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Wyszukujesz frazę "cultural practice" wg kryterium: Temat


Wyświetlanie 1-4 z 4
Tytuł:
The humanities and the ‘capturing of reality’: Ryszard Nycz’s theoretical practice
Humanistyka i „pozyskiwanie rzeczywistości”: praktyka teoretyczna Ryszarda Nycza
Autorzy:
Rakowski, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/2088477.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
cultural theory and practice
the humanities
knowledge
innovation
metaphors of practice
Ryszard Nycz’s "Culture as Verb"
humanistyka
innowacja
praca
interpretacja
praktyka
Opis:
In a follow-up to Ryszard Nycz’s work Culture as Verb this article outlines a new way of bringing forward his great project. The challenge it has to face is the cognitive dilemma that lurks at the intersection of the humanities and the sciences, or, in other words, the dissonance between the traditional paradigm of accumulating and developing the store of cultural knowledge and cognitive procedures that underpin new, experimental and inductive knowledge with a potential to effect qualitative change. The article contends that Nycz’s study allows us to bypass that dilemma. The ‘Third Way’, as it is called here, would open up new forms of innovation, i.e. not just knowledge whose value is determined by its utility for the systems of late capitalism, but a mode of concrete practice of rediscovering the outer world for the humanities. In the process of capturing and transforming of that world, the metaphors of embodied labour and of knowledge production (conceptualized as the verb) function as extraordinarily important tools of the humanities reinvented as a practical, embodied theory.
Źródło:
Ruch Literacki; 2019, 4; 441-450
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The humanities and cultural theory and practice in Ryszard Nycz’s “Culture as Verb”
Humanistyka, teoria i praktyka kulturowa w ujęciu Ryszarda Nycza
Autorzy:
Łebkowska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2089361.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
cultural theory and practice
the humanities
the cultural process
creativity
Ryszard Nycz’s "Culture as Verb"
humanistyka
kultura
kulturoznawstwo
teoria
praktyka kulturowa
Opis:
This article takes a look at Ryszard Nycz’s new, groundbreaking study of cultural theory, pointedly titled Culture as Verb. It focuses on the author’s two major claims which seem to provide a foundation for the whole project. One is a vigorous defence of the humanities, the other is the proposition that culture may be best understood as a verb. The latter provokes a number of questions, especially about the role of invention, a dominant factor in any action-oriented model of culture. For example, would invention control and drive the mechanism of semantic ordering and appropriation of the things that used to be nameless, ignored, or suppressed? Is that domination culturally determined, or merely conditioned? Is it a source of suffering? It would also be interesting to fi nd out more about the Nycz’s idea of transition from passive participation to the culture of active participation. The question is: Are we doomed to take part? As an aside, the author of this essay draws our attention to the darker side of being permanently involved in other people lives, the FOMO (Fear of Missing Out) anxiety, and a new narcissism.
Źródło:
Ruch Literacki; 2019, 4; 421-428
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Non-narcissistic knowledge: Ryszard Nycz’s “Culture as Verb”
Wiedza nienarcystyczna
Autorzy:
Momro, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/2089357.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
cultural theory and practice
the humanities
knowledge
validity
poststructuralism
rupture
borders
contingency
Ryszard Nycz’s "Culture as Verb"
wiedza
uprawomocnienie nauki
upodmiotowienie
determinizm
historia
przygodność
Opis:
This article asks the question to what extent Ryszard Nycz’s ambitious project of cultural practice outlined in his book Culture as Verb succeeds in opening up ‘a new form of knowledge’ and thus equipping the humanities with a fresh validity. Nycz takes up the poststructuralist concept of the humanities as a site of alternative or subversive knowledge, founded on the principles of interpretation and textual dispersion, and refocuses it on involvement (participation) and binary oppositions (borders), i.e. human vs. nonhuman, or nature vs. culture as a construct. The article, rather than addressing the issues of involvement and borders (liminality), concentrates instead on the contradictions that Nycz’ s theory gives rise to when applied to history, time and the emergence of subjectivity (identity). There is nothing objectionable about the proposition that temporal change is at the very core of culture, yet its locus must be sought not in the proclamations of individual agents, but in the conceptual ruptures that expose and reveal the boundaries of (collective) consciousness and unconsciousness, i.e. the operation of contingency.
Źródło:
Ruch Literacki; 2019, 4; 429-440
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Towards a culture of active participation
W stronę kultury udziału
Autorzy:
Nycz, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/2089352.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
cultural theory and practice
culture of participation
passivity
the present moment
immersion
testimonial authority
Ryszard Nycz’s "Culture as Verb"
kultura udziału
pasywność
teraźniejszość
immersywność
testymonialność
Opis:
The fi rst part of this article brings the author’s reply to the participants of the panel discussion of his book Culture as Verb (Anna Łebkowska, Jakub Momro, Tomasz Rakowski and Dorota Wolska). In the second part he outlines his premises and explains the analytical vocabulary that has enabled him to move from an active to a passive ‘verbal’ understanding of culture. He also draws a broad outline of prospective new research that would complement his project. Central to it is the exploration of what he believes is the dominant contemporary cultural experience, which is based on active participation. To characterize its most important features and forms we should make use of the following, newly defi ned analytical concepts – passivity, the present moment, immersion, and testimonial authority.
Źródło:
Ruch Literacki; 2019, 4; 459-473
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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