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Tytuł:
Fikcja a fałsz, O właściwościach semantyczno-składniowych przymiotników fikcyjny i fałszywy
Fiction and Falsehood. Semantic and Syntactic Features of Polish Predicates fikcyjny and fałszywy
Autorzy:
Zaucha, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/568100.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Mikołaja Kopernika w Toruniu. Wydawnictwo UMK
Tematy:
fiction
falsehood
semantics
Opis:
The aim of the paper is to pinpoint semantic and syntactic features of two Polish predicates, namely fikcyjny and fałszywy. The author shows what they have in common, as well as how they differ. Particularly, she concentrates on the differences in the scope of reference for the two predicates. She also presents two short representations of their semantic content. The analysis of the Polish expression fikcyjny sheds new light on certain theoretical problems of fiction, known from philosophy and literary theory.
Źródło:
Linguistica Copernicana; 2014, 11; 35-52
2080-1068
2391-7768
Pojawia się w:
Linguistica Copernicana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Сучасна українська проза після 24 лютого 2022: рецепція війни
Autorzy:
Trofymenko, Tetiana
Powiązania:
https://bibliotekanauki.pl/articles/46145041.pdf
Data publikacji:
2023-12-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
modern Ukrainian literature
war
fiction
non-fiction
cancel culture
essay
Opis:
Modern Ukrainian Prose after 24 February 2022. Reception of the War: The article analyses Ukrainian prose works published after the Russian aggression against Ukraine on 24 February 2022. Generally, the newest Ukrainian prose gravitates more towards the non-fiction genre framework. It is represented by numerous anthologies, mainly with pieces by famous writers, literary critics, and public figures. The authors record personal experiences and reflect on the history of the Russian-Ukrainian confrontation in historical retrospect. Today, the non-fiction format is more popular because it allows essayists to talk about painful topics from a more moderate position and broadcast the situation of Ukrainians to the international community through the mobile genre of short journalistic prose. At the same time, the revaluation of values experienced currently by millions of Ukrainians is manifested in the tendency to cancel everything Russian, which affects the course of the literary process and the distribution of roles among its players, as well as causes the appearance of texts whose style is dominated by hatred of the enemy of the occupier.
Źródło:
Studia Interkulturowe Europy Środkowo-Wschodniej; 2023, 16; 97-113
1898-4215
Pojawia się w:
Studia Interkulturowe Europy Środkowo-Wschodniej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Opowieść transmedialna – znak naszych czasów
Transmedia story – sign of the times
Autorzy:
Boczkowska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/511752.pdf
Data publikacji:
2014
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
transmediality
convergence
media
fiction
Opis:
The article presents the so¬ called transmedia stories that have become more popular in the epoch of media convergence. Transmedia texts are the texts that tell their stories using different media, for example television, Internet or literature. Transmediality can be regarded as a kind of intertextuality. The author also presents several novels whose plot as well as other elements (for example fictive author) refer to popular TV series.
Źródło:
Postscriptum Polonistyczne; 2014, 2(14); 125-137
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Access Paths: On Popular Women’s Literature and Criticism
Autorzy:
Nowacki, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/2030645.pdf
Data publikacji:
2021-02-21
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
fiction
women
typology
critics
Opis:
Referring to critical statements that have appeared during the last few years, the author discusses ways of commenting on popular literature penned byfemale authors. One may distinguish five types of comments, 1) Appropriation (Aneksja), employed when a popular novel is included in the socially important literature referring to pressing and alarming problems (e.g. domestic violence). 2) Playing with convention (Gra z konwencją), based on pinpointing both grotesque and ironic elements and, above all, metaliterary signals in popular novels. 3) Adherence to tradition (Zgodnie z tradycją), best represented in the secondary literature, either through a poetologic approach (structural analyses) or approaches inspired by feminist criticism. 4) Exhortation to pay close attention (Dobrze się wschłuchać), focused on the approaches suggested by other fields, e.g. how popular women’s literature is read by sociologists. 5) Focus on emotions and excess (Emocje i zbytek), based on emotional and therapeutic research on the perception styles of popular literature. In this case, one focuses not on popular women’s fiction, but on the way it influences the readers’ emotions.
