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Wyświetlanie 1-2 z 2
Tytuł:
On the rudiments and benefits of philanthropy in the perspective of cognitive research
Autorzy:
Wioletta, Dziarnowska,
Powiązania:
https://bibliotekanauki.pl/articles/952002.pdf
Data publikacji:
2020-05-19
Wydawca:
Akademia Pedagogiki Specjalnej im. Marii Grzegorzewskiej. Wydawnictwo APS
Tematy:
morality
philanthropy
cognitive science
moral mind
brain
non-profit institutions
Opis:
Past decades have shown an increase in interest in the phenomenon of morality, as well as its most sophisticated manifestations, which are philanthropic activities, in the field of cognitive science – a multidisciplinary research program of the mind and its role in intelligent behaviour. The article shows – applying the aforementioned perspective – that morality, along with all its altruistic expressions, is understood as the result of the biological evolution of the human race. It is based on various neuronal mechanisms responsible for the psychological processes that make up our moral mind, e.g. moral intuitions, moral emotions and moral reasoning. In recent years, issues related to charity have become one of the important subjects of cognitive research. In their light, it turned out, among others, that altruistic human inclinations, not only devoting one’s time, skills or money to help a person, but also support for more abstract ideas related to the common good are supported by various brain mechanisms strengthening our selfless motivations. It was concluded that the progress of scientific research on the relationship between the „moral brain” and the world in need of help would reveal the most effective ways of strengthening human philanthropic involvement and more effective impact of non-profit institutions.
Źródło:
Praca Socjalna; 2020, 35(2); 143-166
0860-3480
Pojawia się w:
Praca Socjalna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Artysta jako nieświadomy neurobiolog. Filmoznawczo-neurokognitywistyczna analiza myśli Hugo Münsterberga i Lwa Kuleszowa
Autorzy:
Przybysz, Hanna
Powiązania:
https://bibliotekanauki.pl/articles/923253.pdf
Data publikacji:
2019-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Kuleszow
Münsterberg
film
art
brain
mind
artist
creativity
inspiration
cognitive science
neurobiology
Kuleszow effect
editing
scientific experiments
perception
consciousness
attention
cognitive sciences
nauroscience
Opis:
The history and theory of art have often shown, before the era of neurobiology, cognitive psychology and cognitive science, that great artists are unconscious neurobiologists, activating with their art the areas of the brain of recipients that cause aesthetic experience, and using in their works the principles of perception or optical illusions, unknown to ordinary mortals, and sometimes also to creators at the level of consciousness. The following considerations are intended to approximate and, to some extent, to rehabilitate and save film creators and theoreticians who are being forgotten, the ones who, long before the discoveries of the cognitive sciences, considered theoretically and carried out empirical experiments aimed at showing and explaining the mysteries of human perception and the influence of the film on the viewer. I will present the profiles of the two pioneers of pre-cognitive thought on the basis of film studies: Hugo Münsterberg and Lew Kuleszow. I will show that half a century before neuroscientific research, they dealt with the cognitive processes of human cognition. I will present the contemporary state of cognitive sciences to illustrate the pioneering and legitimacy of visions, intuitions and achievements of the above creators, who are underestimated and forgotten by time and the achievements of “cold” science, although neuroesthetics researchers who have been involved in the problem of perception of works of art and rehabilitation of the merits of the past in the area of neuroscience for some time cannot be denied their achievements. Ignoring their contribution and achievements in the science of cognition, especially as to this day they are continued in research laboratories, in my subjective opinion, equals the potential underestimation of Leonardo da Vinci’s contribution to medical science or Darwin’s to research emotions.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2019, 25, 34; 137-147
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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