Wszystkie pola: language of drama - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Językowe przedstawienie tragedii rodzinnej w Niespodziance Karola Huberta Rostworowskiego
Language representation of family tragedy in Surprise by Karol Hubert Rostworowski
Autorzy:: Maczel, Maria
Powiązania:: https://bibliotekanauki.pl/articles/497112.pdf
Data publikacji:: 2016-05-23
Wydawca:: Akademia im. Jakuba z Paradyża w Gorzowie Wielkopolskim
Tematy:: dramat
didaskalia
dialog
środki artystyczne
leksyka
drama
stage directions
dialogue
artistic means lexicon
Opis:: The object of the research is the song Surprise by K. H. Rostworowski. Article analyzes the types of expression_ characteristic for the drama – stage directions and dialogue. The analysis showed that the stage directions implement schemes established in the conventions of drama, perform common scenario and clarifying functions and their nature eligibility is also content of the work. Dialogues and have multi-faceted ties with the standard everyday conversations. Their shape and material language captures the drama of the characters and their family situation. The dominant stylistic piece is colloquialism and related expression.
Źródło:: Język. Religia. Tożsamość; 2016, 1(13); 125-141
2083-8964
2544-1701
Pojawia się w:: Język. Religia. Tożsamość
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: O języku komedii Norwida (Próba postawienia problematyki)
About the Language of Norwids Comedies (an attempt at formulating the problem)
Autorzy:: Sławińska, Irena
Powiązania:: https://bibliotekanauki.pl/articles/2117019.pdf
Data publikacji:: 2007
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:: Norwid
komedia
teatr
dramat
dialog
język
postać
comedy
theater
drama
dialogue
language
character
Opis:: The study sketches in a general way the problem of language in Norwid's comedies. The concept of language is understood here very broadly and goes far beyond purely linguistic categories. The article discusses a number of selected issues. The first set of problems is connected with showing characters in Norwid's comedies by giving them their own kind of speech, by introducing comical “sayings” and a sort of refrains in conversations. Through characters' language Norwid assesses the 19th-century society, but also he leads the reader to much broader approaches connected with the civilization, social and cultural perspective. Another issue concerns the connection between language and the theatrical vision. It is first of all about commencement of conflicts in the dialogue, relating events, but also about analyzing the author's language as detached from the “speaking subjects”, and also about comparing Norwid's plays with the drama of the time. In the article it is pointed that in contemporary small dramas, close to the poetics of realism, Norwid concentrates on great issues of civilization. He subjects all his theatrical conception to this problem. Hence the problem appears not only in the situational dialogue, but also in the descriptive dialogue, and even in marginal texts (ones that serve showing characters' gestures and movements) Norwid's comedy differs from its Polish counterparts in richness of problems and in the synthetic assumption leading towards synthetic means of expression. Norwid finds them in the gnome, metaphor, poetical image, lyrical poem, and apart from this in extra-verbal means of expression – gesture, mime, intonation. He also differs from other dramatists in his own original conception of realism that comedy in Poland does not yet have. Norwid's theatre develops towards ever more intensive selection of words, subtle shades, calming down the pathos, and colorless informality that becomes important with parabolization of “specks”.
Źródło:: Studia Norwidiana; 2007, 24-25; 55-76
0860-0562
Pojawia się w:: Studia Norwidiana
Dostawca treści:: Biblioteka Nauki

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