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Wyświetlanie 1-3 z 3
Tytuł:
"Żywy skansen Słowino" - ochrona pomorskiego krajobrazu kulturowego
"The Living Open-Air Museum Słowino" - Protection of the Pomeranian Cultural Landscape
Autorzy:
Witek, W.
Powiązania:
https://bibliotekanauki.pl/articles/1189746.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Przyrodniczy we Wrocławiu
Tematy:
skansen Słowino
ochrona
Pomorze
krajobraz kulturowy
open-air Museum Słowino
protection
Pomerania
cultural landscape
Opis:
Słowino - a village in the district Sławno - is a characteristic example of the traditional cultural landscape in Western Pomerania. The village preserved the oval shape spatial form together with the church (dominant) in the countryside, farm building structure and numerous examples of half-timbered building development, which are a specific kind of "saving" of history of the succeeding generations. Within the village we can see the harmony of centuries of tradition, highlighted by the interpenetration of the cultural and natural elements. Elements of the material heritage of the village are documented in the form of conservational and scientific-research studies and were presented at conferences, exhibitions and competitions. The educational activities contributed to promotion of Słowino in the coastal region, and to wake up the local patriotism and identification with the historical legacy - as evidenced by the adaptation of the historic homesteads in the year-round habitats and agri-tourism farms. On the basis of the existing human capital the project "The living open-air museum Słowino" was developed, which idea was to protect the cultural heritage, education and to popularize values of the halftimbered building development of the village, and ultimately to revitalize the historic buildings and harmonious development of the village. In the years 2006-2008, Office of the Documentation of Historical Monuments in Szczecin, in cooperation with the local community, local authorities and with support from MKiDN (Ministry of Culture and National Heritage) organized a conservational-construction workshop entitled "The old structures - new dreams." The purpose of these workshops was: the values demonstration of the traditional (half-timbered) rural construction, education of children and youth, the direct participation of the villagers, to obtain practical skills in the renovation of historic buildings and the use of the traditional designs as inspiration for new projects. The open and outdoor form of workshops was a village fete, was also an event of local cultural values. The result of these workshops was a common building of a stud wall that is now - along with an information board - a specific kind of tourist attraction of Słowino and is also a place for openair school activities of regionalism. These actions launched other projects within the village, such as the creation of lapidarium and the educational path ("The memory signs of the Darłowo land - in the footsteps of William Gross"), construction of an integration breezeway ("Act Locally "), editing of the international website of the village Słowino.
Źródło:
Architektura Krajobrazu; 2012, 2; 124-133
1641-5159
Pojawia się w:
Architektura Krajobrazu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wieś Bartne w powiecie gorlickim1 – konserwatorska klęska bez happy endu
Village of Bartne in Gorlicki district – failure of preservation process without happy end
Autorzy:
Laskowski, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/537177.pdf
Data publikacji:
2014
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
ochrona zabytków
służby konserwatorskie
układy ruralistyczne
krajobraz kulturowy
skansen
architektura drewniana
konserwacja zabytków
Łemkowszczyzna
Bartne
Opis:
The article is devoted to a Lemko village of Bartne situated in the Low Beskids, in the valley of Bartnianka stream, between the mountain ranges covered with forest. The village has a layout characteristic for the so-called forest village, in which a road running along a stream constitutes the main axis, and there are dirt roads perpendicular to it. Bartne was founded in the 16th century on the basis of the Wallachian rights. A family of a well-known composer Dmitry Bortniansky, the court composer of Tsarina Catherine the Great, came from here and an eulogist of Lemkivshchyna, novelist Wladimir Ignatiewicz Chiljak lived here for many years. The village became famous for local stonecutters whose manufacture (roadside shrines, cemetery tombstones, handmills) was recognised in the vicinity and beyond. Among the village buildings dominate two sacral ones: the older Greek-Catholic church and the Orthodox church established in the inter-war period. The cemeteries are also important: a parish cemetery, a choleric cemetery (from the 19th c.) and a war cemetery (from World War I). The inhabitants of the village lived in houses typical of Lemkos, the so-called chyża, where both the residential and the farming part were under one roof. A chyża was accompanied by separate granaries, cellars or other outhouses (forge, cart house, etc.). Fortunately, the buildings in the village survived the operation “Vistula” which was carried out by the Communists after World War II and consisted in forced resettlement of the local population to completely culturally unfamiliar northern areas of Poland. The political thaw after the Stalin’s death allowed the return of the displaced people to their homeland and resettle the surviving farms. Bartne, which was noticed by the conservation services in the 1960s, soon became the object of thorough studies carried out by a team of researchers from Kraków under the direction of Marian Kornecki, the leading researcher of wooden architecture in Poland. In the paper that crowned the fieldwork, completed in 1978, the team