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Wyświetlanie 1-2 z 2
Tytuł:
Modernization and Its Contradictions: Contemporary Social Changes in India
Autorzy:
Singh, Yogendra
Powiązania:
https://bibliotekanauki.pl/articles/1929957.pdf
Data publikacji:
2012-07-09
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
caste
class
development
discourse
education
folk culture
globalization
identity
materialism
modernization
Opis:
History of the discourse goes back to the national movement for India’s Independence. Both Mahatma Gandhi and Jawaharlal Nehru, though differed in their perceptions about future of India, they contributed immensely for modernization of India. Gandhi was for preservation of India’s diverse cultural values and traditions with resilience, and Nehru was for a India which was free of barriers of caste, region, religion, etc. However, a large number of studies indicated that Indian tradition did not blur the path of progress which India had set up for itself in the Constitution, Five Year Plans and other such means for a new India. Resilience has been a strong hallmark of the dynamics of Indian society. Both categorical and instrumental values have coexisted in the long history of Indian society and civilization. During the course of India’s modernization, perspectives such as structural-functionalism and historical materialism have been critically viewed in terms of their relevance for knowing India’s ground reality. Today, it is realized that there is no uniform pattern of modernization, rather the idea of “multiple modernities” has gained currency in contemporary India. Structural transformation of Indian society on the one hand, and changes in culture, values and norms on the other, signify a semblance of modernization in India. In domains like economy, politics, education, and media, it is not difficult to work out different phases of change and development. One can see correspondence in different phases relating to these basic structural and cultural domains. The issues of growth, development, weaker sections, human rights, social justice and distributive shares have attracted attention of scholars and concerned people and organizations, including the civil society. Contradictions at the cognitive as well as substantive levels are integral to the process of modernization. The question of cultural identity has surfaced prominently even in the face of considerable growth, development and education.
Źródło:
Polish Sociological Review; 2012, 178, 2; 151-166
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From Race and Orientalism in A Midsummer Night’s Dream to Caste and Indigenous Otherness on the Indian Screen
Autorzy:
Jayakumar, Archana
Powiązania:
https://bibliotekanauki.pl/articles/39761975.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
A Midsummer Night’s Dream
10ml Love
Indian cinema
independent film
film adaptation
race
Orientalism
Otherness
caste
religion
gender
class
utopia in film
Opis:
The article discusses an Indian film adaptation of William Shakespeare’s play A Midsummer Night’s Dream entitled 10ml Love (dir. Sharat Katariya, 2012). There is little scholarship on 10ml Love, which has been studied mainly as an independent film in Hinglish that depicts the lives of the cosmopolitan youth in urban India. Drawing upon recent readings of the play that identify elements of racism and whiteness as well as an analysis from an Orientalist lens that sees India as a gendered utopia, I suggest that the film adaptation highlights not racial/white supremacy but caste supremacy; furthermore, it indulges not in Orientalist tropes but tropes of indigenous Otherness based on religion, gender, caste, and class. I argue that this film presents two opposing political utopias—a right-wing utopia that stands for the maintenance of traditional values and a left-wing utopia that attempts to challenge, question, and subvert the conservative order. However, 10ml Love seems to endorse neither of the two utopias wholly; its reality appears to lie between the two utopias, a reality that is marked by stereotypes of Otherness. This paper analyses the audio-visual depiction of the tension between the utopias at both the ends of the political spectrum, as well as the realities of Otherness created by the presence of various social locations and identities in Indian society.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2022, 26, 41; 87-102
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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