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Tytuł:
Play the art: Artistic value in video games
Autorzy:
Jancsovics, Klaudia
Powiązania:
https://bibliotekanauki.pl/articles/2135604.pdf
Data publikacji:
2022-07-14
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
art
immersion
feedback loop
feelings
Opis:
Playing a game does not mean that we are doing something childish and useless. Using a new technology to express our feelings and raise the awareness of social issues does not mean we cannot call it art. If we go back in time, we can realize that there has always been a resistance to novelty and machines. Sometimes, they were even considered harmful. The same life cycle happens with video games: they are valuable in many ways, they are far more developed than they were twenty years ago, and they have even reached a stage where we can find art in them. But how can they be art? Is the answer in the story or in the audiovisual elements?  
Źródło:
Replay. The Polish Journal of Game Studies; 2021, 8, 1; 27-42
2391-8551
2449-8394
Pojawia się w:
Replay. The Polish Journal of Game Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Textualism, Materialism, Immersion, Interpretation
Autorzy:
Uniłowski, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/1009159.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
textualism
materialism
immersion
interpretation
utopia
Opis:
Krzysztof Uniłowski passed away earlier this December. For the last twenty years, he has been crucial to Polish literary studies. Writing on a broad range of topics – from reviews of contemporary Polish novels to essays on the idea of modernity, from class-oriented analyses of sci-fi books and TV shows to comments on the politics and ethics of literary criticism – he developed an impressive and highly unique critical perspective, or indeed: a unique language of criticism, one that has managed and will undoubtedly still manage to inspire countless critics of all generations. Throughout his work, Uniłowski drew heavily on historical materialism, constantly balancing his instinctive focus on the political – and, specifically, on class – with his equally instinctive conviction as to the irreplaceability of literary form. While we might not have agreed on every single issue – as is always the case on the Left – we in “Praktyka Teoretyczna” are proud to have called him not just an inspiration, but a comrade. Uniłowski passed away while putting finishing touches to the essay we’re presenting below. Unfortunately, he never managed to send us the finished abstract/summary for this article, so it falls to us to try and summarise its main theses. Krzysztof Uniłowski passed away earlier this December. For the last twenty years, he has been crucial to Polish literary studies. Writing on a broad range of topics – from reviews of contemporary Polish novels to essays on the idea of modernity, from class-oriented analyses of sci-fi books and TV shows to comments on the politics and ethics of literary criticism – he developed an impressive and highly unique critical perspective, or indeed: a unique language of criticism, one that has managed and will undoubtedly still manage to inspire countless critics of all generations. Throughout his work, Uniłowski drew heavily on historical materialism, constantly balancing his instinctive focus on the political – and, specifically, on class – with his equally instinctive conviction as to the irreplaceability of literary form. While we might not have agreed on every single issue – as is always the case on the Left – we in “Praktyka Teoretyczna” are proud to have called him not just an inspiration, but a comrade. Uniłowski passed away while putting finishing touches to the essay we’re presenting below. Unfortunately, he never managed to send us the finished abstract/summary for this article, so it falls to us to try and summarise its main theses.Krzysztof Uniłowski passed away earlier this December. For the last twenty years, he has been crucial to Polish literary studies. Writing on a broad range of topics – from reviews of contemporary Polish novels to essays on the idea of modernity, from class-oriented analyses of sci-fi books and TV shows to comments on the politics and ethics of literary criticism – he developed an impressive and highly unique critical perspective, or indeed: a unique language of criticism, one that has managed and will undoubtedly still manage to inspire countless critics of all generations. Throughout his work, Uniłowski drew heavily on historical materialism, constantly balancing his instinctive focus on the political – and, specifically, on class – with his equally instinctive conviction as to the irreplaceability of literary form. While we might not have agreed on every single issue – as is always the case on the Left– we in “Praktyka Teoretyczna” are proud to have called him not just an inspiration, but a comrade. Uniłowski passed away while putting finishing touches to the essay we’re presenting below. Unfortunately, he never managed to send us the finished abstract/summary for this article, so it falls to us to try and summarise its main theses. The issues raised in this erudite and formally complex piece include such fundamental questions as: in what sense do the fictional worlds resemble the non-fictional one, and how do we inhabit them? What’s the relationship between immersion and interpretation? What real-life figures can help us imagine or visualise our intimate yet inherently social relationship with the fictional (are we guests, dwellers, passersby...)? Uniłowski looks for answers in contemporary Marxist criticism (Eagleton, Jameson, Berardi), sci-fi and fantasy writing (Lem, Sapkowski, Martin), as well as modern continental philosophy (Gadamer, Heidegger) and – in the last part of the essay – contemporary game studies. We’re happy to be able to present Uniłowski’s piece in two versions, the original Polish as well as its English translation (by Jakob Ziguras). In order to preserve the unmistakable flow of Uniłowski’s thought in English, small changes were introduced – with the author’s full approval – in the English version. We trust that our Polish-speaking readers will fin the comparison of the two versions interesting and instructive, as they seem to give a unique insight into Uniłowski’s writing process.
