Temat: poezja Language - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Językowa materia i sens w poezji Adama Zdrodowskiego
Linguistic matter and meaning in the poetry of Adam Zdrodowski
Autorzy:: Kujawa, Dawid
Powiązania:: https://bibliotekanauki.pl/articles/1391849.pdf
Data publikacji:: 2015-12-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: polish poetry
experience
language
meaning
surface
polska poezja
doświadczenie
język
sens
powierzchnia
Opis:: Polish poetry of the 1990s was shaped primarily by the works of Andrzej Sosnowski, an author who introduced the New York tradition into our language. The poet Adam Zdrodowski, who debuted in 2005, is often referred to as Sosnowski’s most capable student and it is for this reason that literary criticism fails to accord Sosnowski’s poetry the attention it deserves. In this paper I strive to demonstrate that Zdrodowski is first and foremost a student of John Ashbery; it should be noted that the author of Przygody, etc. reads the New York poetry in a very different way to Sosnowski.
Źródło:: Przestrzenie Teorii; 2015, 24; 245-260
2450-5765
Pojawia się w:: Przestrzenie Teorii
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: History as Trauma: Death, Violence, and Loss in the Poetry of Taras Mel’nychuk
Autorzy:: Borysiuk, Iryna
Powiązania:: https://bibliotekanauki.pl/articles/2031028.pdf
Data publikacji:: 2020-05-01
Wydawca:: Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:: Taras Melnychuk
contemporary Ukrainian poetry
trauma
violence
language
Taras Melnyczuk
współczesna poezja ukraińska
przemoc
język
Opis:: The paper examines the liaison of key motifs and ways represented in the poetry of Taras Melnychuk through the concepts of trauma and violence. Body, home, and language are the main constituent elements of the indigenous space, and their dramatic destruction is a crucial motif in Melnychuk’s poetry. On the one hand, the poet appeals to the holistic, consistent, formulaic language of folklore and mythology as to a mirror of an idyllic and non-fragmented world. On the other hand, dismemberment and fragmentation conceptualized as an act of violence committed against holistic language become the only way of describing the perverse and violent world in circumstances with no language for its expression at all.
Źródło:: Tematy i Konteksty; 2019, 14, 9; 391-405
2299-8365
Pojawia się w:: Tematy i Konteksty
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 3.

Tytuł:: Between Silence and Speaking: the Representation of National Identity in Oksana Zabuzhko’s Poetry
Autorzy:: Borysiuk, Iryna
Powiązania:: https://bibliotekanauki.pl/articles/2030762.pdf
Data publikacji:: 2017-12-16
Wydawca:: Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:: Oksana Zabuzhko
contemporary Ukrainian poetry
national identity
visimdesiatnyky (the 1980s generation)
language
silence
Oksana Zabużko
współczesna poezja ukraińska
tożsamość narodowa
generacja lat 80.
język
milczenie
Opis:: The article is focused on the problems of national identity, self-representation, and memory re-articulation in Oksana Zabuzhko’s poetry. Language, speaking, and word as well as silence are conceptualized as key concepts in verse by the 1980s generation of Ukrainian poets to whom Oksana Zabuzhko belongs. Speaking and silence in 1980s poetry can be treated not only as concepts or metaphors but also as a literary strategy or even as the form of resistance in the late Soviet era. The article is structured as the gradation of motives from speaking to silence in Zabuzhko’s poetry. The analyses includes the following subthemes: non-verbal language represented by sounds, gestures, and poses, verbal language as existing between sacrum and profanum, speechlessness, and silence.
Źródło:: Tematy i Konteksty; 2017, 12, 7; 206-221
2299-8365
Pojawia się w:: Tematy i Konteksty
Dostawca treści:: Biblioteka Nauki

Artykuł

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