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Wyszukujesz frazę "critique" wg kryterium: Temat


Wyświetlanie 1-12 z 12
Tytuł:
“Our World Is Ruled by Insensitivity”: The #MeToo Movement and Transformation
Autorzy:
Adamiecka-Sitek, Agata
Rusek, Mirosław
Powiązania:
https://bibliotekanauki.pl/articles/1955947.pdf
Data publikacji:
2021-12
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
#MeToo
discrimination
intersectionality
Gardzienice
institutional critique
Opis:
The article analyzes the transformational potential of the #MeToo movement in terms of personal experience, institutional and social transformations, looking first of all at the dynamics the movement has created in theatre in Poland and around the world. The author unveils the systemic dimension of violence encoded in invisible and standardized relations of domination and subordination, inscribed in the two models which are still very common in Polish theatre: the “master and apprentice” model defining the position of a director and the “feudal” model visible in institutional relations. Looking at the Gardzienice case and the reactions of the public to the testimonies exposing violence, the author also mentions examples of institutional and systemic reactions to similar situations in British and Belgian theatre. In this way, she outlines possible directions for action in Polish theatre. She asks questions about the transformative and emancipatory potential of the #MeToo movement, emphasizing the necessity to consider an intersectional perspective, to build alliances and to practice promiscuous care.
Źródło:
Didaskalia. Gazeta Teatralna; 2021, English Issue 2021; 4-41
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Naszym światem włada nieczułość” #MeToo i transformacja
"Our World Is Ruled by Insensitivity." The #MeToo Movement and Its Transformation
Autorzy:
Adamiecka-Sitek, Agata
Powiązania:
https://bibliotekanauki.pl/articles/1815527.pdf
Data publikacji:
2021-02
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
#MeToo
discrimination
intersectionality
"Gardzienice"
institutional critique
Opis:
The article analyzes the transformational potential of the #MeToo movement in terms of personal experience, institutional, and social transformations, looking first of all at the dynamics the movement has created in theater in Poland and around the world. The author unveils the systemic dimension of violence encoded in invisible and standardized relations of domination and subordination, inscribed in the two models which are still very common in Polish theater: the "master and apprentice" model defining the position of a director and the "feudal" model visible in institutional relations.Looking at the "Gardzienice" case and the reactions of the public to the testimonies exposing violence, the author also mentions examples of institutional and systemic reactions to similar situations in British and Belgian theater. In this way, she outlines possible directions for action in Polish theater. She asks questions about the transformative and emancipatory potential of the #MeToo movement, emphasizing the necessity to consider an intersectional perspective, to build alliances and to practice promiscuous care.
Źródło:
Didaskalia. Gazeta Teatralna; 2021, 161; 86-134
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Film fabularny jako narzędzie kuratora i badacza sztuki
Feature Film as a Curator's and Art Historian's Tool
Autorzy:
Ronduda, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/909563.pdf
Data publikacji:
2020-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
cinema
art history
feature film
institutional critique
Opis:
In the essay, the author, Łukasz Ronduda, relates his own work as an artist, a film director, an art historian and curator, discussed in the light of the cinematic turn and the formation of common ground between cinema and contemporary art in both artistic and institutional sense. Ronduda looks closely at his two full-length feature films: Performer (2015) and Serce miłości (Heart of Love) (2017) and highlights their wider context. The first frame of reference spans from experimental films to contemporary full-length productions dedicated to wide audience. The second reference is his own work involving academic research, curating, writing a novel and the creation of a found footage film. In this self-presentation, Ronduda discloses his different attempts to find the right medium to speak about and analyze contemporary art. The full-length film turned out to be particularly effective medium in its ability to express the truth by means of fiction, placing him between creation and institutional structure. Film as a medium of interpreting art  seems to productively question fixed boundaries between research, criticism and art.
