Temat: ochrona in situ - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: A brief overview of the applicability of FISH methods in environmental engineering
Krótki przegląd zastosowań metod FISH w inżynierii środowiska
Autorzy:: Piórczyk, J.
Jasionowski, B.
Stańczyk, E.
Powiązania:: https://bibliotekanauki.pl/articles/402446.pdf
Data publikacji:: 2013
Wydawca:: Politechnika Świętokrzyska w Kielcach. Wydawnictwo PŚw
Tematy:: FISH (fluorescence in situ hybridization)
technological research
environmental protection
FISH (fluorescencyjna hybrydyzacja in situ)
badania technologiczne
ochrona środowiska
Opis:: Fluorescent in situ hybridization (FISH) is a commonly used method for the detection of microorganisms in heterogeneous environment. It is primarily used for quantitative analysis of microorganisms. FISH gives possibilities of evaluating activities of some bacteria and their physiological state in the environment. In the recent years, ftuorescent in situ hybridization has been improved and adapted for the research on environmental samples.
Źródło:: Structure and Environment; 2013, 5, 1; 42-45
2081-1500
Pojawia się w:: Structure and Environment
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Bylica pospolita, „synfitonizm” i ekspozycje roślinno-ludzkich historii
Artemisia vulgaris, ‘synphytonism’ , and plant-human history exhibitions
Autorzy:: Zamorska, Magdalena
Powiązania:: https://bibliotekanauki.pl/articles/1944326.pdf
Data publikacji:: 2021-03-30
Wydawca:: Narodowe Centrum Kultury
Tematy:: rośliny
muzeum przyrodnicze
ochrona przyrody
choreografia
in situ
plants
natural history museum
environmental protection
choreography
Opis:: What curatorial gesture would make it possible to give rise to a temporary museum in situ where anthropogenic inscriptions could be presented by the living exhibits themselves? In this article the past of the Anthropocene is defined as a time of intensified activity of Homo sapiens in the early Holocene, before our impact on the hydrosphere, geosphere and atmosphere became irreversible. The author ponders whether the current definition of a natural history museum can incorporate a project of a living, embodied, post-anthropocentric and post-institutional museum. She suggests plants as essential partners in the human becoming across the biosphere. Chlorophyll organisms initiated the Great Oxidation Event, or Oxygen Catastrophe, which led not only to the extinction of anaerobic organisms but also to the proliferation of oxygen-dependent life, including humans. The human-plant co-existence is studied through the consequences of the ‘desire for sunlight’ of the former and the ‘desire for mobility’ of the latter. Synanthropic plants, which thrive growing next to people, emerge as the protagonists of this story, with the shared interspecies history and anthropogenic mutations inscribed in their bodies. This is a story of the human–plant co-evolution where contemporary, ‘spontaneous’ synanthropic plants are depicted as agents. In this context the author describes the artistic practices of Andrea Haenggi, analysing them as curatorial gestures for an interspecies dialogue within the framework of a ‘museum setting’.
Źródło:: Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 113, 1; 60-73
1230-4808
Pojawia się w:: Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:: Biblioteka Nauki

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