis:
This article presents an analysis of one of the short stories authored by Czech writer – Milada Součková: the short story Rok šestašedesátý included in the collection entitled Neznámý člověk (published in 1962, written in 1943). The introduction addresses the issues related to the clarification of the concept of a memory archive and the concept of the archive itself. Its characteristics, i.e. a certain arrangement of the collection, its permanent structure and three essential aspects of archiving are indicated: searching, saving and storing. These aspects are also typical of the structure of the analysed prose authored by Milada Součková. The next part of the article (Neznámý člověk as a private archive of memory) pertains to the entire above-metioned volume of the stories whose characteristic motif is the motif of memory linked with space, time and history. In the further parts of the article, the author goes on to the structural and interpretative analysis of the story she is interested in. She draws attention to such aspects as memory figures, i.e. time and space, thematic associations, memory carriers and memory traces and places. In conclusion, she draws attention to three components of the Milada Součková’s private memory archive: the memory of the language, the memory of the father and the memory of the historical events taking place in 1866.
Źródło:
Poznańskie Studia Slawistyczne; 2020, 19; 273-289
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ornella Labriola: the loneliness of an irreducible memory
Autorzy:
Selvaggio, Maria Antonietta
Powiązania:
https://bibliotekanauki.pl/articles/1036779.pdf
Data publikacji:
2017
Wydawca:
Academicus. International Scientific Journal publishing house
Tematy:
history
memory
political identity
private life
public life
relation with the past
Opis:
This paper aims at analyzing the particular case concerning Ornella Labriola (1908-1991), who lived between Italy and Soviet Union. She was a guest of the famous hotel “Lux” in Moscow, the dwelling place of international Communism during the years of Stalinism. In that place, happened her love story with Giuseppe Rimola (1905-1938), delegate of Italian young communists in the Kjm (the Young Communist International). He was arrested and condemned to death as ”people’s enemy” in the gyre concerning he terror of Stalinism. During all her life, Ornella Labriola only desired to show people the truth about the death of her own partner, also to rescue the sense of her own existence and choices. The biographical approach of our research permits to emphasize witness’s feelings, believes, values and auto-reflexivity. Labriola was interviewed a year before her death. Her narration is focused on her relationship with ideology, with the revolutionary time when she grew, with the political treat as it was perceived during the thirties and forties; but also she talked about her love relation with her partner in a cultural context in which it was normal to sacrifice own private life on the altar of revolutionary necessities.
Źródło:
Academicus International Scientific Journal; 2017, 15; 91-121
2079-3715
2309-1088
Pojawia się w:
Academicus International Scientific Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Duchy miejsca – napisy (graffiti) w przestrzeniach publicznych i prywatnych jako przedmiot badań archeologii współczesnej przeszłości
The Ghosts of Places – Inscriptions in the Public and Private Spaces as a Research Material for the Archaeology of the Contemporary Past
Autorzy:
Kajda, Kornelia
Frąckowiak, Maksymilian
Powiązania:
https://bibliotekanauki.pl/articles/681931.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
napisy
ryty
graffiti
archeologia niedawnej (współczesnej) przeszłości
pamięć
inscription
carvings
archaeology of the recent past
memory
Opis:
Writing, signing and carving names in public spaces are popular ways of indicating somebody’s presence in the world. Various inscriptions made in different places have been appearing from the ancient times until today. There are multiple motivations for such practice: a simple signing to indicate somebody’s presence, a declaration of sympathy or antipathy to some idea or person or political manifests and encouragement to engage in some actions. Despite the popularity of such phenomenon and its long duration, archaeologists, especially those involved in studying the recent or contemporary past, are not particularly focused on researching this source of knowledge. Most of the academic works which concern inscriptions and graffiti are conducted by sociologists or visual culture specialists. However, these sources may be truly significant in studying microhistories of the places and people. Thus, in our article we want to present a unique potential of graffiti in the studies related to the recent and contemporary past. The aim of our article is to show various spatial contexts in which graffiti may be encountered and to present how the archaeology of the contemporary past may take advantage of researching such inscriptions. After Laurent Olivier (2001), we think that discovering the local past is a characteristic feature of the archaeology of the contemporary past and our article aims to show how the specific “being” of graffiti around us may contribute to discovering the microhistories of people and places. According to Michael Bell’s concept (1997), we interpret graffiti as “the ghosts of place” which indicate the presence of those who are no longer in the place. Due to the breadth of topics connected with graffiti, we decided to focus on those inscriptions which manifest someone’s presence in the place, narrowing our studies only to its written form (not graphic).
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Źródło:
Acta Universitatis Lodziensis. Folia Archaeologica; 2017, 32; 345-363
0208-6034
2449-8300
Pojawia się w:
Acta Universitatis Lodziensis. Folia Archaeologica
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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