Źródło:
Artium Quaestiones; 2020, 31; 209-236
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wy/twórczość. Praktyki artystyczne w performansie instytucjonalnym na przykładzie powstawania spektaklu „Malina”
Creative Manufacturing. Artistic Practices in Institutional Performance on the Example of the Creation of the Performance Malina
Autorzy:
Skrzypek, Agata
Powiązania:
https://bibliotekanauki.pl/articles/22335962.pdf
Data publikacji:
2023-10
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
institutional critique
creative process
productive failure
Malina
Placówka
Opis:
The aim of this article is to analyse the process of creation of the Malina (Raspberry) project (2018) through the prism of the assumptions of the Placówka (Outpost) programme of the Theatre Institute in Warsaw, which had a nurturing and disciplinary function towards the selected project. Starting from the definition of the relation between the group of female artists and the institution as subjects meeting in a moment of ‘career coupling’, the author reflects on how both parties interpreted the implementation of the idea of a long-term, laboratory-based creative process, including the consent to suffering a ‘productive failure’. The main body of the article revolves around establishing the reasons and consequences of the residents’ failure to exercise their right to create an open, experimental form of the work-in-progress kind. Supported by the knowledge gathered during the rehearsals for the performance and the interviews conducted, the author indicates how economic and communicative difficulties translated into decisions regarding the organisation of the theatrical process.
Źródło:
Didaskalia. Gazeta Teatralna; 2023, 177; 133-173
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dlaczego przestały milczeć? Dlaczego zostały wysłuchane? Afektywna analiza #metoo w Teatrze Bagatela
Why Did They Break the Silence? Why Were They Heard? An Affective Analysis of #MeToo at the Bagatela Theatre
Autorzy:
Kwaśniewska, Monika
Powiązania:
https://bibliotekanauki.pl/articles/889481.pdf
Data publikacji:
2020-10
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
Bagatela Theatre
#MeToo
affect theory
media
institutional critique
Opis:
The article analyses the media coverage of the accusations of sexual harassment and mobbing made against Henryk Jacek S., a long-time director of the Bagatela Theatre in Krakow, by its female employees. Based on the employees’ statements, the author tries to describe the situation in the theatre before the case was exposed. She refers to the category of ‘ugly feelings’, created and explored by Sianne Ngai, and specifically, to the affect of animatedness, which is characterised by particularly limited agency and the blurring of the boundary between the inside and the outside. The moment when the female employees broke the silence is associated by the author with the affect of disgust (as defined by Sara Ahmed) and the related revulsion and nausea. She also examines how this affective dynamic has influenced the women’s agency and effectiveness in relation to the recipients of their public appearances.
Źródło:
Didaskalia. Gazeta Teatralna; 2020, 159; 1-41
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Examining the Boundaries of Contemporary Art: An Exploratory Study of Institutional Critique in Poland 1990–2015
Autorzy:
Płucienniczak, Piotr P.
Powiązania:
https://bibliotekanauki.pl/articles/508826.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
contemporary art
institutional critique
sociology of art
visual arts
Opis:
Examining the Boundaries of Contemporary Art: An Exploratory Study of Institutional Critique in Poland 1990–2015The article explores the practices of institutional critique in Polish contemporary art. A quantitative survey of cases of institutional critique reveals major problems faced by artists and their perceptions of the autonomy of the visual arts. Badanie granic sztuki współczesnej: Eksploracyjne studium krytyki instytucjonalnej w Polsce 1990-2015Artykuł prezentuje wyniki eksploracyjnych badań nad praktykami krytyki instytucjonalnej w polskiej sztuce współczesnej. Ilościowa analiza epizodów takiego rodzaju działań artystycznych ujawnia najważniejsze problemy twórców i twórczyń oraz ich percepcję autonomii sztuk wizualnych.
