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    Wyświetlanie 1-5 z 5
    Tytuł:
    Scena dell’incontro tra il poeta e la Musa nel poemetto Urania di Alessandro Manzoni alla luce della tradizione classica. Analisi strutturale
    Scene of the encounter between the poet and the Muse in the poem Urania by Alessandro Manzoni in the light of the classical tradition. Structural analysis
    Autorzy:
    Raczyńska, Alicja
    Powiązania:
    https://bibliotekanauki.pl/articles/676287.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Manzoni
    Neoclassicismo
    Urania
    Pindaro
    tradizione classica
    Neoclassicism
    Pindar
    classical tradition
    Opis:
    The short poem Urania is the last neoclassical work of Alessandro Manzoni, one of the greatest representatives of Italian Romanticism. This paper analyses the chance meeting between Pindar and the Muse Urania. It examines whether this scene is structured in the same way as those in which chance meetings between poets and divinities take place in ancient literature. My analysis is inspired by research conducted by Tomasz Mojsik - a Polish scholar in history and classical philology - on the role of the Muses in Ancient Greek culture.
    Il poemetto Urania è l’ultimo lavoro neoclassico di Alessandro Manzoni, uno degli esponenti del Romanticismo italiano. L’obiettivo del mio articolo è l’analisi della scena dell’incontro fra il poeta Pindaro e la Musa Urania. Le mie ricerche mirano a riconoscere le relazioni tra la scena del poemetto e la tradizione classica dell’incontro di un poeta con una divinità ispiratrice. Le mie analisi sono ispirate alle ricerche di Tomasz Mojsik, storico e filologo classico polacco, sul ruolo delle Muse nella cultura della Grecia antica.
    Źródło:
    e-Scripta Romanica; 2015, 2; 39-45
    2392-0718
    Pojawia się w:
    e-Scripta Romanica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dwie starożytne tradycje rozumienia ciała w sztuce średniowiecznej
    Two Ancient Traditions to Represent the Human Body in Mediaeval Art
    Autorzy:
    Mazurczak, Urszula M.
    Powiązania:
    https://bibliotekanauki.pl/articles/2127732.pdf
    Data publikacji:
    2007
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    ciało
    rzeźba
    tradycja klasyczna
    tradycja judaistyczna
    cielesność
    uśmiech
    body
    sculpture
    classical tradition
    Judaic tradition
    corporeality
    smile
    Opis:
    In the basic system of visual arts the human body is subject to the first interpretations, artistic and semantic evaluations. In the studies on art it was the principal criterion of style and artist’s workshop. In the most ancient research on early medieval art and the mature Middle Ages the stylistic definitions of the human body were assumed to be the basis of the classification of art, its relationship with ancient tradition or its various divergences, which were given pejorative names. The classical character of divergences from that model in the context modelling the body allows us to establish the chronology of works from the times of the fall of pagan art up to the new forms of Christian art. An interesting study on the human body (not on nakedness) help us to take a closer look on how Roman art, especially French sculpture, was established in the circle of Benedictine orders. Starting from the classical model of Mediterranean art it created a new understanding of the body in accord with the strict text of the Bible, which — instead of corporeal unity — stressed the importance of its members. An analysis of particular excerpts from the Bible, providing the sense of the hip, the knee, the eye, the head, and the hand allow us to explain the analysis of the body into its members often called deformation. Some examples of monumental sculpture in Moissac, Cluny, and Wezelay unveil the sense of this deformation in the Judaic, not Roman, context of understanding the body. Italy and its influence have retained the Mediterranean, Roman traditions in the shaping of the human body. Thereby they continued the classical model for Gothic art and sculpture in the cathedral milieus. The body and the wealth of its corporeality is shown by sculpture returning to the Roman model again, thereby unveiling the scale of psychological values, such as smile, depicted in the sculptures in Reims, Naumburg, and Lincoln. We may notice in medieval art two patterns by which to show the body: classical and Judaic that comes from the Bible.