postulated the entry of the village layout and its buildings, as well as the most valuable individual farmhouses, to the register of historic monuments. In the same year the relevant inscriptions were made, and Bartne was recognised as an urban and architectural reserve. According to the assumptions proposed by M. Kornecki’s team, the village was supposed to have three protection zones: 1) a strict reserve, 2) an intensified protection zone, 3) a general protection zone. Today, 35 years after the foundation of the reserve, Bartne has transformed from a typical Lemko village into a model example of a devastated cultural landscape where the still untouched nature is accompanied by a small number of preserved wooden houses as well as stone and wooden granaries, but is dominated by brick buildings that are chaotic in their layout and aggressive in their form and colours, and ignore the harmony between the human creation and the nature’s one. Conservation services suffered a spectacular defeat in Bartne. Despite the recognition of the village as a reserve – the area subject to particular protection by definition – it lost within one generation most of those values which played a decisive role when it was granted the special status in 1978. There are many reasons that caused such situation: exclusion of the local population from the process of establishing the reserve, which made them hostile to the whole idea, withdrawal of people capable of executing the initial vision, abandonment of comprehensive and coordinated protective measures, inability to initiate a dialogue with the owners of historic buildings, lack of funds for specialized repairs. In today’s Bartne only a few enclaves of historic wooden buildings and individual historic objects have been preserved, overwhelmed by new, in general ugly, brick buildings, which do not constitute a cohesive and harmonious layout anymore. The reserve de facto stopped existing. At the moment, you can only protect humble remains that have been disappearing in the recent years at an alarming pace anyway. However, a radical change of approach by conservation services and local population, an idea for proper implementation of protective measures and their management as well as a more flexible model of financing are necessary, which could be achieved with the changes in the system of monuments protection in Poland proposed in the article.
Źródło:
Ochrona Zabytków; 2014, 1; 89-118
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koncepcja Olęderskiego Parku Etnograficznego w Wielkiej Nieszawce. Głos w dyskusji o roli skansenów w ochronie zabytków architektury drewnianej
The importance of open-air museums in terms of protection architectural monuments. A study based on the idea of transferring certain farm buildings to Olęderski Park Etnograficzny (Haulander Ethnographic Park) in Wielka Nieszawka
Autorzy:
Prarat, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/538761.pdf
Data publikacji:
2013
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Olęderski Park Etnograficzny
Wielka Nieszawka
architektura drewniana
architektura chłopska
muzeum na wolnym powietrzu
skansen
park etnograficzny
ochrona zabytków architektury
translokacja
badania architektoniczne
osadnictwo olęderskie
zagroda olęderska
zagroda podcieniowa
krajobraz kulturowy
Opis:
This paper is devoted to the issue of wooden architecture protection in so called open-air museum. Unique form of certain buildings is closely related to their educational and expositional functions. In the museums attempts are frequently made to reconstruct the whole village cultural landscape in a given period of time. This aspect is often more important than the building history or the original materials maintenance. What is more, the conditions of rural architecture are worsening all the time. These factors contribute to the phenomenon of making copies of the buildings. The ideas of this kind are nowadays widely applied by a number of museums. The issue of creating a new museum as well as the attempts made to maintain original monuments has been analyzed on the examples of six conservation projects of the buildings earmarked to be transferred to Olęderski Park Etnograficzny (Haulander Ethnographic Park) in Wielka Nieszawka. These buildings are very much unique in terms of construction as well as spatial design. They were adjusted to the terrain conditions of the Vistula plains exposed to floods. This manner of building was typical of the Haulander colonization. Most of the most valuable buildings come from the 18th century. They will be removed and transferred to the reconstructed cultural landscape dated back to the beginning of the 20th century. Detailed architectural research enabled to establish the chronological boarders of the whole project. The most important features of the buildings were revealed through the analysis of the building materials, reconstruction and the final conceptual project. Three farm buildings will be inserted in the historical village landscape. These are: the one that includes staff rooms, cash desk and the exhibition dedicated to Protestantism; the one that shows impoverished single-building farm typical of the 18th century and the wealthy one that consists of arcade house, workers house, granary and the barn. The latter is to present the prosperous farm typical of the beginning of the 20th century. What is significant, the possibilities of reconstruction have been taken into consideration while preparing the area. That means the maintenance of the original substance (often in deteriorating conditions) was the most important in the project while the restoration work was limited. Translated by Karolina Pszczółkowska
Źródło:
Ochrona Zabytków; 2013, 1-4; 233-261
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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