Źródło:
Praktyka Teoretyczna; 2019, 34, 4; 13-31
2081-8130
Pojawia się w:
Praktyka Teoretyczna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Recenzja książki Joanny Pigulak „Gra w film. Z zagadnień relacji między filmem i grami wideo”, Universitas, Kraków 2022
Autorzy:
Prajzner, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/26072294.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
computer games
cinema
interface
immersion
interactivity
Opis:
What is the relationship between computer games and cinema? Why computer games tend to employ camera movement, shot-selection and framing similar to that used in the cinema? To what extent, though, is it useful to look at games more closely in the light of cinema? These are the central organising questions of Joanna Pigulak’s 2022 monograph Gra w film. Z zagadnień relacji między filmem i grami wideo. The book focuses very much on film-like quality of graphics and genres of computer games and explores the extent to which the tools of film analysis can be applied to them. The book argues persuasively that likeness between cinema and games is the reason for calling games virtual reality, what makes the main framework somewhat debatable. Pigulak’s great strength is in analysing fragments of computer games and demonstrating how differences between cinema and games are allowing for defining new qualities of interactive texts even when fundamentally similar building blocks are involved.
Źródło:
Replay. The Polish Journal of Game Studies; 2022, 9, 1; 59-64
2391-8551
2449-8394
Pojawia się w:
Replay. The Polish Journal of Game Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ile emersji w grach? Recenzja książki: Piotr Kubiński, Gry wideo. Zarys poetyki, Universitas, Kraków 2016
Autorzy:
Krawczyk, Stanisław
Powiązania:
https://bibliotekanauki.pl/articles/682925.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
emersion
gameplay
immersion
poetics
user interface
Opis:
Piotr Kubiński’s monograph is an outline of certain specific aspects of video games, examined from the perspective of poetics. Apart from a semiotic analysis of the user interface and a look at how games influence various texts and practices, what the readers will find here is an investigation into the strained relationship between immersion and emersion in video games. Contrary to the popular belief that immersion is unquestionably desirable, Kubiński shows that emersion – a group of phenomena that disrupt the players’ impression of unmediated presence in the game world – can also be a source of ludic and artistic effects that merit a scholarly study. The book offers a well-organized and carefully documented analysis of an understudied dimension of digital games; the tensions between immersion and emersion are present in many, if not all, video games; and the author’s efforts in other publications are making the term “emersion” more visible. For these three reasons, the monograph has the potential to become a significant work in Polish game studies, encouraging other scholars to apply Kubiński’s term in their own research. This would be instrumental in the development of an academic field that has suffered from insufficient accumulation of knowledge.
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Źródło:
Replay. The Polish Journal of Game Studies; 2016, 3, 1; 155-161
2391-8551
2449-8394
Pojawia się w:
Replay. The Polish Journal of Game Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metody integracji symulatorów wirtualnych z rozwiązaniami zwiększającymi immersję
Methods for integrating virtual simulators using tools to increase immersion
Autorzy:
Koszela, J.
Kukiełka, M.
Wantoch-Rekowski, R.
Powiązania:
https://bibliotekanauki.pl/articles/404023.pdf
Data publikacji:
2016
Wydawca:
Polskie Towarzystwo Symulacji Komputerowej
Tematy:
symulacja wirtualna
immersja
virtual simulation
immersion
Opis:
W artykule poruszone zostały kwestie związane z metodami oraz technikami integracji symulatorów wirtualnych z zestawem urządzeń zwiększających immersję – stopień zanurzenia użytkownika w świecie rzeczywistości wirtualnej. Przedstawiono też mechanizmy pozwalające na współpracę silników symulacyjnych z platformami ruchomymi o kilku stopniach swobody, urządzeniami i systemami zobrazowania, takimi jak Oculus Rift, ściany wideo oraz wizualizacja sferyczna. Omówiono problemy zarówno techniczne, tj. dynamikę i opóźnienia urządzeń, oraz te związane ze zdolnościami psychofizycznymi i fizjologicznymi – percepcją człowieka i jego sensorów.
