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    Wyświetlanie 1-5 z 5
    Tytuł:
    Zagadnienia kosmologiczne przed Einsteinem
    Cosmological questions before Einstein
    Autorzy:
    Heller, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/691322.pdf
    Data publikacji:
    2005
    Wydawca:
    Copernicus Center Press
    Tematy:
    cosmological consequences of thermodynamics
    Albert Einstein
    relativistic cosmology
    theory of relativity
    Olbers paradox
    Seeliger paradox
    cosmology
    thermodynamics
    Opis:
    Einstein's first cosmological work, published in 1917, marked the beginning of relativistic cosmology, but it was well founded on earlier questions concerning the world as a whole. The paper presents three such topics: the Olbers paradox, the Seeliger paradox, and speculations concerning cosmological consequences of thermodynamics together with some of their repercussions in relativistic cosmology.
    Źródło:
    Zagadnienia Filozoficzne w Nauce; 2005, 37; 32-40
    0867-8286
    2451-0602
    Pojawia się w:
    Zagadnienia Filozoficzne w Nauce
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Starożytne źródła koncepcji muzyki sfer w XII w.
    The Ancient Roots of 12thcentury Theory of Music of the Spheres
    Autorzy:
    Konik, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/528494.pdf
    Data publikacji:
    2012
    Wydawca:
    Krakowska Akademia im. Andrzeja Frycza Modrzewskiego
    Tematy:
    harmony of the spheres
    medieval philosophy
    cosmology
    music theory
    Boethius
    Opis:
    The theory of “music of the spheres” (musicamundana) introduced by Boethius in his treaty De institutione musica is an original contribution in development of mediaeval theory of music. However, it’s roots trace back to the Greek antiquity. When considering the sources of medieval theory of musicamundana, one shall underline three most important sources: (1) mythology with its complex cosmogony (esp. by Homer and Hesiod), (2) early cosmology by pre-Socratic philosophers (incl. Anaximander, Heraclit), (3) Pythagorean school. Despite of the fact that idea of the music of the spheres – as presented by the Pythagoreans – was criticized by Aristotle in his De caelo, it became one of the most infl uential cosmological concept. One of the most important periods – from the point of view of the reception of discussed theory – is the twelfth century. It is often called the aetas Boethiana as it is distinguished by an increased interest in the works of Boethius, with special emphasis on his theological writings and Consolatio, which was very popular at the time. The reason behind this phenomenon was a growing specialization of issues relating to the theory of music, which fi nally led to its independence from the other areas of knowledge; yet this is not the only reason why the subject of the harmony of the spheres was again widely discussed in philosophical circles. An essential factor was the development of Neo-platonic philosophical schools, such as the famous School of Chartres. The interest in natural sciences in the School of Chartres and later in the Oxford School made the scientists of the time focus on the works of authors whose ideas were essential to the concept of the harmony of the spheres, among them such philosophers as Calcidius, Macrobius and Boethius
    Źródło:
    Państwo i Społeczeństwo; 2012, 1; 125-140
    1643-8299
    2451-0858
    Pojawia się w:
    Państwo i Społeczeństwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Czy fizyczne teorie efektywne są wiarygodną strategią osiągnięcia teorii finalnej?
    Are physical effective theories the reliable strategy for achieving certain knowledge?
    Autorzy:
    Szydłowski, Marek
    Tambor, Paweł
    Powiązania:
    https://bibliotekanauki.pl/articles/690696.pdf
    Data publikacji:
    2020
    Wydawca:
    Copernicus Center Press
    Tematy:
    philosophy of science
    methodology of science
    effective theory
    final theory
    cosmology
    approximated truth theories
    Opis:
    The paper presents the methodology of effective theories as a strategy used in the process of development of modern physics to reach a final theory. We present the definition and characteristic features of an effective theory, as well as the answer to the question of whether and what kind of scenario of reaching a final theory is realized by contemporary physics. We argue that the process of development of physics in the direction of a final theory is potentially final, i.e. expressible in the conceptual schema of effective theories and as such it is convergent to a final theory. In each effective theory there are physical constants, however, whose status differs from logical constants. They have a dimension (length, energy, etc.) and are used to compare physical quantities. The structure of relevant effective theory can be interpreted in the epistemological framework of approximated truth theory. In the case study of cosmological models, the sequence of models is convergent to potentially true model. The Standard Cosmological Model is the theory of the structure and dynamics of the Universe.
