Autor: Kłosiński, Michał - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Gra w Orwella
Playing Orwell video games
Autorzy:: Kłosiński, Michał
Powiązania:: https://bibliotekanauki.pl/articles/1039308.pdf
Data publikacji:: 2019-12-06
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Utopia
dystopia
Orwell
interpretation
video games
Opis:: The article presents an interpretation of Orwell video games in context of available analytical tropes in Orwellian research. The paper touches on various problems described by academic readers of Nineteen Eighty-Four and tries to answer the question whether games provide innovations in the way they problematize socio-political issues in comparison to Orwell’s classic novel. In the introductory part, the author discusses the possibility of utilizing the notion of critical dystopia in the analysis of Orwell video games. The following chapters touch on the subject of cultural references, realistic styles, biopolitics and class representations.
Źródło:: Przestrzenie Teorii; 2019, 31; 39-70
2450-5765
Pojawia się w:: Przestrzenie Teorii
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Miejsca traumy w Świecie Miłosza
The Spots of Trauma in The World by Czesław Miłosz
Autorzy:: Kłosiński, Michał
Powiązania:: https://bibliotekanauki.pl/articles/511233.pdf
Data publikacji:: 2011
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: Czesław Miłosz,
The World,
interpretation
Opis:: The author is searching for the spots or cracks through which concealed trauma reveals itself in The World by Miłosz, a text which most of the interpreters described as idyllic. Close reading of Miłosz’s text shows that it is driven by unconscious repression that works to conceal the symptoms of traumatic experience by covering them with a simulation of a house¬ sanctuary. Author is trying to re¬ read The World, paying close attention to these spots and the fact that the date closing the book – April 1943 – is not just an ironic point, but a mark of experience that could not be erased or repressed from memory. The author also points to the intertextual relation between The World and other Miłosz’s texts, and shows how by comparing different types of poetic imagery related to the same memory, one can depict the work of unconscious repression.
Źródło:: Postscriptum Polonistyczne; 2011, 1(7); 139-154
1898-1593
2353-9844
Pojawia się w:: Postscriptum Polonistyczne
Dostawca treści:: Biblioteka Nauki

Artykuł

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