Paper presents the methods for integrating virtual simulators using tools to increase immersion. It is possible to use virtual simulation to influencing the user's perception. Virtual reality (called VR) is called the image of a real or artificial, fictitious world with the representation of the rules in this world using information technology. There are many areas of application of virtual simulation such as: entertainment (games, films), science (VR technologies, research on its applications, simulators), education (training, exercises, simulators and simulators), military (cyber attacks, drones, virtual shooting ranges) and art (new trends and artistic trends).
Źródło:
Symulacja w Badaniach i Rozwoju; 2016, 7, 3-4; 113-120
2081-6154
Pojawia się w:
Symulacja w Badaniach i Rozwoju
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Płacząc po norwesku. Serial Skam jako opowieść transmedialna dla międzynarodowej publiczności
Crying in Norwegian. Skam as transmedia storytelling for international audiences
Autorzy:
Mączko, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1047285.pdf
Data publikacji:
2021-03-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Skam
transmedia storytelling
convergence culture
immersion
Opis:
The article aims to analyse the phenomenon of a Norwegian Internet-TV show for teenage audiences, Skam (2015–2017). The transmedia storytelling used in this production resulted in unforeseen international acclaim, subsequently leading to the creation of local remakes of the series. The article will outline the main issues that the show has dealt with, as well as the immersion-building narrative solutions used by the creators. Moreover, it will discuss Skam’s reception by Norwegian and international audiences, and suggest potential directions for the future development of this format.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 328-337
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Code-Switching Practices among Immigrant Polish L2 Users of English
Autorzy:
Ożańska-Ponikwia, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/783193.pdf
Data publikacji:
2016
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
code-switching
bilingualism
immersion
L2 use
Opis:
The present paper aims to present a qualitative study on code-switching practices among L2 users immersed in the L2 culture. Code-switching practices were measured among 62 Polish L2 users of English who had immigrated to the UK and Ireland and reported using English on everyday basis. The informants of the study were to answer an open question concerning situations in which they switch from their L2 to L1 most frequently. The analysis of the results reviled that the participants reported code switching mostly in emotionally charged situations as well as when discussing personal topics with known interlocutors.  The results of the study are in line with some quantitative studies (Dewaele, 2010) as well as some autobiographical findings (Grosjean, 2010, Pavlenko, 2004, Wierzbicka, 2004) and shed some more light on a complex notion of bilingualism and code-switching.
Źródło:
Theory and Practice of Second Language Acquisition; 2016, 2, 1
2450-5455
2451-2125
Pojawia się w:
Theory and Practice of Second Language Acquisition
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zasady przeciw immersji. Zaangażowanie w narrację i zaangażowanie w system formalny gry
Rules versus immersion: engagement in game’s narrative and engagement in formal system of the game
Autorzy:
Petrowicz, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/973176.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
rules in video games
immersion
engagement
MDA
Opis:
Rules and narratives in video games had a complicated relationship for many years. In game studies this conflict became evident in ludology versus narratology debate, in video game culture critics and players talk about ludo-narrative dissonance. Both of those phenomena express the popular belief that rules and story in videogames oppose each other, that strategic or tactical engagement and narrative immersion cannot coexist in one game. The following article confronts the problem of, supposedly, opposing types of engagement. To understand different aspects of engagement several concepts of immersion are recalled, beginning with those rooted in literary studies by Janet H. Murray, Marie-Laure Ryan and Katarzyna Prajzner, through game specific concept of Laura Ermi and Frans Mäyrä to post-immersion concepts of Gordon Calleja. In the next section of the paper two analyses of specific types of engagement are presented: game formal system engagement in Angry Birds [Rovio Entertainment, 2009] and narrative immersion in The Walking Dead series [Telltale Games, 2012]. The article concludes with a list of mechanical features of a video game that facilitates either engagement in formal system of the game or game’s narrative.