    Źródło:
    Roczniki Humanistyczne; 2007, 54-55, 3; 157-186
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Heredes et scrutatores. Users and researchers of the heritage of antiquity
    Autorzy:
    Milewska-Waźbińska, Barbara
    Olszaniec, Włodzimierz
    Powiązania:
    https://bibliotekanauki.pl/articles/703072.pdf
    Data publikacji:
    2017
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    classical tradition
    reception of antiquity
    200th anniversary of the University of Warsaw
    Opis:
    The authors of this paper examine the ancient concepts of translatio, imitatio and aemulatio. The text goes over some problems of the heritage of antiquity and its reception in European culture of the early modern period. These questions were discusssed during the international conference “Heredes et scrutatores. Attitudes towards Antiquity in the Renaissance and in the Early Modern Period”, which was held on 19–20 May 2016 at the University of Warsaw. It celebrated the 200th anniversary of classical studies at this university. The conference seeked to explore the changing attitudes towards the heritage of classical antiquity in post-classical European culture. The scholars participating in the meeting tried to (re)examine the diversity of these attitudes in the period between the Late Middle Ages and Early Modern Times and to reflect on a number of related problems, among which were the theoretical viewpoints that had been suggested to describe this diversity. One of them, which gave its name to this conference, distinguishes between two general approaches: that of the “users”, concentrated on adapting the classical legacy by means of procedures inherited from the ancient Romans, and that of the “researchers”, which replaced the former procedures with ones typical of scholarly cognition. The participants discussed theoretical issues and concrete cases illustrating the ways that the intellectuals of the Renaissance and Early Modern Times approached the Greek and the Roman legacy. The connections between past and present attitudes towards antiquity have also been be the subject of the debate.
    Źródło:
    Nauka; 2017, 3
    1231-8515
    Pojawia się w:
    Nauka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Исповедь В. С. Печерина: рецепция античной традиции в образовательном пространстве XIX века
    Autorzy:
    Можайский, Андрей
    Powiązania:
    https://bibliotekanauki.pl/articles/1833706.pdf
    Data publikacji:
    2020-07-10
    Wydawca:
    Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
    Tematy:
    educational space
    Vladimir Sergeyevich Pecherin
    classical tradition
    antique tradition
    Xenophon
    Socrates
    Altes Museum
    The Berlin Athlete
    Playing knucklebones
    John Henry Newman
    Opis:
    The article presents the reflection of the antique tradition in the memoirs of the Russian emigrant of the nineteenth century V.S. Pecherin. Written in epistolary form these memoirs are confessional in their character and one can traced a strong classical influence, formed by his education. Particular attention is given to Berlin as educational space, where V.S. Pecherin studied at the university and regularly visited the Altes Museum. There is a close relationship between the influence of Ancient Greek art V.S. Pecherin saw in the museum and his cultural and aesthetic views presented in his memoirs. According to the author, V.S. Pecherin presented himself as the second Xenophon wandering around Europe and expelled from his homeland in absentia. The title of the memoir Apologia pro vita mea, probably, has as its prototype both the Socratic tradition and the Christian tradition, especially expressed in the title of the work Apologia pro vita sua by John Henry Newman.
    Źródło:
    Conversatoria Litteraria; 2020, 14; 85-97
    1897-1423
    Pojawia się w:
    Conversatoria Litteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Desde la tradición clásica hasta la cotidianidad femenina. Mitología, deseo y mujer en la poesía de Aurora Luque
    From the Classical Tradition to the Female Everyday Life. Mythology, Desire and Woman in the Poetry of Aurora Luque
    Autorzy:
    Śmiłek, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/2230798.pdf
    Data publikacji:
    2022-12-16
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Aurora Luque
    współczesna poezja hiszpańska
    tradycja klasyczna
    kobieta
    mitologia
    contemporary Spanish poetry
    classical tradition
    woman
    mythology
    poesía españ ola contemporánea
    tradición clásica
    mujer
    mitología
    Opis:
    The classical legacy in contemporary Spanish poetry is evident, especially in the creation of Aurora Luque (Almería 1962), one of the best representatives of the neoclassical and culturalist trend in Hispanic poetry. This article aims to show the two aspects of her poetry: the recovery of the Greco-Roman tradition and the female voice that reconciles aesthetics and morality. To defend the feminine voice of everyday life, the poet reinvents and modifies the classical tradition offering us a new vision of mythology, topoi, themes and motifs from Antiquity.
    Źródło:
    Collectanea Philologica; 2022, 25; 83-94
    1733-0319
    2353-0901
    Pojawia się w:
    Collectanea Philologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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