Źródło:
Tematy i Konteksty; 2020, 1; 395-404
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Biografia i autobiografia w literaturze audialnej
Biography and Autobiography in Audio Literature
Autorzy:
Bachura-Wojtasik, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/967716.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
documentary
fiction
audio literature
Opis:
The article discusses the audio form of the biography and autobiography – as seen in the radio- drama and documentary – as a distinct form in audio literature. The article is inspired by the theoretical findings of Philippe Lejeune concerning autobiographical literature and the personal diary genre. Theoretical reflections are complemented by selected examples of artistic audio genres. The examples of radio-dramas and artistic documentaries (features) discussed illustrate the specificity of the radio medium, which, on the one hand, opens up new opportunities for documentaries that are impossible to achieve in printed literature, while, on the other hand, it also imposes restrictions.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2015, 28, 2
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Prawda i fikcja w autobiograficznych trylogiach emigracyjnych Eduarda Limonowa
Truth and fiction in autobiographical Eduard Limonov immigration trilogies
Autorzy:
Bieliński, Robert
Powiązania:
https://bibliotekanauki.pl/articles/481550.pdf
Data publikacji:
2012-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Eduard Limonov
truth
fiction
Opis:
Limonov’s character adores to be different, he loves to shock people. He lives then with kind of an other life. From one side it gives to him a hallmark of singularities and uniquenesses, from other it is underlining intuitive - ness, which is such important to him as the base of knowledge and reasoning. This philosophy is meeting all requirements of Eddie’s “life philosophy”. Empirical knowledge the own soul, and also souls of other people is leading him to height of the success and the vital fulfilment in own antrophosphere, own existence, time and space. Ediczka is standing out, he is “different”. However the most important is fact, that Eddie - character is the same as Limonov - writer. The life and the existence of the character are becoming author’s being at the same time. There is no Eddie's existence without existing of his author - Limonov. Eduard Limonov antrophosphere’s multidimensionality has reflection in the Eddie’s form. Character, similarly as his author, is a writer, publicist, rebellious critic of political world’s order (especially his two “homelands” - America and the USSR). Analysing interviews with Limonov a striking similarity of both figures views is noticed. Tragedy of the man left by “mother - Russia” and thrown to “orphanage - America” is becoming from one side - more definitive, from second- highly deceptive and seeming.
Źródło:
Acta Polono-Ruthenica; 2012, 1, XVII; 115-125
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sergio Pitol. El sedimento autobiográfico
Autorzy:
Pascual Gay, Juan
Powiązania:
https://bibliotekanauki.pl/articles/2080003.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
fiction
autobiography
travel
memory
modernity
Opis:
La escritura autobiográfica de sergio Pitol supone una rebeldía frente al género autobiográfico mismo. es la desconfianza del autor hacia la palabra como instrumento eficiente para recuperar un pasado ya desvirtuado por la memoria la que privilegia la ficción como motor de ese recuerdo. así, el “sedimento autobiográfico” no condiciona la escritura ni la clasifica dentro de los géneros autobiográficos, sino que origina ese proceso de ficcionalización.
Źródło:
Itinerarios; 2014, 19; 113-129
1507-7241
Pojawia się w:
Itinerarios
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Непубликуваните фикционални текстове (Васил Попович и Асен Христофоров)
Autorzy:
Аретов, Николай
Powiązania:
https://bibliotekanauki.pl/articles/1890765.pdf
Data publikacji:
2021-02-23
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
unpublished
fiction
censorship
personal relations
Opis:
This paper deals with some texts from the archives of two authors from different periods. These texts were not published by the authors in their lifetime. The reason was not some kind of censorship, especially in the case of Vasil Popovich, who probably had some scruples dealing with events from the private life of his opponent Konstantin Jireček. Asen Hristoforov, a writer who was expelled from the University and sent to a labor camp, did not offer texts about his time in the labor camp for publishing. However, in this published texts there are hints about the repressions he suffered and about his disapproval of the communist regime. At the same time, there was a tension between his criticism and his attempt to partially accept the official perspective towards some events and political figures of Bulgarian communist past.