Źródło:
Replay. The Polish Journal of Game Studies; 2015, 02
2391-8551
2449-8394
Pojawia się w:
Replay. The Polish Journal of Game Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zdigitalizowana (betonowa) dżungla. Miasto w grach wideo. Naśladownictwo
Digitalized (concrete) jungle. A city in video games. Mimicry
Autorzy:
Świątek, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/445560.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
interactivity
mimetic
imitation
video games
sandbox
immersion
Opis:
The article describes the types of mimic relations that appear in video games (universalistic and fragmentary) and the ways in which these types affect the mechanism of constructing the reality of the game world. It discusses three levels of mimic relations which are used in the analysis of examples. It depicts the behavior of the inhabitants of virtual cities in Fallout, The Elder Scrolls and Grand Theft Auto game series. It also analyses the look of the particular locations in GTA: San Adreas, Max Payne 3, Deus Ex: Human Revolution and TES: Skyrim games. In the conclusion, the author points to the potential usefulness of the possible worlds’ theory which, to some extent, bonds the highlighted levels of virtual reality, the creation of the depicted world and the categories of interactivity and mimicry.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica; 2014, 2; 147-157
2353-4583
2449-7401
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gra czy film interaktywny? Czyli o wizualności współczesnych produkcji cRPG na przykładzie gry "Wiedźmin 2"
A game or an interactive movie? On the visuality of modern cRPG productions on the example of "The Witcher 2"
Autorzy:
Świątek, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/521290.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
visuality
fictional woods
dynamic narration
introduction
interactivity
immersion
Opis:
In the article, it is pointed out that in modern computer games extended narratives aregradually abandoned while more emphasis is put on visuality and film-like character of the image, and on mimetism, understood not entirely as copying the reality, but as film realism, or following the popular cinematic schemas. One of the means to achieve this goal is using dynamic shooting and interludes that comply with the principles of film making; it is applied, among others, to increase the attractiveness of the message. The examples discussed here are the introductions from two games: The Witcher 1 and The Witcher 2. The conclusion is in fact a question: is a contemporary gameplayer an actual player, or rather a viewer?
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2013, 5, 1; 162-168
2083-7275
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The development of English grammar and reading comprehension by majority and minority language children in a bilingual primary school
Autorzy:
Steinlen, Anja K.
Powiązania:
https://bibliotekanauki.pl/articles/780579.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
immersion
primary school
young learners
grammar
minority language
Opis:
Both for the first language (L1) and for all additional languages (L2 or L3), grammatical knowledge plays a vital role in understanding texts (e.g., Grabe, 2005). However, little is known about the development and interaction of grammar and reading comprehension in beginning foreign language learning, especially with respect to children with a minority language background. This longitudinal study, therefore, examined minority and majority language children’s English grammar and reading comprehension skills. The children attended a German-English partial immersion primary school and were tested at the end of Grades 3 and 4. As expected, we found grammar to affect reading comprehension but also reverse effects. Most importantly, the results did not reveal any differences between the two language groups, irrespective of the test. Therefore, immersion primary school programs seem to be suitable for minority language children, and these children do not automatically represent an at-risk group for foreign language learning.
Źródło:
Studies in Second Language Learning and Teaching; 2017, 7, 3; 419-442
2083-5205
2084-1965
Pojawia się w:
Studies in Second Language Learning and Teaching
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Analysis of the impact of various gamification factors on the level of player satisfaction
Autorzy:
Demidiuk, Krystian
Plechawska-Wójcik, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/2055099.pdf
Data publikacji:
2022
Wydawca:
Politechnika Lubelska. Instytut Informatyki
Tematy:
gamification
immersion
player satisfaction
grywalizacja
immersja
satysfakcja gracza
Opis:
Gamification has become a very popular term for a wide range of opportunities to increase customer interest and satisfaction. This has many uses, including science, commerce and everyday life. Despite the widespread use of gamification mechanisms, the scale of possible benefits is still unknown. The following work examines the influence of various gamification factors on a player's playing time and satisfaction in order to find the factor that brings the greatest benefit. The research was carried out using a game specially created for this purpose and on the basis of the results of the survey presented to the players. The results show that the five selected gamification factors are the challenges and the badges awarded for them have the greatest impact on both examined metrics.
