Temat: festival - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Festiwal a miasto. Przykład Edynburga
The festival and the city. The example of Edinburgh
Autorzy:: Kowalska, Marta
Powiązania:: https://bibliotekanauki.pl/articles/666963.pdf
Data publikacji:: 2016
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: festival
Edinburgh
city
space
culture
Opis:: The aim of this article is to show Edinburgh as a city identified by its festivals. Two of them-Edinburgh International Festival and Edinburgh Festival Fringe-influenced cultural landscape of Scottish capital the most, and therefore they were analyzed extensively in this study. I intend to show how the concepts of “space” and “place” surface in the reception of the Edinburgh festivals. I’m presenting both-the residents’ and visitors’-perspectives. I’m trying to better understand how the city, art, and people collide, cooperate and-in the end-coexist.
Źródło:: Studia Etnologiczne i Antropologiczne; 2016, 16; 188-200
1506-5790
2353-9860
Pojawia się w:: Studia Etnologiczne i Antropologiczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Multi-culturalism and the challenges of advancement in post-modern Nigeria in juxtaposition with world best practices
Autorzy:: Edogiawerie, Morris
Powiązania:: https://bibliotekanauki.pl/articles/423185.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:: culture
tradition
norms
values
civilization
festival
black Africa
Opis:: Africa at one time was referred to as the wretched of the earth primarily because of the simple reason and belief that the continent is devoid of civilization, science and technology. Any intellectual and a right thinking individual would agree with this position that civilization is not relative or connected or tied to the west-Europe and America, or any other culture at that. What “Civilization” actually means is that it is the conventional way in which a group of people live their lives. It amounts to their religions, politics, norms and values, cultural disposition, interpersonal relation etc. It is pertinent to comprehend this distinction because it often erroneously believed when the term “civilization” is used the first thing that comes in to the minds of many is that civilization has to do with Modernity, the way of life of the white man, Science and Technology etc. Civilization can be best referred to as the way of life of a group of people, or a society that has a definite, systematic, consistent and organised ways of living their lives or co-existence. It is against this backdrop that this paper is presented, to inter alia, attempt to clarify the meaning of civilization and which group of people that can be regarded or referred to as civilized or not civilized. This exposition, hence, will consider those parameters that translate to civilization such as culture, tradition, norms, values, and festivals, ancestral worship etc. especially of the African people with particular attention on Nigerian in juxtaposition with other practices that are considered to be best world practices. This evaluation is necessitated by the fact that there is a need to explore the potentiality and actualization of the black African heritage and be in the position to judge whether or not the African culture can be on the same pedestal with other world cultures and civilizations that are regarded as most recognised and accepted conventions.
Źródło:: IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2016, 28/1; 293-318
0860-4487
Pojawia się w:: IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Kulturotwórcza rola Światowego Festiwalu Polonijnych Zespołów Folklorystycznych w Rzeszowie (1969-2019)
Autorzy:: Grudzień, Agnieszka
Powiązania:: https://bibliotekanauki.pl/articles/2095866.pdf
Data publikacji:: 2020
Wydawca:: Poznańskie Towarzystwo Przyjaciół Nauk
Tematy:: folklore
Polish diaspora
festival
community
integration
folk music
culture
Rzeszow
dance
ensemble
Opis:: Since 1967, Światowy Festiwal Polonijnych Zespołów Folklorystycznych [World Festival of Polish Community Folklore Ensembles] has been organized in Rzeszow. After over 50 years, the 18th edition was organized of this unique event taking place every three years in the capital of Outer Subcarpathia. During each edition, the festival attracts over 1,200 Poles living in various parts of the world, from North America to Australia. Ultimately, the Festival has become one of the biggest events of the Polish diaspora in the world. Among the main ideas of the festival has been integration of Polish communities abroad and propagation of Polish culture among Poles living abroad. Many cultural and social developments testify to the culture-forming role of the Festival which enjoys a high rank and significance in the system of forging the Polish diaspora’s bonds with the mother country. For decades, folklore has been an important element of the emotional relation with Poland’s history and culture, a symbol of the ties with the nation and the regional tradition.
Źródło:: Our Europe. Ethnography – Ethnology – Anthropology of Culture; 2020, 9; 7-15
2299-4645
Pojawia się w:: Our Europe. Ethnography – Ethnology – Anthropology of Culture
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: DIALOG KULTUR NA PRZYKŁADZIE DWUDZIESTU ODSŁON MIĘDZYNARODOWEGO FESTIWALU MUZYKI SAKRALNEJ GAUDE MATER W CZĘSTOCHOWIE (1991-2010)
DIALOGUE OF CULTURES ON THE EXAMPLE OF THE TWENTY VIEWS OF THE INTERNATIONAL FESTIVAL OF SACRED MUSIC GAUDE MATER IN CZĘSTOCHOWA (1991-2010)
Autorzy:: Łukaszewski, Marcin Tadeusz
Powiązania:: https://bibliotekanauki.pl/articles/566596.pdf
Data publikacji:: 2014
Wydawca:: Akademia Pomorska w Słupsku
Tematy:: chrześcijaństwo
Częstochowa
dialog
festiwal Gaude Mater
islam
judaizm
kultura
muzyka sakralna
sacrum
Christianity
Czestochowa
the dialogue
the festival Gaude Mater
Islam
Judaism,
culture
sacred music
sacred
Opis:: The paper describes the phenomenon of multiculturalism at the International Festival of Sacred Music Gaude Mater in Częstochowa. The festival has been running since 1991. It includes a variety of artistic events, most of them sacred music concerts (Gregorian chant, early music, Orthodox, Polish music from all historical periods, and premieres). The festival also promotes the musical culture of Jasna Góra. The special feature of the festival is its multiculturalism involving the presentation of non-Christian sacred music. In the years 1991-2010, the festival featured Jewish, Muslim, Egyptian, and African music. The dialogue between cultures also facilitates connections between high and mass culture. This is accomplished through various combinations of gospel, jazz, pop elements with classical music. In addition, the attempts of dialogue between different cultures furnish a number of non-musical events, such as theatre performance, arts exhibitions, and conferences.
Źródło:: Ars inter Culturas; 2014, 3; 53-67
2083-1226
Pojawia się w:: Ars inter Culturas
Dostawca treści:: Biblioteka Nauki

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