Temat: work composition - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Мастацкая аксiясфера “Палескай хронiкi” Iвана Мележа
Artistic axiosphere of “Chronicle of Palesie” by I. Melezh
Autorzy:: Barouka, Wanda
Powiązania:: https://bibliotekanauki.pl/articles/2131010.pdf
Data publikacji:: 2021
Wydawca:: Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:: Belarusian prose
novel
axiosphere
conceptual level of the work
narrative strategy
composition
Opis:: The article examines the artistic axiosphere of “Chronicle of Palesie” by I. Melezh. The artistic axiosphere is a totality of artistic qualities of the work which are recognized as valuable and significant by both the writer and the readers. They include the subject and the perspective of the image, subject matter, life persuasiveness, humanistic orientation, polemic attitude to traditional aesthetic conventions and artistic experiment. The artistic axiosphere of “Chronicle of Palesie” is dynamic and subjective, which ensures the work dialogue with time and with various generations of professional and amateur readers.
Źródło:: Białorutenistyka Białostocka; 2021; 63-74
2081-2515
Pojawia się w:: Białorutenistyka Białostocka
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Etiudy Andrzeja Brzozowskiego
Andrzej Brzozowski’s Film Etudes
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/919841.pdf
Data publikacji:: 2011-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: excersise
student film
student étude
image
sound
composition
music
film direction
cinematography
film style
film poetics
film art
documentary
fiction
35 mm tape
experiment
laboratory work
aesthetics
artistic values
the art of the short
Opis:: Marek Hendrykowski presents in his study the earliest fiction and documentary films made by Andrzej Brzozowski (1932-2005), excellent Polish filmmaker, 1971-2005 professor of the famous Film School in Łódź (PWSFTviT). “Sunflowers” (1953), “Escape” (1954/55), “Legend” (1957), “Jazz Talks” (1957) – these short films, preserved in the collection of Film School Archive, are almost unknown for wider audience in Poland and abroad. In the second part of his study Hendrykowski gives also an accessible overview of the historical evolution of the filmmaker through the close examination of another two outstanding short films made by him: By the Railway Track (1963) and Medallions (1966). Last two were adaptations of short stories written in 1945 by Zofia Nałkowska, a masterpiece of antinazi world lterature. The article deals with the most important values and close-reading thematic and stylistic areas of Brzozowski’s early works: those developing in the 1950’s and early 1960’s but having deep impact in the poetics of academic short film in Poland, whose form and course they have fundamentally redirected.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 9, 17-18; 137-158
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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