Czynniki grywalizacyjne mają w obecnych czasach wielezastosowań poza rynkiem gier, między innymi w nauce, handlu jak i w codziennym życiu, co określane jest mianem grywalizacji. Pomimo jej powszechnego wykorzystywania, z racji na liczbę możliwych do wykorzystania czynników, skala potencjalnych korzyści wciąż pozostaje nieznana. Choć samo pojęcie grywalizacji odnosi się do obszarów nie związanych z grami, jej skuteczność skłania do zbadania źródła z któregosię wywodzi, a zatem wpływu poszczególnych jej czynników na same gry. Poniższa praca bada wpływ różnych czynników grywalizacyjnych na czas gry gracza oraz uzyskaną przez niego satysfakcję, w celu znalezienia czynnika przynoszącego największe korzyści. Badanie zostało wykonane przy pomocy specjalnie utworzonej w tym celu gry oraz na podstawie wyników ankietyprzedstawionej graczom. Wyniki pokazują, że pięciu wybranych czynników grywalizacyjnych, to wyzwania oraz przyznawane za nie odznaki mają największy wpływ na obie badane metryki.
Źródło:
Journal of Computer Sciences Institute; 2022, 22; 1--7
2544-0764
Pojawia się w:
Journal of Computer Sciences Institute
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The influence of water birth on newborns condition in early adaptation period
Wpływ porodu w immersji wodnej na stan noworodków we wczesnym okresie adaptacyjnym
Autorzy:
Szymkowiak, Martyna K.
Surmiak, Piotr
Baumert, Małgorzata
Bujacz, Ewa
Klajnowicz, Izabella
Gonciarz, Julia
Witek, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/1035998.pdf
Data publikacji:
2017
Wydawca:
Śląski Uniwersytet Medyczny w Katowicach
Tematy:
immersion
newborn
labor pain
parturition
poród
noworodek
immersja wodna
Opis:
INTRODUCTION: A constant growth of interest in alternative labour techniques has been observed among pregnant women in recent years. Water immersion is a method that gives women the comfort of assuming any position, decreases the frequency of episiotomy and reduces the use of analgesics and antispasmodics. This technique is asso-ciated with better pain tolerance in birthing women and leads to shortening of the birthing stages. Despite this, there are a number of studies questioning the beneficial effect of water birth on the well-being of newborns. MATERIAL AND METHODS: A retrospective analysis included 210 newborns born in water immersion and 412 newborns born via the traditional method at the Neonatology Clinic in Katowice between January 2012 and December 2013. RESULTS: The first and second periods of labour in women giving birth in water immersion was significantly shorter compared to the birth time via the traditional method. In the children from water birth there was a significantly smaller incidence of facial haematocyanosis compared to newborns from the control group. There were no differences shown in the incidence of adaptation period anomalies between the analysed groups of infants. The incidence of intraventricular bleeding, adrenal bleeding, perinatal asphyxia, and the necessity of conducting resuscitation after birth did not differ between the children from the two groups. CONCLUSIONS: Water birth is associated with a significant shortening of birth periods and it does not increase the likelihood of adaptation period anomalies in neonates.
WSTĘP: W ostatnich latach obserwuje się stały wzrost zainteresowania ciężarnych alternatywnymi technikami porodu. Metodą, która daje kobiecie możliwość przyjmowania dowolnej pozycji w trakcie porodu, a także zmniejsza częstość epizjotomii i ogranicza stosowanie środków przeciwbólowych oraz rozkurczowych, jest immersja wodna. Technika ta wiąże się z lepszą tolerancją bólu u rodzących i prowadzi do skrócenia okresów porodu. Pomimo tych zalet, istnieją liczne badania kwestionujące korzystny wpływ porodu do wody na dobrostan noworodków. MATERIAŁ I METODY: Retrospektywną analizą objęto 210 noworodków urodzonych w immersji wodnej i 412 noworodków urodzonych metodą tradycyjną na Oddziale Neonatologii w Katowicach w okresie od stycznia 2012 do grudnia 2013 r. WYNIKI: Pierwszy i drugi okres porodu u kobiet rodzących w immersji wodnej był istotnie krótszy w porównaniu z czasem porodu kobiet rodzących metodą tradycyjną. U dzieci z porodu wodnego istotnie rzadziej stwierdzano sinicę wybroczynową twarzy w porównaniu z noworodkami z grupy kontrolnej. Nie wykazano różnic w częstości występowania zaburzeń okresu adaptacyjnego oraz trudności w karmieniu piersią pomiędzy analizowanymi noworodkami. Częstość występowania krwawień do- i okołokomorowych, krwawień do nadnerczy, zamartwicy urodzeniowej, a także konieczność prowadzenia zabiegów resuscytacyjnych po porodzie nie różniły się pomiędzy dziećmi z obu grup. WNIOSKI: Poród w immersji wodnej związany jest z istotnym skróceniem poszczególnych okresów porodu. Nie zwiększa prawdopodobieństwa wystąpienia u noworodków zaburzeń okresu adaptacyjnego.
