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    Wyświetlanie 1-6 z 6
    Tytuł:
    Tradycyjna biżuteria tybetańska
    Traditional Tibetan jewellery
    Autorzy:
    Greniewska, Natalia Wiktoria
    Powiązania:
    https://bibliotekanauki.pl/articles/914452.pdf
    Data publikacji:
    2017-12-18
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    jewellery
    Tibet
    craftsmanship
    handicraft
    adornment
    ornament
    tradition
    decoration
    Opis:
    The purpose of this paper is to present the phenomenon of Tibetan jewellery, its history, characteristics, styles, applied patterns and ornamentation. The work focuses on traditional jewellery, its application, execution methods, tools and materials used by jewellers, as well as on the symbolism, mainly Buddhist one, with broad meaning and often used during execution of the ornaments.
    Źródło:
    Studia Azjatystyczne; 2017, 3; 52-60
    2449-5433
    Pojawia się w:
    Studia Azjatystyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Złotnicy w Chojnicach w XVIII wieku
    Goldsmiths in Chojnice in the Eighteenth Century
    Autorzy:
    Łyczak, Bartłomiej
    Powiązania:
    https://bibliotekanauki.pl/articles/1059240.pdf
    Data publikacji:
    2020-03-31
    Wydawca:
    Towarzystwo Naukowe w Toruniu
    Tematy:
    craft guilds
    handicraft
    art of the early modern period
    goldsmiths
    royal prussia
    Opis:
    The early modern goldsmithery in Chojnice (Konitz) has so far been outside the main area of scholarly research. The search in archives and libraries conducted for the purposes of the article, as well as the analysis of preserved works crafted by local masters, has therefore brought a lot of new, previously unknown information on the subject. Chojnice is a typical, small centre of goldsmithery, which remained overshadowed by Gdansk, a powerful hub of crafts located nearby. For nearly whole of the eighteenth century only a single workshop operated in the town, and a new master usually appeared only after the death of his predecessor. The research yielded information about five goldsmiths operating in Chojnice in that century, as well as one apprentice who died before becoming a master. Nearly all of them were connected by various family ties. Only a few works of art created in the Chojnice workshops were identified, but they bear the signatures of only two masters who were active in the last third of the eighteenth century. Johann Friedrich Felsch I (1744–1808) made several items for the churches nearby: an incense boat in Chojnice, a monstrance in Bysław, a monstrance base in Wiele and a reliquary cross in Tuchola, as well as a set of six spoons, currently stored in the collection of the Malbork Castle Museum. It is worth noting that his works, apart from the master’s mark, bore a sign that proved he was a member of the guild of goldsmiths in Malbork. Johann Gottlieb Jantzen (1742–1772), Felsch’s brother-in-law, delivered a monstrance to the church in Jeleńcz (now in Tuchola), and a frame for the worshipped statue of the Blessed Virgin Mary to the Bernardine Church in Zamarte (now missing). All these items represent an average level of artistry, and show considerable dependence on the style developed by the masters from Gdansk, where both goldsmiths active in Chojnice studied their craft.
    Źródło:
    Zapiski Historyczne; 2020, 85, 1; 187-202
    0044-1791
    2449-8637
    Pojawia się w:
    Zapiski Historyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Zrób to sam/Do it yourself”. Nowe oblicza rzemiosła i rękodzieła w kulturze współczesnej
    “Do it yourself”. New faces of craft and handicraft in modern culture
    Autorzy:
    Orszulak-Dudkowska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/966857.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    DIY
    modern culture
    craft
    handicraft
    rękodzieło artystyczne
    kultura współczesna
    „zrób to sam”
    Opis:
    The article presents the “do it yourself” (DIY) phenomenon which is popular in culture nowadays. It constitutes a distinctly noticeable sign of the return to craftwork based on manual work. The author treats this phenomenon as a modern continuation of old handicraft and craft traditions, while at the same time she notices its new functions and socio-cultural meanings. The author recalls historical contexts of the “do it yourself” philosophy in the culture of the West, as well as in native cultural traditions; she also presents current examples of activities of this kind, taken from websites and internet blogs. In the author’s view, the DIY phenomenon is situated in the circle of current trends of design, it is an expression of the criticism of consumerist society and is an ecological attitude towards the natural environment. It also remains strongly connected with the outlook of the involved people and social groups, as well as constituting evidence of people’s creative involvement in their relations with the material world.
