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Wyszukujesz frazę "mask–face" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Epifania twarzy czy iluzja maski? O zmaganiu się człowieka w ujęciu filozofii dramatu Józefa Tischnera
Facial epiphany or mask illusion? About the struggle of man in terms of the Józef Tischner’s philosophy of drama
Autorzy:
Mizdrak, Inga
Powiązania:
https://bibliotekanauki.pl/articles/2036457.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
dialogue
face
mask
relation
identity
drama
Opis:
The aim of the article is to present human issues in the context of the face and the mask as its negative. This is to bring us closer to a better diagnosis of the human condition today and the changes that can be articulated on its basis. Both the face and the mask are multi-context, and any attempt to define them encounters a number of difficulties. In Józef Tischner’s philosophy of drama, the face is a condition for the essence of the meeting. On the other hand, the mask, as an appearance and falsification of the truth of the face, is placed in the ambiguous perspective of hiding, concealing, mystifying or obscuring or obscuring the image of the face. Thanks to the face, man is somehow “at home”, and in the bonds of the mask he is somewhat “out of place”, he is lying. The face is relational and the mask is reactionary. Inquiries about whether the face brings closer and reveals the naked being of a human intensified questions about the nature of the face itself and whether it is possible to reach the pure phenomenon of the face as such. Both the face and the mask reveal important moments in the characteristics of a human being as a dramatic being, in which questions about meaning, identity, freedom and responsibility, as well as what is “between” I and You, gain in intensity and imply new attempts to reveal who is a human.
Źródło:
Przestrzenie Teorii; 2021, 36; 257-271
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kunderowskie zmagania z kiczem – raz jeszcze o „Nieznośnej lekkości bytu”
Autorzy:
Hudymač, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/1187221.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Milan Kundera
The Unbearable Lightness of Being
kitsch
testament
lie
mask
socialism with a ‘human face
Opis:
This paper deals with the Kundera’s most popular novel as a passionate dialogue with kitsch. The Unbearable Lightness of Being is based on the antinomy of lightness and heaviness, as well as kitsch and individuality. The narrator treats his characters as the experimental ego and confronts them with the reality created on the cross-scheme of those key-words mentioned above. Kundera interprets the phenomenon of Kitsch as the tool to create a totalitarian reality and slave human beings, but also as something, that can be recognize and ‘domesticate’, and then comprise an inalienable part of human existence and its relation to the world. Paper also deals with the Kundera’s famous aversion to film his novels. He banned any further film adaptations of his work, having disliked the way The Unbearable Lightness of Being had been adapted by Philip Kaufman in 1988.
Źródło:
Załącznik Kulturoznawczy; 2016, 3; 72-84
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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