Źródło:
Annales Academiae Medicae Silesiensis; 2017, 71; 383-392
1734-025X
Pojawia się w:
Annales Academiae Medicae Silesiensis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Increasing awareness and empathy among university students through immersive exercises – testing of the virtual reality application: A pilot study
Autorzy:
Raposo, Rui
Vairinhos, Mário
Laska-Leśniewicz, Anna
Sztobryn-Giercuszkiewicz, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/22380091.pdf
Data publikacji:
2023-09-08
Wydawca:
Instytut Medycyny Pracy im. prof. dra Jerzego Nofera w Łodzi
Tematy:
virtual reality
immersion
universal design
empathy
higher education
extended reality
Opis:
Background This paper presents an overview of a pilot study focused on testing the effectiveness of immersive virtual reality (VR) exercises, within extended reality experiences, in increasing awareness and empathy among university students towards pregnant women, elderly people, people in wheelchairs, and people with some sort of sight impairment. The extended reality experience was designed to simulate various scenarios that reflect the experiences of people from diverse backgrounds, to promote a better understanding of different perspectives and social issues related to some of the challenges tackled by people whose limitations are many times overlooked. Material and Methods A design-based research methodology was applied and qualitative and quantitative data were collected in samples of 20 students from 3 countries. Results Overall, the results suggest that immersive VR applications can be an effective tool in increasing awareness and empathy among higher education students. The use of VR technology can create a sense of presence and immersion that allows students to experience situations that they may not have encountered otherwise. The results attained with the immersive experiences have provided evidence that these solutions can foster a greater understanding of different perspectives and promote empathy towards individuals from diverse backgrounds. Conclusions Ongoing research correlated with the Mixed Reality on Universal Design’s Secret Service (Mr. UD) project results is already expanding on these findings by testing the effectiveness of VR applications in different contexts and with larger and more diverse samples. Additionally, the research conducted has provided relevant evidence that suggests that VR applications and their inclusion in training programs may help promote behavior change and reduce prejudice and discrimination towards marginalized groups.
Źródło:
Medycyna Pracy. Workers’ Health and Safety; 2023, 74, 3; 187-197
0465-5893
2353-1339
Pojawia się w:
Medycyna Pracy. Workers’ Health and Safety
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O immersyjności escape roomów. Przykład pokoi Tick Tack w Gliwicach
Autorzy:
Julke-Bogacka, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/682888.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
escape room
immersja
emersja
dysonans ludonarracyjny
immersion
emersion
ludonarrative dissonance
Opis:
Escape room (ER) is a live cooperative game in which players need to find a way out of a closed room, or to reach an additional goal by solving a series of riddles and puzzles, in a set amount of time. So far there have been few publications on ERs, particularly in Polish game studies. This paper is an attempt at filling this gap. The history of ERs is described briefly, and the claim is made that the reason for the success and popularity of selected ERs is their immersivity. The rooms of the company Tick Tack, which is located in Gliwice, are used as examples to discuss the topic of ER immersivity and the conditions that a room should meet to engage players fully. The analysis is based on relevant literature and on the author’s own experiences with ERs.
Escape room (ER) to rodzaj kooperacyjnej gry rozgrywanej na żywo. Polega na znalezieniu w określonym czasie wyjścia z zamkniętego pomieszczenia lub wykonaniu innego, dodatkowego celu misji poprzez rozwiązanie serii zagadek i łamigłówek. Dotychczas niewiele prac zostało poświęconych ER, szczególnie w środowisku polskich badaczy gier. Niniejszy artykuł jest próbą wypełnienia tej luki. W tekście przedstawiono krótką historię powstania ER oraz postawiono tezę, że przyczyną sukcesu i popularności wybranych ER jest immersyjność. Zagadnienie immersyjności ER oraz warunki, jakie powinien spełnić dany pokój, aby w pełni zaangażować graczy, omówiono na przykładzie pokoi firmy Tick Tack z Gliwic. Analizę przeprowadzono na podstawie literatury źródłowej oraz własnych doświadczeń z gry.  
Źródło:
Replay. The Polish Journal of Game Studies; 2017, 4, 1; 39-50
2391-8551
2449-8394
Pojawia się w:
Replay. The Polish Journal of Game Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
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