    Źródło:
    Zeszyty Wiejskie; 2016, 22; 99-107
    1506-6541
    Pojawia się w:
    Zeszyty Wiejskie
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The use of Lean Six-Sigma tools in the improvement of a manufacturing company – case study
    Autorzy:
    Tran, Tuan-Anh
    Luu-Nhan, Khai
    Ghabour, Rajab
    Daroczi, Miklos
    Powiązania:
    https://bibliotekanauki.pl/articles/112023.pdf
    Data publikacji:
    2020
    Wydawca:
    Stowarzyszenie Menedżerów Jakości i Produkcji
    Tematy:
    Lean-Six Sigma
    handicraft
    manufacturing
    narzędzie Lean-Six Sigma
    rękodzieło
    firma produkcyjna
    wydajność operacyjna
    Opis:
    Handicraft production is usually chaotic and difficult to monitor, since its products and manufacturing processes are complex. As all the manufacturing steps rely on varied skill levels of the workers, the situation is even more stochastic. There are several common problems, such as inappropriate production method, line unbalance, excessive stock, lack of production planning and control phases, etc. They stem from the lack of suitable operation model, redundant workforce usage, and insufficient internal training activities, which lead to the waste of human resources. In this paper, a roadmap to improve the operational efficiency of handicraft manufacturing is suggested, using Lean-Six Sigma methodology and tools. A case study is conducted in a Vietnamese firm to show the validity of the approach.
    Źródło:
    Production Engineering Archives; 2020, 26; 30-35
    2353-5156
    2353-7779
    Pojawia się w:
    Production Engineering Archives
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Occupational Health Care in Small and Medium-Sized Enterprises - Introduction of Services to Craftsmen by Using Their Professional Networks
    Autorzy:
    Froneberg, B.
    Boldt, U.
    Powiązania:
    https://bibliotekanauki.pl/articles/90549.pdf
    Data publikacji:
    1999
    Wydawca:
    Centralny Instytut Ochrony Pracy
    Tematy:
    occupational health
    SMEs
    handicraft
    district trade associations
    ochrona zdrowia
    rękodzieło
    małe i średnie przedsiębiorstwa
    Opis:
    In order to ensure equality of occupational health care among employees of small and medium-sized enterprises (SMEs) and of larger companies, amendments in the regulations of the numerous German accident insurance funds had to be made to provide for full availability of services, as requested by German and European law. According to these amendments, sectors formerly exempted due to small size and due to lack of an adequate number of qualified personnel, had to be covered by occupational health care. In order to reach this target group new strategies of care delivery had to be developed, making use of pre-existing infrastructure and networks. In Germany, district trade association (Kreishandwerkerschaften) have proved to be very effective for introducing occupational safety and health care into SMEs by either hiring external multidisciplinary services or by establishing a common service to be used by all associated crafts establishments. In a study conducted by the Federal Office for Health and Safety at Work in 1996 (Boldt, Gille, &Grahl, 1997), 7 district trade association were looked at in detail for their strategies. The results were discussed and supplemented in a 2-day workshop.
    Źródło:
    International Journal of Occupational Safety and Ergonomics; 1999, 5, 4; 581-584
    1080-3548
    Pojawia się w:
    International Journal of Occupational Safety and Ergonomics
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Architektura, wystrój i symbolika klasztorów kapucyńskich na przykładzie klasztoru krośnieńskiego
    The architecture, interior design and symbolism of Capuchin monasteries exemplified by the monastey in Krosno
    Autorzy:
    Rotter, Lucyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1218425.pdf
    Data publikacji:
    2016
    Wydawca:
    Instytut Wydawniczy Księży Misjonarzy Redakcja "Nasza Przeszłość"
    Tematy:
    kapucyni
    klasztor
    architektura
    wyposażenie wnętrz
    symbolika
    malarstwo
    rzeźba
    rzemiosło artystyczne
    styl artystyczny
    Capuchin
    cloister
    frunishings
    symbolic
    painting
    sculpture
    handicraft
    artistic style
    Opis:
    Zakon Braci Mniejszych Kapucynów powstał po 1525 roku w wyniku reformy, której inicjatorem był o. Matteo da Bascio. Niemal od początku swego istnienia kapucyni wykształcili pewien zauważalny styl w sztuce, charakterystyczny dla wznoszonych przezeń klasztorów, w których konkretnym zasadom podlegała nie tylko sama architektura kościoła i klasztoru, ale i wyposażenie wnętrza, malarstwo, rzeźba czy rzemiosło artystyczne. Utrzymanie jednolitego stylu architektonicznego było możliwe nie tylko dzięki rygorystycznym przepisom, ale i żywej tradycji. Cechy budownictwa kapucyńskiego posiadając bardzo wyraźny rys semantyczny, podkreślają duchowość i tradycję Zakonu.
    The Order of Capuchin Friars Minor originated in 1525 as the result of the reform initiated by Fr. Matteo da Basico. Almost from the beginning of its existence the Capuchins developed a certain noticeable art style, characteristic for the monasteries they built, in which the church’s and the monastery’s architecture as well as the interior design, painting, sculpture or craft were subjected to strict rules. Maintaining a uniform architectural style was possible not only through rigorous rules but also through live tradition. Capuchin architecture by its very distinct semantic feature emphasises the spirituality and tradition of the Order.
    Źródło:
    Nasza Przeszłość. Studia z dziejów Kościoła i kultury katolickiej w Polsce; 2016, 126; 233-249
    0137-3218
    2720-0590
    Pojawia się w:
    Nasza Przeszłość. Studia z dziejów Kościoła i kultury katolickiej w Polsce
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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