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    Wyświetlanie 1-3 z 3
    Tytuł:
    Perception, Imagery, Memory and Consciousness
    Autorzy:
    Johnsson, Magnus
    Powiązania:
    https://bibliotekanauki.pl/articles/31234157.pdf
    Data publikacji:
    2022
    Wydawca:
    Polska Akademia Nauk. Instytut Filozofii i Socjologii PAN
    Tematy:
    perception
    memory
    expectations
    imagination
    consciousness
    self-organization
    feature maps
    associative learning
    multimodal integration
    cognitive architecture
    Opis:
    I propose and discuss some principles that I believe are substantial for perception, various kinds of memory, expectations and the capacity for imagination in the mammal brain, as well as for the design of a biologically inspired artificial cognitive architecture. I also suggest why these same principles could explain our ability to represent novel concepts and imagine non-existing and perhaps impossible objects, while there are still limits to what we can imagine and think about. Some ideas regarding how these principles could be relevant for an autonomous agent to become functionally conscious are discussed as well.
    Źródło:
    Filozofia i Nauka; 2022, 10, zeszyt specjalny; 229-244
    2300-4711
    2545-1936
    Pojawia się w:
    Filozofia i Nauka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Bridging East and West. In the Search for a New Approach to Consciousness. Remarks on the sidelines of the book by Evan Thompson Waking, Dreaming, Being. Self and Consciousness in Neuroscience, Meditation, and Philosophy, Columbia University Press, New York 2014, pp. 496
    Autorzy:
    Pacholik-Żuromska, Anita
    Powiązania:
    https://bibliotekanauki.pl/articles/2010314.pdf
    Data publikacji:
    2016-06-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    consciousness
    Self
    dream
    perception
    selfknowledge
    computational neuroscience
    Evan Thompson
    neurophenomenology
    Opis:
    The aim of this paper is a short overview of the book of Evan Thompson Waking, Dreaming, Being. Self and Consciousness in Neuroscience, Meditation, and Philosophy, with some polemic remarks. Thompson presents an interesting approach to the problem of cognition, knowledge and selfknowledge the problems considered in philosophy, psychology, neurosciences, which if they interact create an interdisciplinary platform called “cognitive sciences”. However, Thompson proposes to bring on the debate within the field of a new discipline: contemplative neuroscience, for which he argues in the presented book. Using the methodology offered by this new kind of science he analyzes such phenomena as dream, perception, imagination, and even dying all of them in reference to the problem of what consciousness is.
    Źródło:
    Kultura i Edukacja; 2016, 2(112); 234-241
    1230-266X
    Pojawia się w:
    Kultura i Edukacja
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Znaczenie i styl tekstu poetyckiego (na przykładzie tomiku "Chwila" i innych wierszy Wisławy Szymborskiej)
    Meaning and Style of a Poetic Text on the Example of Poem Collection Chwila and Other Poems o f Wisława Szymborska
    Autorzy:
    Grzeszczuk, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/953674.pdf
    Data publikacji:
    2008-12-31
    Wydawca:
    Uniwersytet Opolski
    Tematy:
    alternative worlds
    temporalness
    perception
    possible worlds
    self-identity
    contrast
    pure form
    ambivalence of sense
    dynamics of meanings
    repetition
    associated terms
    rhetorical device
    paradox
    irony
    being
    consciousness
    agnosticism
    cliche
    redundancy
    case
    witticism
    Opis:
    The article deals with the problem of meaning of a poetic text of economic, lapidary form devoid of linguistic metaphors, where the construction of expression directly reaches the sense. The style of ostensible redundancy is functional in analytical sentences and repetitions, which is connected with the title Chwila. The intention of stopping the time is expressed by the excess of text form, whose function is global meaning. In the analyzed poetry, the meaning is formed by the style; there is not a subject of description in an ontological sense. The elements of the represented world are incompatible and involve a number of choices or options. The meaning lies beyond the scope of reference of text elements. In Szymborska’s poetry, the meaning is not independent. It is not that she chooses appropriate means of expression for already prepared content; for example, when a lofty style is adapted to serious content, or trivial things are spoken playfully about. In Szymborska’s poetry, it is the other way round; a joke, a witticism is the material of her poetry, but the content is serious and concerns the fundamental problems of existence. The lack of loftiness is balanced by omnipresent irony, and the genius of this poetry is underlain by the simplicity and subtlety of medium, the brilliance of expressions and amazing grammar and style as far as linguistics is concerned.
    Źródło:
    Stylistyka; 2008, 17; 77-97
    1230-2287
    2545-1669
    Pojawia się w:
    Stylistyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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