Temat: language of moving pictures - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Lambeth Walk, czyli widz wyzwolony spod presji obrazu
The Lambeth Walk, or the spectator liberated from the pressure of the picture
Autorzy:: HENDRYKOWSKI, MAREK
Powiązania:: https://bibliotekanauki.pl/articles/921082.pdf
Data publikacji:: 2016-10-09
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: lambeth walk
The Borough of Lambeth
popular culture
dance
parody
footage film
stunt scene
film poetics
editing
language of moving pictures
Opis:: A quintessential work of British and European cinema of World War II “The Lambeth Walk” is the epitome of world-class art of moving picture editing. Marek Hendrykowski's close-reading analysis places this short movie in its aesthetic, cultural and generic contexts and in the international landscape of the anti-propaganda film.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 97-110
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Metodologiczne problemy historii powojennego dokumentu filmowego w Polsce
The Methodological Problems of Studies on the History of Polish Postwar Documentary
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/920404.pdf
Data publikacji:: 2015-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: documentary
genre
non-fiction film
editing
language of moving pictures
film history
historiography
social realism
post-war Polish cinema
Stalinism
film industry
film production
distribution
ideology
film poetics
rhetorics
Opis:: The Methodological Problems of Studies on the History of Polish Postwar Documentary The author discusses the narratives and stereotypical (ideological) point of view as a matrix for constructing an overly simple image of the Polish documentary in the postwar period (1944–1955) as shadowed in the untruth of political discourse. In Marek Hendrykowski’s opinion this particular period in Polish documentary film was much more complicated and multi perspectived (in a “dialogical” sense) as a research object posing new questions and opening new perspectives for film historians.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 16, 25; 249-255
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

Artykuł

Informacja