Źródło:
Poznańskie Studia Slawistyczne; 2020, 19; 149-168
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Holocaust – the Border of Pragmatic Language
Holokaust – hranica pragmatického jazyka
Autorzy:
Prušková, Zora
Powiązania:
https://bibliotekanauki.pl/articles/635671.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Holocaust
language
document
fiction
interpretation
Opis:
The theme of the paper is observing and revealing non-pragmatic language that, when dealing with deliberately chosen texts about acts of violence, leads to productive aesthetic disturbance. In its substance, this language refers to the gulf between intensity of representation and ideological intention towards a reader declared in a complicated manner. The paper discusses five texts with the theme of the Holocaust. Three of them deal with the Holocaust as with a recent experience, namely Curzio Malaparte’s Caput (1944), Žofia Nalkowska’s Medallions (1945), and Leopold Lahola’s Last Thing (1949–1956, published in a book in 1968); whereas two other ones deal with the Holocaust after some time in a form of belles-lettres memoirs or testimony, namely Juraj Špitzer’s I Did Not Want to Be a Jew (1994) and Jerzy Kosiński’s Painted Bird (in English in 1965, Czech translation was published in 2011). All interpreted texts are marked by specific language situated beyond the border of traditional literary representation. This language is either extremely subjective, expressive and periphrastic – in this case it borders on with absurd Realism or nonsense (in case of C. Malaparte, J. Kosiński, and L. Lahola) – or, in its neutral representation (in case of Ž. Nalkowska, and J. Špitzer), it borders on with a melancholic self-referential document on limits of cultural humanism or of normal, common humanity.
Źródło:
Poznańskie Studia Slawistyczne; 2017, 12; 259-270
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’hybridité dans La Steppe rouge de J. Kessel : limite ou complémentarité ?
Hybridity in Red Steppe by J. Kessel: Limit or Complementarity?
Autorzy:
Chaabene, Rached
Powiązania:
https://bibliotekanauki.pl/articles/483522.pdf
Data publikacji:
2016
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
hybrydity
history
fiction
novella
initiation
Opis:
The Red Steppe of Joseph Kessel is a valuable work, insofar as it is mainly characterized by its generic hybridity. The six novellas oscillate between the biographical and autobiographical, between history and fiction, between the individual and the collective, between the current and the universal. A sort of juxtaposition and/or co-existence can be traced between the novella of Kessel and other literary genres such as the travelogue, the initiation story, the adventure story, the historical narrative and the fictional narrative. This interdiscursive report makes the historical text an open text, "a hybrid text."
Źródło:
Quêtes littéraires; 2016, 6; 56-64
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Can fiction and veritism go hand in hand?
Autorzy:
Brandelet, Antoine
Powiązania:
https://bibliotekanauki.pl/articles/31804113.pdf
Data publikacji:
2023
Wydawca:
Copernicus Center Press
Tematy:
fiction
explanations
idealisations
models
veritism
Opis:
The epistemology of models has to face a conundrum: models are often described as highly idealised, and yet they are considered to be vehicles for scientific explanations. Truth-oriented—veritist—conceptions of explanation seem thereby undermined by this contradiction. In this article, I will show how this apparent paradox can be avoided by appealing to the notion of fiction. If fictionalism is often thought to lead to various flavours of instrumentalism, thereby weakening the veritist hopes, the fiction view of models offers a framework much richer than it seems at first sight. To do so, I will call upon the concepts of modality, counterfactual structure and credible worlds. In the end, veritism of explanation and fiction can indeed go hand in hand, but the scope of explanations we can hope to draw from models must be more precisely delineated.
