Temat: cultural performance - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Interkulturowe festum folkloricum jako konstrukt i metakomentarz społeczno-kulturowy
Autorzy:: Dziadowiec, Joanna
Powiązania:: https://bibliotekanauki.pl/articles/644529.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:: festival
folklore
cultural performance
interculturality
myth
code
metacommentary
Opis:: This paper, based on the results of a field research, presents an intercultural folklore festival, along with the world of cultural heritage and folkloristic traditions, as a dynamic and self-updating sociocultural construct, that despite the strong institacutionalization, mythologizing and hegemony still has a large potential for emancipation. This event is not entirely artifi cially created by widely understood experts, activists and leaders of folkloristic movement, according to presumed needs and preferences of festival audiences, but it is also an immanent reality, constantly being created by all participants. It is a metacommentary of contemporary folk actuality, constructed and negotiated in the course of interactions, activities and meaningful social practices which have highly performative character.
Źródło:: Prace Etnograficzne; 2014, 42, 2; 135-145
0083-4327
2299-9558
Pojawia się w:: Prace Etnograficzne
Dostawca treści:: Biblioteka Nauki

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Tytuł:: „Performuj albo giń”. Przystanek Woodstock jako performans kulturowy
Perform or die. Woodstock Festival as cultural performance
Autorzy:: Węcławiak, Alicja
Powiązania:: https://bibliotekanauki.pl/articles/514886.pdf
Data publikacji:: 2016
Wydawca:: Fundacja dzień dobry! kolektyw kultury
Tematy:: Woodstock Festival
cultural performance
festival
liminality
ilinx
Przystanek Woodstock
performans kulturowy
festiwal
liminalność
Opis:: Performance is an occurrence commonly associated with theater, but that concept has a very broad context. Nowadays there are a lot of phenomena we can perceive this way, not just theatrical or quasi-theatrical. If we assume that the most important aspect in this field is „eventness”, almost everything could be called a performance. This specific type of phenomenon (also of aesthetic nature) can be divided into cultural performances, technological performances and organizational performances (source: J. McKenzie) or otherwise into cultural and language performances (source: M. Carlson). In the category of cultural performances we can enter a whole multiplicity of occurrences or events, including festivals, for which eventness, liminality, a kind of subversive or ritualization are an absolute necessity. From this point of view we can also consider our indigenous Polish Woodstock Festival, providing a lot reflections: cultural, social and also aesthetic. Assuming that this festival is a part of aesthetics of the performance, we can expect fulfillment of three functions mentioned by McKenzie: (1) self-reflection and social reflection, (2) presentation of alternatives and (3) possibility for maintenance or changes. It is worth to think about festival’s liminality and context to see how, during a couple of summer days, hundreds of thousands of people participate in one of the largest cultural performance.
Źródło:: Amor Fati; 2016, 1(5); 109-123
2449-7819
Pojawia się w:: Amor Fati
Dostawca treści:: Biblioteka Nauki

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