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Wyszukujesz frazę "Colors" wg kryterium: Temat


Wyświetlanie 1-5 z 5
Tytuł:
“Red wins”, “black wins” and “blue loses” effects are in the eye of beholder, but they are culturally universal: A cross-cultural analysis of the influence of outfit colours on sports performance.
Autorzy:
Sorokowski, Piotr
Szmajke, Andrzej
Hamamura, Takeshi
Jiang, Feng
Sorokowska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/430837.pdf
Data publikacji:
2014-09-01
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
colors
boxing
perception
competition
cross-culture differences
Opis:
Although many studies have demonstrated an influence of uniform colors on sports performance, there are still more questions than answers regarding this issue. In our study, participants from Poland (N = 147) and China (N = 143) watched a two-minute video of a semi-professional boxing match. The participants viewed six different versions of the same fight - the original was modified to change the colors of the boxers’ trunks (red vs. blue, blue vs. red, blue vs. black, black vs. blue, red vs. black, and black vs. red). We experimentally confirmed that “black wins” and “red wins” effects exist, but in a way that caused an erroneous perception of the number of blows landed by boxers wearing red and black trunks fighting against boxers in blue trunks. We also showed that both effects are similarly strong even in Chinese culture, where the color red has different connotations from those in Western cultures. Additionally, our results suggest that context might play a very important role in the assessments of the boxers - color only influenced the perception of the weaker boxer. Finally, our findings suggest that the topic of the influence of colors on sports competitions has not been thoroughly investigated and further studies are necessary.
Źródło:
Polish Psychological Bulletin; 2014, 45, 3; 318-325
0079-2993
Pojawia się w:
Polish Psychological Bulletin
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dramatyczność kolorów historii
The dramatic colors of history
Autorzy:
Kosicka-Pajewska, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/2036498.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Katyń
Józef Czapski
Janina Lewandowska
colors
humiliation
drama
murder
Opis:
The drama of Katyń. The theory of colors, Julia Holewińska based on Józef Czapski’s Old Bielsko Memories, although largely processed. The protagonist of the play is Józef Czapski, a painter-capist, writer, intellectual, prisoner of Starobielsk, Pawliszczew Boru, Griazowiec, who builds his paintings in the performance with colors. The setting for these events is Kozielsk, where the artist was not held, which proves that this is not Czapski’s biography, nor is it a documentary account of camp life. The playwright, on the basis of a harsh and humiliating reality, showed human sensitivity. In Holewińska’s drama, Czapski acts as a guide through the camp experience through the eyes of a colorist. In each sequence, the artist expresses his view of color in art. There are two more allegorical characters in the drama: Our Lady of Kazan, who embodies three beings: Our Lady of Kazan (The Blessed Virgin of Kazan) – as the sacred, the real pilot Janina Lewandowska, and femininity in general. The second allegorical figure is the great Katyń liar, who personifies the whole apparatus of repression and oppression of the NKVD. The background for the conversations between these characters is a two-person choir – one out of a thousand and the Second of thousand. Art of Katyń. The theory of colors is devoted to painful historical events, despite the fact that it is subject to various playwriting procedures, it is moving in its meaning.
Źródło:
Przestrzenie Teorii; 2021, 36; 57-71
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Techniki szklarskie w kontekście projektowania oświetlenia
Glass techniques in the context of lighting design
Autorzy:
Żak, J.
Powiązania:
https://bibliotekanauki.pl/articles/112756.pdf
Data publikacji:
2018
Wydawca:
STE GROUP
Tematy:
projektowanie
szkło
oświetlenie
barwy
światło
design
glass
lighting
colors
light
Opis:
Celem artykułu jest prezentacja możliwości technologicznych oraz walorów wizualnych technik formowania szkła w kontekście projektowania oświetlenia będącymi źródłami nowatorskich oraz oryginalnych rozwiązań. Ponadto, publikacja porusza również problem niedoboru światła naturalnego w środowisku życia człowieka, uwarunkowanego położeniem geograficznym, ale również zawrotnym i wymagającym pędem życia w dużych miastach. Podsuwa rozwiązania tego problemu wskazując w tym celu nowatorskie rozwiązania opraw oświetleniowych o zmiennej temperaturze barwowej.
