Temat: illuminations - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Niedokończony rękopis czy celowe działanie? Na marginesie książki Eliny Gertsman „The Absent Image: Lacunae in Medieval Books”
Unfinished work or conscious act: Several remarks on Elina Gertsman’s ‘The Absent Image: Lacunae in Medieval Books’
Autorzy:: Figaszewska, Karolina
Powiązania:: https://bibliotekanauki.pl/articles/2057601.pdf
Data publikacji:: 2021-12-31
Wydawca:: Polska Akademia Nauk. Instytut Historii Nauki im. Ludwika i Aleksandra Birkenmajerów
Tematy:: rękopis średniowieczny
lakuna
pustka
iluminacje
horror vacui
medieval manuscript
lacuna
emptiness
illuminations
Opis:: The article discusses the content of the newest book by Elina Gertsman, ‘The Absent Image: Lacunae in Medieval Books’ (2021), dealing with the subject of lacunae and emptiness in medieval manuscripts. It illustrates the way in which this topic can be inscribed into the modern tendencies in manuscript studies.
Źródło:: Rozprawy z Dziejów Oświaty; 2021, 58; 249-257
0080-4754
Pojawia się w:: Rozprawy z Dziejów Oświaty
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Clericus quidam crimine carnis. Legal and Iconographic Intricacies in Causa 15 of Gratians Decretum
Autorzy:: Adamczuk, Arkadiusz
Powiązania:: https://bibliotekanauki.pl/articles/1046737.pdf
Data publikacji:: 2019-12-31
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:: Dekret Gracjana
Causae XV
iluminacje
ikonografia prawna
Gratian’s Decretum
Causa XV
illuminations
legal iconography
Opis:: The article analyses a problem of the iconography in Causa XV in the Gratian’s Decretum. The problem posed by the Bolognese Camaldolese monk firstly concerns the accusation by the woman with whom the priest sinned and secondly the use of torture in the canonical process. In both cases, the author of the Decretum resolves the problem also citing Roman law, among others, by citing Digest or the Diocletian’s Code. Miniatures illustrating this Causa, and thus the same text, are different in their iconography depending on the time and place where the specific copy of the manuscript was made. This is mainly due to different, local traditions (e.g. in the medieval Italian countries).
Źródło:: Studia Prawnicze KUL; 2019, 4; 7-19
1897-7146
2719-4264
Pojawia się w:: Studia Prawnicze KUL
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Iluminacje Kodeksu Dekretu Gracjana ze zbiorów Biblioteki Uniwersyteckiej Katolickiego Uniwersytetu Lubelskiego. Analiza stylistyczno-porównawcza
Illuminations in the Code of Gracian’s Decree from the collection of the University Library of the Catholic University of Lublin
Autorzy:: Adamczuk, Arkadiusz
Powiązania:: https://bibliotekanauki.pl/articles/1954035.pdf
Data publikacji:: 2004
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:: iluminacje
Tuluza
Dekret Gracjana
Biblioteka Uniwersytecka Katolickiego Uniwersytetu Lubelskiego ms. 1
illuminations
Toulouse
Gracian's Decree
University Library of the Catholic University of Lublin ms.1
Opis:: The article is the first attempt at making a stylistic-comparative analysis of the manuscript of Concordia Disscordantium Canonum, the work that is commonly known as Gracian's Decree, and is part of the collection of the University Library of the CUL (catalogue number: Ms. 1). The manuscript was acquired by the Library as a gift from Count Jerzy Moszyński in 1926. In Polish collections there are only six copies of Gracian's Decree. The copy owned by the Lublin library is the most impressive one. It is decorated with thirty-eight figurative miniatures and drawings on the margins. Gracian's Decree from the UL CUL collection was made in Paris or in Toulouse in a style that is described as “Parisian” by Robert Brenner, although the style was changed a little by the features of the local workshop – one of the south of France. Its author was an anonymous illuminator whom the author of the article calls Master of the Lublin Decree; and two of the miniatures were painted by his helper, Master B. Individual features of the Master of the Lublin Decree's style allow linking him to the circle that was under the influence of workshops that were followers of the ateliers where the following codes were painted: the Copenhagen Corpus Iuris (Kogelige Bibliothek S. 393), and The Book of Psalms called Wenceslaus (Ex-Dyson Perrins 32). The circle in which the authors of the Lublin Decree remained should also be linked with the influence of Louis the Saint's Book of Psalms and the Gospel Books from St Chapelle (Paris, BnF lat. 17326 and BnF lat. 8892), and particularly with Gracian's Decree from BnF (ms. lat. 3898). The Master of the Lublin Decree painted ms. 1 from the UL CUL at the break of the 13th century, and then, being under a much stronger influence of Bologna he painted the miniatures in the manuscripts of Gracian's Decree (BM Amiens ms. 355) and Justinian Code (ÕNB, Vienna, ms. 2251). In the manuscript of Amiens he repeated the composition solutions of the manuscript of the UL CUL, modifying them a little; he also used them in the Vienna manuscript. Hence probably the master specialized in law manuscripts.
Źródło:: Roczniki Humanistyczne; 2004, 52, 4; 77-110
0035-7707
Pojawia się w:: Roczniki Humanistyczne
Dostawca treści:: Biblioteka Nauki

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