Źródło:
Colloquia Humanistica; 2019, 8
2081-6774
2392-2419
Pojawia się w:
Colloquia Humanistica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Work Is Always Elsewhere: Instituent Practices and the International Performing Arts Field
Autorzy:
Keil, Marta
Gałązka, Robert
Powiązania:
https://bibliotekanauki.pl/articles/2164330.pdf
Data publikacji:
2022-12
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
institutional critique
situated artistic practices
Sarah Vanhee
Benjamin Verdonck
Gerald Raunig
Opis:
The article, which is a revised and expanded version of a chapter of the doctoral dissertation Devising Institutions. Institutional practices in contemporary performing arts, applies institutional critique as a perspective for reflection on modes of production and distribution of the international performing arts circuit. Based on an analysis of hypermobility as the prevailing political condition among artists and artworkers active in this field, the text introduces the notion of situated instituent practices as a tool to reflect those artistic approaches that challenge the prevailing modes of production and distribution. The examples of works by Sarah Vanhee and Benjamin Verdonck are presented as a gesture of ‘active withdrawal’ from the dominating working modes and rhythms that opens up for a political potential of the process of ‘home making’.
Źródło:
Didaskalia. Gazeta Teatralna; 2022, English Issue 2022; 160-196
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Chodzenie o instytucji. „The Round”
Walking about the institution. The Round
Autorzy:
Zawadzka, Izabela
Powiązania:
https://bibliotekanauki.pl/articles/2050036.pdf
Data publikacji:
2022-04
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
walking performance
institutional critique
public institutions
participatory museum
engagement strategies
Opis:
The article analyses the performance The Round staged in 2018 at the Centre for the Documentation of the Art of Tadeusz Kantor Cricoteka in Krakow. The author explains how the artists from the In Situ Project collective used the participatory tools not to engage the audience, but to explore the identity of the institution by its employees. She describes how odd theatrical actions in the museum building performed by the audience can change the perspective of the employees. The article shows how The Round could be read as a performance about public institution, its mission and responsibilities.
Źródło:
Didaskalia. Gazeta Teatralna; 2022, 168; 134-160
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wejście smoka
Autorzy:
Poprzęcka, Maria
Powiązania:
https://bibliotekanauki.pl/articles/909505.pdf
Data publikacji:
2019-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
history of art history
conference
Poznań
Association of Art Historians
institutional critique
Opis:
The paper is a reminiscence of my first meeting with the colleagues from the Institute of Art History of Adam Mickiewicz University, which took place at an annual conference of the Association of Art Historians in 1974, titled “Reflection on Art.” Choosing an unusual title, I wanted to convey the impetus with which a group of young art historians from Poznań entered the decent and somewhat stagnant stage of Polish art history. The critique they presented was directed against Polish academic institutions, the problematic of the conference, the empty rituals of academic life, etc. Even though I did not accept all their objections, the heated debate suddenly turned out for me to be a liberating factor, stimulating continuous critical thinking which is an antidote for spiritual and intellectual captivity.
Źródło:
Artium Quaestiones; 2019, 30; 393-398
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Enter the Dragon
Autorzy:
Poprzęcka, Maria
Powiązania:
https://bibliotekanauki.pl/articles/909520.pdf
Data publikacji:
2019-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
history of art history
conference
Poznań
Association of Art Historians
institutional critique
Opis:
The paper is a reminiscence of my first meeting with the colleagues from the Institute of Art History of Adam Mickiewicz University, which took place at an annual conference of the Association of Art Historians in 1974, titled “Reflection on Art.” Choosing an unusual title, I wanted to convey the impetus with which a group of young art historians from Poznań entered the decent and somewhat stagnant stage of Polish art history. The critique they presented was directed against Polish academic institutions, the problematic of the conference, the empty rituals of academic life, etc. Even though I did not accept all their objections, the heated debate suddenly turned out for me to be a liberating factor, stimulating continuous critical thinking which is an antidote for spiritual and intellectual captivity.