The main issue of these article is to present the technological possibilities and visual advantages of glass forming techniques in the context of lighting design being innovative sources and original solutions. In addition, the publication also move the problem of the lack of natural light in the living environment of a person conditioned by geographical location, but also the insane and demanding momentum of life in big cities. The article suggests the solutions for this problem by owing to use innovative solutions for lighting with variable color temperature.
Źródło:
Systemy Wspomagania w Inżynierii Produkcji; 2018, 7, 3; 107-116
2391-9361
Pojawia się w:
Systemy Wspomagania w Inżynierii Produkcji
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
What Do Byssus and Crimson Imply about the Hebrew Bible and the Septuagint?
Autorzy:
Rambiert-Kwaśniewska, Anna Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1178604.pdf
Data publikacji:
2018-07-26
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
byssus
crimson
scarlet
textiles
colors
fabric
Exodus
Chronicles
Septuagint
Hebrew Bible
Opis:
Fabrics such as byssus and crimson wool can provide us with a surprisingly large amount of information about the circumstances of Biblical books origin. Analysis of lexis related to mentioned textiles, present in Exodus and in Chronicles, allows to notice a meaningful change, occurring in technical biblical terminology. In Exodus, byssus is represented by שֵׁשׁ and crimson – by תּוֹלַעַת שָׁנִי, whilst in Chronicles naming is changed respectively to בּוּץ and כַּרְמִיל. Analysis of etymology leads to the conclusion, that textiles mentioned in Torah belong to an early vocabulary, created in the times before the exile, in Chronicles, on the other hand, encountered terms belong to period of Babylonian captivity or after the exile. Confrontation of these textiles with the other, non-biblical sources, provides a confirmation of proposed dating and facilitates identification of mysterious biblical byssus, which turns out to be a very thin linen and not – as sometimes confused – sea silk. Juxtaposition of the Greek equivalents allows to draw a conclusion, that terminology of both Torah and Chronicles was known to the LXX translators, who – despite a clear caesura – translate terms consequently: שֵׁשׁ and בּוּץ to βύσσος/βύσσινος, and תּוֹלַעַת שָׁנִי and כַּרְמִיל to κόκκινος
Źródło:
The Biblical Annals; 2018, 8, 3; 297-317
2083-2222
2451-2168
Pojawia się w:
The Biblical Annals
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Рецепцiя Варшави князем Василем-Костянтином Острозьким у романi Шестиднев, або Корона дому Острозьких Петра Кралюка
Reception of Warsaw by prince Vasil-Konstantin Ostrozky in the novel Six days, or the crown of the Ostrozky house by Peter Kralyuk
Autorzy:
Чмир, Андрiй
Powiązania:
https://bibliotekanauki.pl/articles/29519428.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
reception
historical novel
topos
colors
landscape
рецепцiя
iсторичний роман
топос
колористика
пейзаж
Opis:
The article analyzes the topos ofWarsaw in the historical novel Six Days, or the Crown of the Ostrozky House by modern Ukrainian writer Petro Kralyuk. The capital of Poland is depicted from the point of view of the main character of the work – Prince Vasyl-Konstantin Ostrozky. It is established that from the 16th century Warsaw was one of the key cities of the newly created state – the Polish-Lithuanian Commonwealth. Ostrozky was forced to visit it quite often. It was found that the above-mentioned city was perceived negatively for Vasyl-Konstantin. This fact is explained by the numerous personal and national losses that, in one way or another, affected Warsaw. The author’s means of tracing the image of the Polish capital (the status of the city, natural resources, colors, landscape, its connection with historical events and figures) are traced. It is emphasized that one of the sections of P. Kralyuk’s work has an eloquent title Black color. Warsaw. Due to paratextuality, the opposition of this part of the Six Days to other chapters of the novel (Color of Gray. Kyiv, Color of Yellow. Derman) is emphasized.
Źródło:
Studia Wschodniosłowiańskie; 2022, 22; 7-21
1642-557X
Pojawia się w:
Studia Wschodniosłowiańskie
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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