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Wyszukujesz frazę "MeToo" wg kryterium: Wszystkie pola


Wyświetlanie 1-3 z 3
Tytuł:
„Naszym światem włada nieczułość” #MeToo i transformacja
"Our World Is Ruled by Insensitivity." The #MeToo Movement and Its Transformation
Autorzy:
Adamiecka-Sitek, Agata
Powiązania:
https://bibliotekanauki.pl/articles/1815527.pdf
Data publikacji:
2021-02
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
#MeToo
discrimination
intersectionality
"Gardzienice"
institutional critique
Opis:
The article analyzes the transformational potential of the #MeToo movement in terms of personal experience, institutional, and social transformations, looking first of all at the dynamics the movement has created in theater in Poland and around the world. The author unveils the systemic dimension of violence encoded in invisible and standardized relations of domination and subordination, inscribed in the two models which are still very common in Polish theater: the "master and apprentice" model defining the position of a director and the "feudal" model visible in institutional relations.Looking at the "Gardzienice" case and the reactions of the public to the testimonies exposing violence, the author also mentions examples of institutional and systemic reactions to similar situations in British and Belgian theater. In this way, she outlines possible directions for action in Polish theater. She asks questions about the transformative and emancipatory potential of the #MeToo movement, emphasizing the necessity to consider an intersectional perspective, to build alliances and to practice promiscuous care.
Źródło:
Didaskalia. Gazeta Teatralna; 2021, 161; 86-134
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Our World Is Ruled by Insensitivity”: The #MeToo Movement and Transformation
Autorzy:
Adamiecka-Sitek, Agata
Rusek, Mirosław
Powiązania:
https://bibliotekanauki.pl/articles/1955947.pdf
Data publikacji:
2021-12
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
#MeToo
discrimination
intersectionality
Gardzienice
institutional critique
Opis:
The article analyzes the transformational potential of the #MeToo movement in terms of personal experience, institutional and social transformations, looking first of all at the dynamics the movement has created in theatre in Poland and around the world. The author unveils the systemic dimension of violence encoded in invisible and standardized relations of domination and subordination, inscribed in the two models which are still very common in Polish theatre: the “master and apprentice” model defining the position of a director and the “feudal” model visible in institutional relations. Looking at the Gardzienice case and the reactions of the public to the testimonies exposing violence, the author also mentions examples of institutional and systemic reactions to similar situations in British and Belgian theatre. In this way, she outlines possible directions for action in Polish theatre. She asks questions about the transformative and emancipatory potential of the #MeToo movement, emphasizing the necessity to consider an intersectional perspective, to build alliances and to practice promiscuous care.
Źródło:
Didaskalia. Gazeta Teatralna; 2021, English Issue 2021; 4-41
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dlaczego przestały milczeć? Dlaczego zostały wysłuchane? Afektywna analiza #metoo w Teatrze Bagatela
Why Did They Break the Silence? Why Were They Heard? An Affective Analysis of #MeToo at the Bagatela Theatre
Autorzy:
Kwaśniewska, Monika
Powiązania:
https://bibliotekanauki.pl/articles/889481.pdf
Data publikacji:
2020-10
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
Bagatela Theatre
#MeToo
affect theory
media
institutional critique
Opis:
The article analyses the media coverage of the accusations of sexual harassment and mobbing made against Henryk Jacek S., a long-time director of the Bagatela Theatre in Krakow, by its female employees. Based on the employees’ statements, the author tries to describe the situation in the theatre before the case was exposed. She refers to the category of ‘ugly feelings’, created and explored by Sianne Ngai, and specifically, to the affect of animatedness, which is characterised by particularly limited agency and the blurring of the boundary between the inside and the outside. The moment when the female employees broke the silence is associated by the author with the affect of disgust (as defined by Sara Ahmed) and the related revulsion and nausea. She also examines how this affective dynamic has influenced the women’s agency and effectiveness in relation to the recipients of their public appearances.
Źródło:
Didaskalia. Gazeta Teatralna; 2020, 159; 1-41
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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