Temat: Polish Futurism - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: POLISH FUTURISM AND ITS PROJECT OF EMANCIPATION
Polski futuryzm i jego projekt emancypacyjny
Autorzy:: Pfeifer, Kasper
Powiązania:: https://bibliotekanauki.pl/articles/1036025.pdf
Data publikacji:: 2020-11-26
Wydawca:: Łódzkie Towarzystwo Naukowe
Tematy:: futurism
utopian studies
aesthetic and politics
polish literature
revolutions
jacques
rancière
bruno jasieński
futuryzm
studia nad utopią
estetyka i polityka
literatura polska
rewolucje
Opis:: The aim of this article is to present the forward-looking project of Polish Futurism, seen as a radical critical movement. It focuses on the concept of the “futurization of life”, one of the main ideas postulated by the Polish Futurists, also referred to as the quasiaccelerationist modernization of the social reality of interwar Poland, which served as a response to the semi-peripheral status of the country. Taking recourse to Jacques Rancière and Immanuel Wallerstein, the article discusses the postulates of the Polish Futurists and the ways in which they wanted to achieve the following goals: to intervene in language in a revolutionary manner, to break free from the bourgeois culture, to democratize art, to emancipate women, to extend the notion of a nation, and to abolish the division of the world into the core and its periphery.
Źródło:: Prace Polonistyczne; 2020, 75; 87-106
0079-4791
Pojawia się w:: Prace Polonistyczne
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Skocz do pozycji: 2.

Tytuł:: A previously unknown poem by Jalu Kurek
Nieznany wiersz Jalu Kurka
Autorzy:: Wójtowicz, Aleksander
Powiązania:: https://bibliotekanauki.pl/articles/2088446.pdf
Data publikacji:: 2019
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: Polish literature of the early 20th century
futurism and avant-garde
poetic magazine New Art (Warsaw 1921–1922)
Jalu Kurek (1904–1983)
Jalu Kurek
awangarda
futuryzm
Nowa Sztuka
juwenilia
Opis:: The article presents a previously unknown poem by Jalu Kurek, found in the Józef Czechowicz Museum of Literature in Lublin. The youthful poem titled Nostalgia shows Kurek’s breaking away from the spell of futurism and edging towards an avant-garde poetics with a great deal of juxtaposition.
Źródło:: Ruch Literacki; 2019, 2; 249-255
0035-9602
Pojawia się w:: Ruch Literacki
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Skocz do pozycji: 3.

Tytuł:: Yeży Yankowski vs. Jankowski: a breakup with young Poland and with himself (act I)
Yeży Yankowski kontra Jerzy Jankowski. Akt zerwania z Młodą Polską i samym sobą (pierwsza odsłona)
Autorzy:: Okulicz-Kozaryn, Radosław
Powiązania:: https://bibliotekanauki.pl/articles/2087964.pdf
Data publikacji:: 2020
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: Polish literature of the early 20th century
Young Poland
Modernism
Futurism
Jerzy Jankowski (1887–1941)
Zenon Przesmycki (1861–1944)
Tadeusz Miciński (1873– 1918)
Leon Choromański (1873–1952)
Zygmunt Kisielewski (1882–1942)
Filippo Tommaso Marinetti (1876–1944)
Jerzy Jankowski
futuryzm
modernizm
Młoda Polska
krytyka młodopolska
Tadeusz Miciński
Leon Choromański
Zygmunt Kisielewski
witalizm
urbanizm
Opis:: This article deals with the first phase of Jerzy Jankowski’s severing ties with the Young Poland movement and his access to the futurist avant-garde. His conversion to the new poetic worldview, which he pioneered in Poland, was reflected in his articles and poems published in Widnokrąg [Horizon], a magazine he founded in 1913 to replace Tydzień [The Week], of which he was the main publisher. The rebranding came on top of disagreements between the magazine’s contributors. The divergent views focused on the assessment of Tadeusz Miciński’s novel Xiądz Faust. In May 1913, in his former magazine, Jankowski heaped praises on it. However, the following year, when it came up for debate in the Widnokrąg between Miciński’s aficionado Zygmunt Kisielewski and the skeptically-minded Leon Choromański, Jankowski sought to distance himself from both the emotionalism and the intellectualism of his colleagues. By that time he was absolutely adamant that the antinomies of Young Poland’s high art were a trap. Now that the worship of art striving for timeless perfection would have to give way to an unpretentious concern for ‘fugitive art’, the time was ripe for working out a new aesthetic, centered on the thrilling ‘beauty of big cities’, cabaret, cinema, and modern machines. Jankowski broke with his erstwhile mentor Ferdynand Ruszczyc and Zenon Przesmycki-Miriam, to follow the incomparably more exciting Filippo Tommaso Marinetti. Meanwhile, Choromański made one last attempt to bring the young man back on track by writing an article, in which he argued that Futurism was crude, and shallow, a throwback rather than a modern breakthrough. However, his warnings made no dint in Jankowski’s faith in futurism. For him its triumph was a matter of historical necessity. And, he had already thrown in his lot with the new movement by publishing his first futurist poems, ‘Spłon lotnika’ [‘Pilot in flames’] and ‘Maggi’.
Źródło:: Ruch Literacki; 2020, 1; 33-46
0035-9602
Pojawia się w:: Ruch Literacki
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Informacja

Wyszukujesz frazę "Polish Futurism" wg kryterium: Temat

Źródło danych

Dostawca treści

Kolekcja

Rok wydania

Wydawca

Temat

Autor

Typ dokumentu

Język