Temat: euphemism - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Über Arschkriecher, Arschaffen, dupki und głupie dupy – Zum sprachlichen Tabu(brechen) um den Arsch im Deutschen und dupa im Polnischen (am lexikographischen Material)
On arschkriecher, arschaffen, assholes and dumbasses – (breaking) taboos of the German lexeme arsch and the Polish lexeme dupa (on the basis of lexicographical research)
Autorzy:: Szczęk, Joanna
Powiązania:: https://bibliotekanauki.pl/articles/679733.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: ass
taboo
euphemism
dysphemism
linguistic taboo
Opis:: This article presents a lexical analysis of the German lexeme Arsch and the Polish lexeme dupa. The departure point is the thesis that linguistic taboos connected with this vulgarism are more and more often broken. This can be observed in the numerous examples given in the text and the formative and collocational potential of the analyzed lexemes.
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Źródło:: Acta Universitatis Lodziensis. Folia Germanica; 2017, 13; 21-32
2449-6820
Pojawia się w:: Acta Universitatis Lodziensis. Folia Germanica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Tabu językowe i eufemizm w sytuacji religijnej
Linguistic Taboo and Euphemism in the Religious Situation
Autorzy:: Nowak, Małgorzata
Powiązania:: https://bibliotekanauki.pl/articles/2127793.pdf
Data publikacji:: 2002
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:: współczesny język religijny
tabu językowe
wulgaryzm
eufemizm
contemporary religious language
linguistic taboo
vulgarism
euphemism
Opis:: The paper deals with the question of the linguistic taboo in contemporary religious texts on the basis of some considerations on the stylistic and rhetorical means in the new parlance about God, the new language of contacts among the believers and between the believers and nonbelievers. The problem of the linguistic taboo has been shown on the basis of some generically different religious texts (homilies, catecheses, conferences, columns, testimonies, and announcements). There is a reason to worry in the contemporary religious language, namely the tendency in contemporary Polish speaking people to make it colloquial. Polish users are unable to choose and select lexical means with regard to their communicative situation. In the religious situation particular components of the act of speech, such as the theme of a message, the context of expression - its place when words are said, the relations between the emitter and the recipient, therefore one should take special are about the form of communication. The religious situation (the place is often connected with the sphere of sacrum), it excludes a priori, as it were, the use of linguistic elements connected with taboo. One may assume that the users of the religious language should have special self-censorship in terms of vocabulary and style rooted in their consciousness. The tendency to make the religious language more contemporary (on the level of homilies, or the translations of the Bible), this makes it that in various religious texts colloquial lexis is more and more common. The indication of modernity becomes, unfortunately, that which in common parlance is boorish and vulgar. The use of colloquial lexis in a non-standard situation, and such is public situation, may be connected with particular intentions of the emitter who consciously transcends linguistic and cultural conventions. The emitter of a religious text consciously breaks a customary norm by his use of dirty words. Trivial and vulgar words, like euphemisms, may be treated as a purposeful means of persuasion. The answer to the question, whether this means is effective is still open. There are metatextual operators which blunt some formulations, and this fact denotes that users are well aware that linguistic and stylistic conventions are broken. These operators contain a verb which deals with the act of speaking and an element of reservation, a kind of inverted comas.
Źródło:: Roczniki Humanistyczne; 2002, 49-50, 6; 291-305
0035-7707
Pojawia się w:: Roczniki Humanistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: L’exhibition des tabous dans la littérature argotique moderne. L’exemple d’Alphonse Boudard
The exhibition of taboos in the modern slang literature. The example of Alphonse Boudard
Autorzy:: Bonhomme, Marc
Powiązania:: https://bibliotekanauki.pl/articles/683368.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: argot
dysphémie
euphémisme
tabou linguistique
productivité narrative
néologie
rhétorique ludique
textualisation dissonante
transgression
slang
dysphemy
euphemism
linguistic taboo
narrative productivity
neology
playful rhetoric
dissonant textualisation
Opis:: If slang always broke taboos, such a transgression evolved for some time with its development in the modern novels. Indeed, it does not any more restrict to put forward prohibitions banished by the good use, but it confers to them an aesthetic dimension in the process of the literary creation. We are interested in the transgressive reprocessing of taboos in the Alphonse Boudard’s representative work. On the one hand, we show that this one finds its themes in the exhibition of domains traditionally tabooed. On the other hand, we see how the transgression of taboos in Boudard arouses a strong narrative productivity and an innovative linguistic recycling. The latter concerns the complex relations between dysphemism and euphemism, the creation of neologisms which explore the limits of the language and a rhetoric playing with the linguistic prohibitions. These pratices lead to an appreciation of the tabooed terms and to the genesis of a writing itself without taboos.
Si l’argot a toujours transgressé les tabous, une telle transgression a évolué depuis quelque temps avec son développement dans les romans modernes. En effet, il ne se borne plus à mettre en avant les interdits bannis par le bon usage, mais il leur confère une dimension esthétique dans le processus de la création littéraire. Nous nous intéressons au retraitement transgressif des tabous dans l’oeuvre représentative d’Alphonse Boudard. D’une part, nous montrons que celle-ci trouve ses thèmes dans l’exhibition de domaines traditionnellement tabouisés. D’autre part, nous voyons comment la transgression des tabous chez Boudard suscite une forte productivité narrative et un recyclage linguistique novateur. Ce dernier concerne les rapports complexes entre dysphémisme et euphémisme, la création de néologismes qui explorent les limites de la langue et une rhétorique ludique jouant avec les interdits langagiers. Ces pratiques conduisent à une revalorisation des termes tabouisés et à la genèse d’une écriture elle-même sans tabous.
Źródło:: Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2017, 12; 257-269
1505-9065
2449-8831
Pojawia się w:: Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:: Biblioteka Nauki

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