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    Wyświetlanie 1-2 z 2
    Tytuł:
    The Language of Papal Gift-Giving in the Seventeenth and Eighteenth Centuries: An Example of Soft Power?
    Autorzy:
    Chauvin, Maëlig
    Powiązania:
    https://bibliotekanauki.pl/articles/2035957.pdf
    Data publikacji:
    2020-11-19
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Early modern diplomacy
    Papacy
    Western Europe
    gifts
    clothes
    Golden Roses
    gift-giving
    Opis:
    In the seventeenth century, the practice of handing diplomatic gifts was on the rise among European sovereigns. A certain number of treatises intended for ambassadors specifically refer to this practice. These gifts, brought by the nuncios, his ambassadors, were selected, not only by the pope, but also by great figures in the papal court, like cardinals’ nephews or relatives. They were able to recognize which works would be the most appreciated by the Stuart King, the emperor or the kings of France or Spain. The letters sent by the nuncios or the newspapers which tackle events that had occurred in foreign courts constitute precious sources to identify and review such presents. Moreover, papal gifts were dual. The Supreme Pontiff was a religious sovereign and, as such, he offered reliquaries, blessed swaddling clothes and Golden Roses which were holy objects able to sustain Catholicism and maintain the faith. If these types of offerings were conventional, the pope also sent secular objects such as paintings, which represented profane themes, antique statues and small galanteries such as fans, gloves and perfumes, which is more surprising. As a matter of fact, the pope played a political role as a peacemaker between the other great European powers and defenders of the territories over which he had full jurisdiction: the Supreme Pontiff exercised both spiritual and temporal power. This dual nature can be seen in the different objects given. How did presents become instruments of power which served the pope’s interests? How did gift-giving rituals help him persuade the other sovereigns to follow his will and to maintain him as the greatest sovereign in Western Europe?
    Źródło:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies; 2020, 4; 167-188
    2545-1685
    2545-1693
    Pojawia się w:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Between Temporal and Spiritual Powers: Colonial Diplomacy Associated with the Painting France Bringing Faith to the Huron-Wendats of New France (c. 1666)
    Autorzy:
    Ouellet, Pierre-Olivier
    Powiązania:
    https://bibliotekanauki.pl/articles/2035969.pdf
    Data publikacji:
    2020-11-19
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Early modern Quebec
    New France
    gift-giving
    painting
    Canadian art history
    Opis:
    Preserved in Quebec City, the French canvas entitled France Bringing Faith to the Huron-Wendats of New France, executed around 1666, constitutes a central piece of Canadian art history painted during the French colonial period. Espousing an iconography adapted to the New World, this painting presents an Indigenous figure in its foreground. The man, with a tanned complexion and black hair, whose naked body is dissimulated by a single blue and gold piece of clothing, faces a female character having European features, adorned with noble fabrics and precious jewellery. The scene, set in nature, evokes the grandeur and wilderness of North America. A two-masted French merchant ship floating on the majestic expanse of water reinforces this impression. This painting, obviously, illustrates the Europeans’ arrival on this territory in the seventeenth century, and the encounters between the French and Indigenous peoples. However, the representation is also rich in motifs that are likely to attract attention and curiosity: the mise en abyme (the painting within the painting), the celestial figures, and the coat of arms at the bow of the vessel constitute such examples. In this regard, the research studies of our Canadian art history predecessors – to which we are indebted – have enabled us to, first, retrace the painting’s history and, second, clarify its interpretive elements in relation to the spiritual and contextual dimensions specific to New France, in order to shed light on some of its well-kept secrets.
    Źródło:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies; 2020, 4; 209-235
    2545-1685
    2545-1693
    Pojawia się w:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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