Źródło:
Zagadnienia Filozoficzne w Nauce; 2023, 74; 225-257
0867-8286
2451-0602
Pojawia się w:
Zagadnienia Filozoficzne w Nauce
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Iluzivní postupy ve vzpomínkových textech Ignáta Herrmanna
Illusive procedures in commemorative texts by Ignát Herrmann
Autorzy:
Změlík, Richard
Powiązania:
https://bibliotekanauki.pl/articles/908906.pdf
Data publikacji:
2020-03-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
memory
Ignát Herrmann
fiction
non-fiction
narrative ways
paměti
fikce
non-fikce
narativní způsoby
Opis:
Studie je zaměřena na vzpomínkové knihy Ignáta Herrmanna, zejména na problematiku hranice mezi non-fikčním a fikčním vyprávěním. Herrmann svoje knihy vzpomínek koncipoval jako faktuální vyprávění, nicméně v některých jeho částech lze pozorovat zvláštní narativní techniky, jež fikcionalizují vyprávění. Naším cílem je tyto části detekovat a analyzovat na pozadí nejen ostatního Herrmannova faktuálního vyprávění, ale také ve srovnání s fikčním u Jana Nerudy.
The paper is focused on the memory books by czech writer Ignát Herrmann, especially on the problem of border between nonfiction and fictional narrative. Herrmann drawn up his memory books as factual narrative, however but in some parts of his texts we can observe interesting narrative techniques, which shifts the narration towards fictionality. Our goal in this study is detected this parts and analysis them on the background not only the others parts, which are represented factual narration, but in compare with fictional narration by Jan Neruda.  
Źródło:
Bohemistyka; 2020, 1; 22-54
1642-9893
Pojawia się w:
Bohemistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gra z konwencją literatury dokumentu w powieści Hanny Sokołowskiej „Kosa, czyli ballada kryminalna o Nowej Hucie”
Playing with the convention of document literature in Hanna Sokołowska’s novel “The scythe, or a criminal ballad about Nowa Huta”
Autorzy:
Mazurkiewicz, Adam
Powiązania:
https://bibliotekanauki.pl/articles/967626.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
polish literary
metacriminal
fiction
document
non-fiction
literatura polska
metakryminał
fikcja
dokument
literatura dokumentalna
Opis:
Looking for new sources of inspiration, authors of crime stories begin to combine literary fiction with historical facts. Thanks to that they create quasi-documentary narratives in which crime serves as a pretext to show historical settings (in Hanna Sokołowska’s novel the setting are the 1970s). This way the reader can be culturally embedded in “post-memory.”
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2015, 30, 4
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The material world of digital fictions
Autorzy:
Janik, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/1955346.pdf
Data publikacji:
2021-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
digital materiality
Tadeusz Kantor
fiction
Undertale
Opis:
This paper explores the interdependency between digital matter and the representational or mimetic layer of the digital game object. The main aim is to foreground the mechanisms by which the representationalelements of the game world emerge from the materiality of the process of play. These mechanisms are examined from the perspective of the ontology of the game object. The issue of digital materiality will be linked with the aesthetical explorations of Tadeusz Kantor, who emphasised the relation between the materiality of the theatre and its fictional elements. As the main example of this analysis, I will focus on Undertale (Toby Fox, 2015) as an example of a game that plays with the boundaries between the fictional world being presented and the elements of digital materiality that are usually hidden from the player’s sight.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 29, 38; 57-72
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Only a Poet Never Lies… Maciej Kazimierz Sarbiewski’s Thoughts on the Privilege of Poets
Autorzy:
Łukaszewicz-Chantry, Maria
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1012744.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
probability
poetic art
fiction
allegoresis
Mimesis
Opis:
In his treatise De perfecta poesi, sive Vergilius et Homerus, Maciej Kazimierz Sarbiewski presents his reflections on poetic art and states that poets never lie. This privilege results from the conviction that a poet creates in the same way as God, bringing his characters to life. That is why “he can speak about what is not, as if it really existed.” Poetic fictions are also often a veil behind which a precious truth is hidden. This truth can be reached by using an appropriate allegorical interpretation.
Źródło:
Truth and Falsehood in Science and the Arts; 62-68
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 101

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