Temat: God of religion - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Świętego Jana od Krzyża wizja zjednoczenia człowieka z Bogiem. Analiza filozoficzna
St. John of the Cross’s Vision of Man’s Union with God. A Philosophical Analysis
Autorzy:: Grochowska, Grażyna
Powiązania:: https://bibliotekanauki.pl/articles/507242.pdf
Data publikacji:: 2019-08-20
Wydawca:: International Étienne Gilson Society
Tematy:: John of the Cross
God
man
person
fulfillment
union
religion
body
soul
love
adaptational relationship
participation
Opis:: The article considers the grounds for man’s fulfillment through his union with God. It analyzes the problem through the writings of St. John of the Cross. The analysis is focused on: (1) the need for accommodation of bodily elements to the soul in man, (2) the ways of knowing God as the highest degree of qualities present imperfectly in man, and experiencing God as the One who supports man’s life, grants him His graces, and loves him, (3) the adaptational relationship between man and God. The author concludes that man’s union with God transforms him into God through his personal (i.e., conscious and voluntary) participation.
Źródło:: Studia Gilsoniana; 2019, 8, 3; 593-620
2300-0066
Pojawia się w:: Studia Gilsoniana
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Bierdiajewowska filozofia człowieka jako filozofia dialogu
Бердяевская философия человека как философия диалога
Berdyaev’s Philosophy of Human as the Philosophy of Dialogue
Autorzy:: Domeracki, Piotr
Powiązania:: https://bibliotekanauki.pl/articles/497349.pdf
Data publikacji:: 2015
Wydawca:: Stowarzyszenie Filozofów Krajów Słowiańskich
Tematy:: философия человека
философия диалога
антропологизм
антропоцентризм
персонализм
антропоэтика
любовь
свобода
одиночество
религия
Бог
filozofia człowieka
filozofia dialogu
antropologizm
antropocentryzm
personalizm
antropoetyka
miłość
wolność
samotność
religia
Bóg
philosophy of human nature
philosophy of dialogue
anthropologism
anthropocentrism
personalism
antropoethics
love
freedom
loneliness
religion
God
Opis:: Автор предлагает интерпретацию философии Бердяева как философии человека. Важная роль в ней humanum позволяет ему предложить ее моделью философии диалога. Автор считает, что философия диалога Николая Бердяева во многих вопросах совпадает с диалогизмом философии (гетерологии) Эммануэля Левинаса. Автор предлагает признать и изучать, а также популяризировать философию Бердяева как представителя европейской фило-софии диалога, который вносит в нее существенное, хотя и несомненно спорное novum.
The author proposes an interpretation of Berdyaev’s philosophy as a philosophy of human being. He considers humanum as a model example of the philosophy of dialogue due to its importance. The author represents the view that the philosophy of dialogue by Nicholas Berdyaev is in many points consistent with the dialogism (heterology) by Emmanuel Levinas. He offers to recognize and study, as well as to popularize the Berdyaev’s philosophy as a representative of the European philosophy of dialogue, which contributes to it, but certainly brings also the disputable novetly.
Źródło:: ΣΟΦΙΑ. Pismo Filozofów Krajów Słowiańskich; 2015, 15; 219-235
1642-1248
Pojawia się w:: ΣΟΦΙΑ. Pismo Filozofów Krajów Słowiańskich
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Opowieść o „życiopisaniu”. Portret Emily Dickinson w filmie Cicha namiętność Terence’a Daviesa
Autorzy:: Bobowski, Sławomir
Powiązania:: https://bibliotekanauki.pl/articles/2031042.pdf
Data publikacji:: 2019-12-16
Wydawca:: Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:: Emily Dickinson
poetry
writing
life
suffering
happiness
love
Sapphic love
motherhood
fatherhood
religion
faith
mystery of God
film structure
film composition
editing
narration
poezja
pisarstwo
cierpienie
szczęście
miłość
miłość saficka
macierzyństwo
ojcostwo
religia
wiara
tajemnica Boga
struktura filmu
kompozycja
montaż
narracja
Opis:: Emily Dickinson was not married nor had children, she did not establish a family, but she had a life filled to the brim with love, friendship, suffering, death, searching for God and, of course, writing poems about all these fundamental phenomena of human existence. Her poetry reveals a picture of a woman who is unusually spiritually rich, beautiful and…unhappy, living for the bigger part of her mature existence like a hermit, oftentimes being a witness of deaths of those to whom she was closest. Additionally, perhaps because of her Sapphic inclination, she could experience suffering being forced to suppress it and feeling social isolation or exclusion. On the other hand, any reader of poems by “the nun of Amherst” can sense a great blast of happiness and some ecstatic delight over the existence itself and… the possibility of expressing this delight in poems. Just life itself and poetry were the greatest passions of Dickinson among many others which profusely filled her psyche. Indeed, it is difficult to assess which of these two infatuations was stronger. That is why I used in the title of my essay a neologism: “life-writing” (“życiopisanie”), which was some time ago first employed by the Polish poet Edward Stachura in reference to his own life and poetry. Terence Davies’s movie about Emily Dickinson and her life is a real masterpiece in which the weave of the two main passions Dickinson had, their interpenetration, their ardent intimacy or simply indissolubility and unity have been shown in a deliciously suggestive way. The essay is a modest attempt at using such a way of describing things.
Źródło:: Tematy i Konteksty; 2019, 14, 9; 610-635
2299-8365
Pojawia się w:: Tematy i Konteksty
Dostawca treści:: Biblioteka Nauki

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