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Wyświetlanie 1-2 z 2
Tytuł:
Antropologia wizualna w badaniu przemian religijności – na przykładzie ikonografii cerkwi św. Jerzego we wsi Złatolist w Bułgarii
Autorzy:
Michalska, Aleksandra F.
Powiązania:
https://bibliotekanauki.pl/articles/2131640.pdf
Data publikacji:
2021-03-17
Wydawca:
Polskie Towarzystwo Religioznawcze
Tematy:
visual anthropology
religiosity
iconography
Orthodox religion
cult
Opis:
The multidimensional iconicity of the modern world leaves no doubt as to its enormous role in cultural and social communication. Visual anthropology, by providing effective tools for decoding and interpreting images, has also gained significance in the field of religiosity research. By using it to analyze images of a religious nature, we reach content that determines the direction of social and cultural changes. Sacred iconography of the church of St. George in the village of Złatolist in Bulgaria will serve as an example in reading the mental changes of Bulgarian society in the late nineteenth and early twentieth century. Focusing my special attention on the topics "Going to the healers" and "Maidens who use rouge" I will refer to the process of resemiotization, in the context of worship of an unofficial saint, a prophetess of Baba Stojna, invariably associated with this place since the beginning of the 20th century. At the same time, in-depth anthropological analysis of the quoted images will help me to show the changes in religiosity in the field of culture that I study. I will try to understand how the symbols contained in iconography, referring to specific rituals, ethics and experience of the sacred or profane, operate within the society and are produced by it.
Źródło:
Przegląd Religioznawczy; 2021, 1/279; 39-51
1230-4379
Pojawia się w:
Przegląd Religioznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Słowo – obraz paradygmatyczny – ikona. O intersemiotyczności w słowiańskiej kulturze prawosławnego średniowiecza
Word – paradigmatical image – icon. About intersemiotics in Orthodox Slavonic culture of the Middle Ages
Autorzy:
Dziadul, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/635891.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
intersemiotics
Slavonic Orthodox literature
iconography
theology
East Christian aesthetics
the Middle Ages
Opis:
This  work  deals  with  the  problem  of  intersemiotics  in  Orthodox  Slavonic  culture  in  the Middle Ages. Attention here is focused on the source, essence and ontology of correspondence of the arts. Despite the fact that in the Middle Ages word and image (icons, frescos, miniatures of manuscripts) had completely different specificity of signs, they were connected with each other on a different level of perception. According to the Church Fathers (John of Damascus, Maximus the Confessor, Basil the Great) and East Christian mysticism (Pseudo Dionysius the Areopagite), the art of the written word and visual art had the same aim and function,  because  they  referred  to  eternal  and  spiritual reality  and  to  the  divine  archetype. The ontology of the word and icon was linked to the specific version of Pseudo-Dionysius’ symbolism. Moreover, this symbolism is connected with the term – “paradigmatical image”, functioning beyond text and iconography, in the iconosphere of the Orthodox Middle Ages. Paradigmatical image becomes a specific link between a word and an icon. Of course, paradigmatical images  were  created  on  the  basis  of  Biblical  (and/or  apocryphal)  and  Patristic Byzantine texts, although they started to function  regardless of their original context. This work presents the way paradigmatical images function in Orthodox iconography and literature (the Raising of Lazarus, the Last Judgement, the Trinity).
This  work  deals  with  the  problem  of  intersemiotics  in  Orthodox  Slavonic  culture  in  the Middle Ages. Attention here is focused on the source, essence and ontology of correspondence of the arts. Despite the fact that in the Middle Ages word and image (icons, frescos, miniatures of manuscripts) had completely different specificity of signs, they were connected with each other on a different level of perception. According to the Church Fathers (John of Damascus, Maximus the Confessor, Basil the Great) and East Christian mysticism (Pseudo Dionysius the Areopagite), the art of the written word and visual art had the same aim and function,  because  they  referred  to  eternal  and  spiritual reality  and  to  the  divine  archetype. The ontology of the word and icon was linked to the specific version of Pseudo-Dionysius’ symbolism. Moreover, this symbolism is connected with the term – “paradigmatical image”, functioning beyond text and iconography, in the iconosphere of the Orthodox Middle Ages. Paradigmatical image becomes a specific link between a word and an icon. Of course, paradigmatical images  were  created  on  the  basis  of  Biblical  (and/or  apocryphal)  and  Patristic Byzantine texts, although they started to function  regardless of their original context. This work presents the way paradigmatical images function in Orthodox iconography and literature (the Raising of Lazarus, the Last Judgement, the Trinity). 
Źródło:
Poznańskie Studia Slawistyczne; 2012, 2
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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