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Wyszukujesz frazę "Polish composer" wg kryterium: Wszystkie pola


Wyświetlanie 1-3 z 3
Tytuł:
Полiвекторнiсть життєтворчостi Станiслава Монюшка: украïнський сегмент
Multi-vector life and creative work of Stanisław Moniuszko: Ukrainian segment
Autorzy:
Romaszczenko, Ludmyła
Powiązania:
https://bibliotekanauki.pl/articles/29519435.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
опера
Polish
Ukrainian
Cossack
musical
composer
genre
opera
польський
украïнський
козацький
музичний
композитор
жанр
Opis:
The article reveals the combination of factors (Polish, Belarusian, Lithuanian, Russian, and most deeply – Ukrainian) that played a crucial role in the life and creative work of Stanisław Moniuszko. He was the father of Polish national opera. Emphasis was put on the place of Ukraine in the biography of Polish creative figures – Adam Mickiewicz and Karol Szymanowski, whose lives were closely connected with the region of Cherkasy. The activity of the creative tandem: Moniuszko – Mickiewicz is also analysed, as well as relations of the Polish composer with the Russian ones of Ukrainian or Polish origin. The variety of genres in Moniuszko’s musical heritage and the forms of its presentation in Ukraine were also discussed.
Źródło:
Studia Wschodniosłowiańskie; 2022, 22; 213-222
1642-557X
Pojawia się w:
Studia Wschodniosłowiańskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ignacy Jan Paderewski - apostoł polskiej niepodległości, uosobienie niepospolitej inteligencji, mistrz z Riond-Bosson
Ignacy Jan Paderewski - an apostle of polish independence, personification of uncommon intelligence, legendary piano virtuoso from Riond-Bosson
Autorzy:
Ogorzałek, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/32929808.pdf
Data publikacji:
2022
Wydawca:
Polski Uniwersytet na Obczyźnie w Londynie
Tematy:
Ignacy Jan Paderewski
composer
virtuoso
outstanding musician
Switzerland
Riond-Bosson
Opis:
Ignacy Jan Paderewski – „King of tones” and son of great Polish culture, was an excellent composer and pianist, who, as an interpreter of Chopin’s music and his own works, delivered speeches during numerous journeys before public performances at concerts, lobbying for Poland. Out of the need of a patriotic heart, this esteemed diplomat and outstanding politician who demanded independence for Poland, actively supported various initiatives, including large sums for charity and public purposes. Despite the fame and honour of the whole world, he had a great dream to use the money he earned to buy a manor and agricultural property. In this article, the author presents the Swiss headquarters in Riond-Bosson, which has become not only an important centre of a thriving Polish political emigration, but a forge of Polish living art and outstanding individuality. In the suburbs of Morges, in the Paderewski villa, master classes for Polish pianists preparing to participate in the Chopin Competitions in Warsaw were held, as well as meetings during which Polish political and cultural history was shaped for a long time.
Źródło:
Zeszyty Naukowe PUNO; 2022, 1; 13-28
2052-319X
Pojawia się w:
Zeszyty Naukowe PUNO
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kategoria „nowości” w polskich dyskusjach awangardowych przełomu lat 60. i 70. XX wieku publikowanych na łamach „Ruchu Muzycznego”
The Category of “Novelty” in Polish Avant-garde Discussions Published in “Ruch Muzyczny” in the late 1960s and early 1970s
Autorzy:
Mika, Bogumiła
Powiązania:
https://bibliotekanauki.pl/articles/521924.pdf
Data publikacji:
2011
Wydawca:
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:
avant-garde
novelty
experiment
composer
listener
serial music
aleatoric music
happening
Opis:
The reception of the second avant-garde in Poland was initiated, as is commonly agreed, in 1956 with the fi rst “Warsaw Autumn” festival, and consisted of two phases. The fi rst phase, lasting ten years until around 1966, was the most important, as during this phase Polish listeners became acquainted with avant-garde innovations, music from the Darmstadt and New York schools, and electronic music from the studios in Paris and Cologne. The second phase of the avantgarde reception in Poland began in the symbolic year of 1965 with St. Luke Passion by Penderecki. In this work, the composer recalled the heritage and values of traditional music together with innovations from a synthesis of avant-garde experiments and values. In my paper, I concentrate on articles published in Polish musical press from the late 1960s and early 1970s, where readers could deduce signs of turning away from affi rmative reception of the avant-garde. I con sider issues such as the function of avant-garde art, its new relationship with the listener, creative experimentation, all of which constitute the category of “novelty”. These issues were undertaken by outstanding Polish critics: Stefan Kisielewski, Bohdan Pociej, Zygmunt Mycielski, Marian Wallek-Walewski, and Krystyna Tarnawska-Kaczorowska. I select only a few texts as a representation of the body of the published discourse.
Źródło:
Aspekty Muzyki; 2011, 1; 130-149
2082-6044
Pojawia się w:
Aspekty Muzyki
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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