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    Wyświetlanie 1-4 z 4
    Tytuł:
    Językowa materia i sens w poezji Adama Zdrodowskiego
    Linguistic matter and meaning in the poetry of Adam Zdrodowski
    Autorzy:
    Kujawa, Dawid
    Powiązania:
    https://bibliotekanauki.pl/articles/1391849.pdf
    Data publikacji:
    2015-12-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    polish poetry
    experience
    language
    meaning
    surface
    polska poezja
    doświadczenie
    język
    sens
    powierzchnia
    Opis:
    Polish poetry of the 1990s was shaped primarily by the works of Andrzej Sosnowski, an author who introduced the New York tradition into our language. The poet Adam Zdrodowski, who debuted in 2005, is often referred to as Sosnowski’s most capable student and it is for this reason that literary criticism fails to accord Sosnowski’s poetry the attention it deserves. In this paper I strive to demonstrate that Zdrodowski is first and foremost a student of John Ashbery; it should be noted that the author of Przygody, etc. reads the New York poetry in a very different way to Sosnowski.
    Źródło:
    Przestrzenie Teorii; 2015, 24; 245-260
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    History as Trauma: Death, Violence, and Loss in the Poetry of Taras Mel’nychuk
    Autorzy:
    Borysiuk, Iryna
    Powiązania:
    https://bibliotekanauki.pl/articles/2031028.pdf
    Data publikacji:
    2020-05-01
    Wydawca:
    Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
    Tematy:
    Taras Melnychuk
    contemporary Ukrainian poetry
    trauma
    violence
    language
    Taras Melnyczuk
    współczesna poezja ukraińska
    przemoc
    język
    Opis:
    The paper examines the liaison of key motifs and ways represented in the poetry of Taras Melnychuk through the concepts of trauma and violence. Body, home, and language are the main constituent elements of the indigenous space, and their dramatic destruction is a crucial motif in Melnychuk’s poetry. On the one hand, the poet appeals to the holistic, consistent, formulaic language of folklore and mythology as to a mirror of an idyllic and non-fragmented world. On the other hand, dismemberment and fragmentation conceptualized as an act of violence committed against holistic language become the only way of describing the perverse and violent world in circumstances with no language for its expression at all.
    Źródło:
    Tematy i Konteksty; 2019, 14, 9; 391-405
    2299-8365
    Pojawia się w:
    Tematy i Konteksty
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Between Silence and Speaking: the Representation of National Identity in Oksana Zabuzhko’s Poetry
    Autorzy:
    Borysiuk, Iryna
    Powiązania:
    https://bibliotekanauki.pl/articles/2030762.pdf
    Data publikacji:
    2017-12-16
    Wydawca:
    Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
    Tematy:
    Oksana Zabuzhko
    contemporary Ukrainian poetry
    national identity
    visimdesiatnyky (the 1980s generation)
    language
    silence
    Oksana Zabużko
    współczesna poezja ukraińska
    tożsamość narodowa
    generacja lat 80.
    język
    milczenie
    Opis:
    The article is focused on the problems of national identity, self-representation, and memory re-articulation in Oksana Zabuzhko’s poetry. Language, speaking, and word as well as silence are conceptualized as key concepts in verse by the 1980s generation of Ukrainian poets to whom Oksana Zabuzhko belongs. Speaking and silence in 1980s poetry can be treated not only as concepts or metaphors but also as a literary strategy or even as the form of resistance in the late Soviet era. The article is structured as the gradation of motives from speaking to silence in Zabuzhko’s poetry. The analyses includes the following subthemes: non-verbal language represented by sounds, gestures, and poses, verbal language as existing between sacrum and profanum, speechlessness, and silence.
    Źródło:
    Tematy i Konteksty; 2017, 12, 7; 206-221
    2299-8365
    Pojawia się w:
    Tematy i Konteksty
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Myślenie i poezja. Czesław Miłosz i Martin Heidegger
    Thought and Poetry: Czesław Miłosz and Martin Heidegger
    Autorzy:
    Lubelska-Renouf, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/690323.pdf
    Data publikacji:
    2014
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    myślenie
    zachodni nihilizm
    subiektywizacja
    śmierć Boga
    dziwienie
    zło
    bycie tego
    co jest
    język
    poetry
    thought
    western nihilism
    subjectivisation
    the death of God
    wondermentatthat
    evil
    that which exists
    the language
    Opis:
    Philosophy, which is an effort of thought, often strives to become pure thought above and beyond language. This attempt, which is doomed to failure (we always think in words), challenges poetry and positions itself not beyond language but short of poetry. The classic example of this is the philosophy of Wittgenstein. The contrary of this de-poeticised thought is poetry which lieson this side of thought: it is unreflective poetry (that which does not reflect the world) and the absurd (deaf to the world). The classic example of this is the poetry of Mallarmé. Martin Heidegger and Czesław Miłosz challenge these two positions in philosophy and poetry and strive to think in a poetic way: The philosopher dreams of a poeticising thought while the poet dreams of a philosophising poetry. Their preoccupations reflected major themes, in particular western nihilism of the 20th century and its metaphysical roots; the subject /object dialectic and the radical subjectivisation which arises from it; the death of God, man and the world which is brought about by this subjectivisation; remedies to fight against this; the quiddity (essential essence) of things, their grain and physical substance, concrete and sensual; their deep wondermentatthat which exists; their deep respect and piety in the face of that which exists; the language itself, the words that they use to try to express that which exists. In terms of their thought, they are on the same path. But there are thoughts which they do not share or which they consider differently. Heidegger does not consider Evil: Nothing is more alien to his philosophy than the Good/Evil dualism. Miłosz, on the other hand, is obsessed by the question of Unde Malum? and to approach it he leans towards Transcendence. Heidegger holds to the concept of absolute Immanence. As a result they are worlds apart when they consider eschatological matters such as death. This article aims to provide an outline of the constellation of subjects considered in the philosophy of Heidegger and the poetry of Miłosz.
    Źródło:
    Prace Polonistyczne; 2014, 69; 177-198
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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