Źródło:
Artium Quaestiones; 2019, 30; 237-242
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Praca jest zawsze gdzie indziej. Praktyki instytuujące a międzynarodowy obieg sztuk performatywnych
Work is always elsewhere. Instituent practices in the international performing arts field
Autorzy:
Keil, Marta
Powiązania:
https://bibliotekanauki.pl/articles/2031423.pdf
Data publikacji:
2022-02
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
institutional critique
situated artistic practices
Sarah Vanhee
Benjamin Verdonck
Gerald Raunig
Opis:
The article, which is a revised and expanded version of a chapter of the doctoral dissertation Devising Institutions. Institutional practices in contemporary performing arts, applies institutional critique as a perspective for reflection on modes of production and distribution of the international performing arts circuit. Based on an analysis of hypermobility as the prevailing political condition among artists and artworkers active in this field, the text introduces the notion of situated instituent practices as a tool to reflect those artistic approaches that challenge the prevailing modes of production and distribution. The examples of works by Sarah Vanhee and Benjamin Verdonck are presented as a gesture of ‘active withdrawal’ from the dominating working modes and rhythms that opens up for a political potential of the process of ‘home making’.
Źródło:
Didaskalia. Gazeta Teatralna; 2022, 167; 118-157
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Krytyka instytucjonalna jako perspektywa badawcza prawoznawstwa w kontekście filozofii Jacquesa Rancière’a
Institutional Critique as a Research Perspective of Jurisprudence in the Context of Jacques Rancière’s Philosophy
Autorzy:
Żak, Mariola
Powiązania:
https://bibliotekanauki.pl/articles/10608597.pdf
Data publikacji:
2023
Wydawca:
Stowarzyszenie Filozofii Prawa i Filozofii Społecznej – Sekcja Polska IVR
Tematy:
krytyka instytucjonalna
krytyczne myślenie prawnicze
estetyka prawa
prawo i humanistyka
Jacques Rancière
institutional critique
critical legal thinking
aesthetics of law
law and humanities
Opis:
Artykuł podejmuje refleksję nad kondycją współczesnej krytyki prawa w świetle krytyki instytucjonalnej wywodzącej się z teorii sztuki. Badanie ma na celu weryfikację tezy, że krytyka instytucjonalna jest perspektywą badawczą kształtującą się na tle różnorodnych nurtów krytycznej myśli prawniczej. Owa krytyka ma charakter afirmatywny i konstruktywny. Koncentruje się na analizie funkcjonowania instytucji refleksyjnych oraz na problematyzowaniu napięć kognitywnych wpisanych immanentnie w istotę instytucji prawnych. Instytucje te są analizowane za pomocą metafory gry estetycznej. Praca przedstawia teoretyczne ugruntowanie związku między krytyką instytucjonalną a krytycznym myśleniem prawniczym w świetle filozofii prawa inspirowanej myślą Jacquesa Rancière’a. Ponadto zostały ukazane wybrane przykłady i kierunki potencjalnego zastosowania owej krytyki w kontekście wykształcania wzorców dialogowej kultury prawnej, w rozumieniu nurtu prawa i humanistyki (law and humanities).
The article reflects on the condition of contemporary critique of law in the light of institutional critique derived from the theory of art. This study aims to verify the thesis that institutional critique is a research perspective formed against the background of various trends of critical legal thought. This critique is affirmative and constructive in character. It focuses on the analysis of the performance of reflexive institutions and it also problematizes cognitive tensions that are inherent in legal institutions. The institutions are analysed in the light of the metaphor of aesthetic play. The article presents the theoretical grounding of the relationship between institutional critique and critical legal thinking in the light of the philosophy of law inspired by Jacques Rancière’s thought. Furthermore, selected examples of this critique and directions for its potential application are shown in the context of modelling patterns of dialogic legal culture as understood by the law and humanities movement.
Źródło:
Archiwum Filozofii Prawa i Filozofii Społecznej; 2023, 34, 1; 87-101
2082-3304
Pojawia się w:
Archiwum Filozofii Prawa i Filozofii Społecznej
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-12 z 12

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