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Tytuł:: Poematy Cypriana Norwida. Uwagi edytorskie
Cyprian Norwid's Poems. Editor's Remarks (transl. by Tadeusz Karłowicz)
Autorzy:: Sawicki, Stefan
Powiązania:: https://bibliotekanauki.pl/articles/2117017.pdf
Data publikacji:: 2007
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:: Norwid
poemat
wydanie krytyczne
poem
critical edition
Opis:: The paper is the Editor's Introduction to Cyprian Norwid's Poems included in Volumes III and IV of the critical edition of the poet's Collected Writings prepared by Norwidologists from different academic centers and edited by the Learned Society of the Catholic University of Lublin: Volume III has been edited by S. Sawicki and A. Cedro, and Volume IV by S. Sawicki and P. Chlebowski. Both volumes will be published in 2008.
Źródło:: Studia Norwidiana; 2007, 24-25; 43-53
0860-0562
Pojawia się w:: Studia Norwidiana
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Krytyczne wydanie Promethidiona
The critical edition of Promethidion
Autorzy:: Buś, Marek
Powiązania:: https://bibliotekanauki.pl/articles/16729443.pdf
Data publikacji:: 2020-05-05
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:: Norwid
Sawicki
poemat
collage
sztuka
praca
prawda
sumienie
proroctwo
edycja krytyczna
interpretacja
piękno
poem
art
work
beauty
truth
conscience
prophecy
critical edition
interpretation
Opis:: The article is concerned with the edition of Cyprian Norwid's Promethidion prepared by Stefan Sawicki. The recognized theoretician, historian and interpreter of literature appears here both as the author of a comprehensive monograph of Promethidion and as an experienced editor embracing the central categories of the poet's viewpoint and artistry, and, on the other hand, with a linguistic precision analyzing particular expressions and tropes. His discerning analysis, careful textological edition of the text and comprehensive interpretation of the poem serve each other. The edition, albeit designed for a broad group of readers, meets the requirements of a critical edition, gives a lot of precisely justified amendments, the necessary explanations, and a list of variants of the text. In the sphere of meanings and structures the poem glitters with variety and shows many aspects of the problems. “Concepts-keys” that are central to the poem are the concept of art (“with no limits”) whose definition is in many ways completed by the concepts of beauty, love, work, good and truth, “constantly approached as if from the side of the conscience”. They are made manifest in utterances by many subjects that have differentiated styles and genres, which is done by means of peculiar techniques (amplifications, approximations, speaking by negation assuming the form of a dialogue, the “counterpoint” technique, evoking the value “by negating anti-values”). However, the whole forms a cohesive “Norwidian collage”, and the image of a “superior speaking subject” appearing as an “image of a prophet of the contemporary Church” has a clear author's stamp. Hence, the message of the poem is perceived “as the voice of a poet: a real one, convinced that what he wants to convey to the society is just”
Źródło:: Studia Norwidiana; 2011, 29; 219-229
0860-0562
Pojawia się w:: Studia Norwidiana
Dostawca treści:: Biblioteka Nauki

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