    Źródło:
    Zagadnienia Filozoficzne w Nauce; 2020, 68; 79-116
    0867-8286
    2451-0602
    Pojawia się w:
    Zagadnienia Filozoficzne w Nauce
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Starożytne źródła koncepcji harmonii sfer
    Autorzy:
    Konik, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/669043.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Papieski Jana Pawła II w Krakowie
    Tematy:
    ancient philosophy
    medieval philosophy
    music theory
    Boethius
    music of the spheres
    cosmology
    Opis:
    The theory of “music of the spheres” (musica mundana) introduced by Boethius in his treaty De institutione musica is an original contribution in development of mediaeval theory of music. However, it’s roots trace back to the Greek antiquity. When considering the sources of medieval theory of musica mundana, one shall underline three most important sources: (1) mythology with its complex cosmogony (esp. by Homer and Hesiod), (2) early cosmology by pre-Socratic philosophers (incl. Anaximander, Heraclit), (3) Pythagorean school. Despite of the fact that idea of the music of the spheres – as presented by the Pythagoreans – was criticized by Aristotle in his De caelo, it became one of the most influential cosmological concept. One of the most striking results of this situation is the fact, that for many ages (during mediaeval era) music was regarded as a scientific discipline, despite its aesthetical dimension.
    The theory of “music of the spheres” (musica mundana) introduced by Boethius in his treaty De institutione musica is an original contribution in development of mediaeval theory of music. However, it’s roots trace back to the Greek antiquity. When considering the sources of medieval theory of musica mundana, one shall underline three most important sources: (1) mythology with its complex cosmogony (esp. by Homer and Hesiod), (2) early cosmology by pre-Socratic philosophers (incl. Anaximander, Heraclit), (3) Pythagorean school. Despite of the fact that idea of the music of the spheres – as presented by the Pythagoreans – was criticized by Aristotle in his De caelo, it became one of the most influential cosmological concept. One of the most striking results of this situation is the fact, that for many ages (during mediaeval era) music was regarded as a scientific discipline, despite its aesthetical dimension.
    Źródło:
    Pro Musica Sacra; 2012, 10
    2083-4039
    Pojawia się w:
    Pro Musica Sacra
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kabała, nauka i stworzenie Wszechświata
    Kabbalah, Science and the Creation of the Universe
    Autorzy:
    Aviezer, Nathan
    Powiązania:
    https://bibliotekanauki.pl/articles/553366.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Zielonogórski. Instytut Filozofii
    Tematy:
    kabała
    sefirot
    szewirat ha-kelim
    teoria strun
    wymiary przestrzenne
    kosmologia
    nauka
    stworzenie
    judaizm
    Kabbalah
    shevirat ha-kelim
    string theory
    spatial dimensions
    cosmology
    science
    creation
    Judaism
    Opis:
    Artykuł podejmuje problem stworzenia Wszechświata z punktu widzenia nauczania kabały (gałęzi judaizmu mistycznego) i argumentuje za podobieństwami pomiędzy tym ujęciem a współczesną hipotezą naukową — teorią strun. Pomysł ten bazuje na założonym przez autora paralelizmie pomiędzy dziesięcioma wymiarami przestrzennymi teorii strun i dziesięcioma sefirot kabały. Rolę centralną odgrywa tu kabalistyczna (z kabały luriańskiej) koncepcja szewirat ha-kelim („rozbicie naczyń”). Autor twierdzi, że trzy górne, „nienaruszone” podczas procesu stworzenia, sefirot (to jest kelim) są odpowiednikami trzech percypowanych wymiarów przestrzennych (góra-dół, wschód-zachód, północ-południe), a siedem dolnych, „rozbitych”, sefirot (kelim) to odpowiedniki zwiniętych w procesie stworzenia siedmiu wymiarów przestrzeni (niedoświadczanych przez ludzi), o których mówi teoria strun.
    This paper examines the problem of the creation of the universe from a Kabbalah (viz. Jewish mysticism’s branch) point of view and asserts similarity of this account with one modern scientific hypothesis — namely, string theory. The correlation is put forward by highlighting the parallels between the assumed ten spatial dimensions of string theory and the ten sefirot of Kabbalah. The key role is played here by the kabbalistic (from the lurianic Kabbalah) concept of shevirat ha-kelim (“breaking of the vessels”). The author argues that the three upper, “intact” in the process of creation, sefirot (i.e. kelim) are the counterparts of the three perceived spatial dimensions (up-down, east-west, north-south), and the seven lower, “broken”, sefirot (kelim) are the counterparts of the string theory’s seven spatial dimensions compacted in the proccess of creation (hence not experienced by humans).
    Źródło:
    Filozoficzne Aspekty Genezy; 2014, 11; 243-259
    2299-0356
    Pojawia się w:
    Filozoficzne Aspekty Genezy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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