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Wyświetlanie 1-2 z 2
Tytuł:
“ANNA KARENINA”- T. STOPPARD VS. L. TOLSTOY
Autorzy:
Gurina, EKATERINA
Powiązania:
https://bibliotekanauki.pl/articles/628522.pdf
Data publikacji:
2018
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
script
protagonist
scriptwriter
character
classification
Opis:
Aim. The aim of the research is to compare Konstantin Levin’s function in the film Anna Karenina(2012) by Joe Wright, the script written by Tom Stoppard and the novel Anna Kareninaby Leo Tolstoy and to determine how much his figure was changed in the film adaptation under the influence of the scriptwriter’s and director’s stance. Methods. The subjects of the study were the film Anna Karenina (2012) by Joe Wright, the script written by Tom Stoppard and the novel Anna Karenina by Leo Tolstoy. They are analysed with the use of the theory of script writing, different types of character classifications and the text corpus analysis, taking into account the cultural, historical and economic features of scriptwriting and film production. Results. The analysis shows that Konstantin Levin’s function of the second protagonist that is characteristic for the novel is further developed in the screenplay but is omitted in the film. The discrepancies with the source book and the screenplay are caused by the influence of the film director during the film production. Conclusions. Even though the study considers the texts that are closely interrelated, the individual author’s stance influences the text of the screenplay so much that it gives us an opportunity to call Tom Stoppard, the scriptwriter, a writer in the full sense of the word.
Źródło:
Journal of Education Culture and Society; 2018, 9, 2; 218-225
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
My Characters. Reflections of a Documentary Film Director
Autorzy:
Dashuk, Volha
Powiązania:
https://bibliotekanauki.pl/articles/951784.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
character
protagonist
documentary
documentarian
shooting
film production
film director
plausibility of behavior
directorprotagonist relations
Opis:
The author, being a documentary film director, analyzes an important part of a documentarian’s work – relations with characters. She describes this unique kind of a bond that develops between a director and his or her protagonists. The process of coming closer to characters is investigated in detail and the strategies of gaining the characters’ trust are named. The issues what problems the director experiences on the way and how they can be solved are addressed. The questions of the director’s responsibility regarding the characters and unexpected provocations on their side, as well as of mutual protagonist-director influence are brought up. All matters referred to in this article are illustrated by examples from the director’s professional life.
Źródło:
Kultura-Społeczeństwo-Edukacja; 2016, 9, 1; 15-27
2300-0422
Pojawia się w:
Kultura-Społeczeństwo-Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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