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    Wyświetlanie 1-2 z 2
    Tytuł:
    Mistyfikacja i przekład. Joe Alex po rosyjsku
    Mystification and translation. Joe Alex in Russian
    Autorzy:
    Lubocha-Kruglik, Jolanta
    Powiązania:
    https://bibliotekanauki.pl/articles/555432.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Warszawski. Wydział Lingwistyki Stosowanej
    Tematy:
    mystification
    translation
    crime novels
    Joe Alex
    Opis:
    The article is devoted to Russian translations of crime novels by Maciej Słomczyński written under pen name Joe Alex. Since their publication the works were very popular both in Poland and the Soviet Union where they were translated without obtaining author’s consent. Mystification in M. Słomczyński’s books concerns not only realities (the plot is set in ageless England) but is also present in the language layer in which numerous foreignness-related signals can be found. Englishstylised language of the novels at times interferes in the narrative cohesion of the text. The study focuses on the possibility of reflecting these issues in translation.
    Źródło:
    Applied Linguistics Papers; 2018, 25/4; 39-52
    2544-9354
    Pojawia się w:
    Applied Linguistics Papers
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Colorito locale” e coscienza metalinguistica nei gialli di Santo Piazzese e di Dome-nico Seminerio
    “Colourful Local Language” and Metalinguistic Consciousness in the Crime Novels of Santo Piazzese and Domenico Seminerio
    Autorzy:
    Sardo, Rosaria
    Powiązania:
    https://bibliotekanauki.pl/articles/1929929.pdf
    Data publikacji:
    2020-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Italian language
    dialects
    crime novels
    language and style
    Contemporary Italian
    Literature
    lingua italiana
    dialetti
    letteratura giallo-noir
    lingua e stile
    letteratura contemporanea
    Opis:
    Amongst the possible linguistic-stylistic polarities for Italian narrators (monolinguism/ standardised language and multilingualism/regionalised Italian), which are clearly outlined by De Roberto in his well-known Preface to Documenti umani, Santo Piazzese and Domenico Seminerio move with care and remarkable metalinguistic consciousness, drawing on Sciascia in different ways. Their different writing practices, far removed from Camilleri’s linguisticstylistic choices, seem oriented towards what Testa (1997) called a “simple style” with a focus on “local colour” that is part of Piazzese’s refined rhetorical and investigative play and, in the case of Seminerio, is functional to the expressive rendering of the interlacing of History, magic, and mystery. In both cases, it is thanks to this specific attention to linguistic facts that the defining principles of detective stories are renewed. The aim of this article is to systematically trace the two different ways of stylistically rendering the sociolinguistic reality narrated by Piazzese and Seminerio, with the first oriented towards the cautious mimesis of regional dialogue, the second, towards the diegetic pole of reproducing indirect and traditional narrative modes.
    Fra le polarità linguistico-stilistiche possibili per i narratori italiani (monolinguismo/ lingua standardizzata e pluringuismo/italiano regionalizzato) - delineate con chiarezza già da De Roberto nella ben nota Prefazione a Documenti umani - i nostri due autori, Santo Piazzese e Domenico Seminerio, si muovono con cautela e notevole coscienza metalinguistica, facendo tesoro della lezione sciasciana con modalità diverse. Distanti dalle scelte linguistico-stilistiche di Camilleri, le loro differenti pratiche scrittorie sembrano orientate verso quello che Testa (1997) definiva “stile semplice” con un’attenzione al “colorito locale” che fa parte nel caso di Piazzese del raffinato gioco retorico e indagativo e nel caso di Seminerio è funzionale alla resa espressiva dell’intreccio tra, Storia, magia e mistero. In entrambi i casi è proprio grazie a un’attenzione specifica ai fatti linguistici che si rinnovano i moduli della narrativa poliziesca. Con forme mimetiche caute, utili a conferire colore locale oppure modi di pensare profondamente contrapposti, i gialli dei due autori offrono ai lettori la possibilità di riflettere sulle strutture sociali e i rapporti interpersonali proprio grazie a una resa equilibrata delle relazioni comunicative nel dialogato e nel narrato.
    Źródło:
    Italica Wratislaviensia; 2020, 11.2; 73-95
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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