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Wyszukujesz frazę "biographical film" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
To Play, To Imitate, To Embody. On Acting in a Biographical Film
Autorzy:
KOŁOS, SYLWIA
Powiązania:
https://bibliotekanauki.pl/articles/920966.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
biographical film
actor
Opis:
What does an actor do in a biographical film? This question may seem inane, or at least less than serious; however, the terms frequently used to describe and assess the actors work in general - to embody a character, to play them, to play a role - suggests the existence of a certain designatum, which is the point of reference for the role. In the case of a fictional story, we may ignore the semantic multivalence of such terms. In a biographical film, however, the existence of a real originator of the role gives additional, almost ontological meaning to phrases such as “embodying a character” or “playing a role”. In my reflections, I use as my starting point the assumption that the actors performance in a biographical film and the “conception of a character” result from two basic components: 1. Interpretation of the role - constituting a proposal to analyse the heros character. It is usually supposed to extract more profound meanings and senses out of the biography. To put it more simply, the interpretation of the role is supposed above all to help the viewer to answer the question of who the hero was (what they were like) and why? 2. Adaptation - this includes the physicality of the character: their appearance, body language, facial expressions, voice (the tone, modulation, accent, phrasing, dialect - if the authentic person used one, etc.) In my article I try to answer the questions: Where should we seek the essence of biographic acting? How can we avoid exaggeration and falsehood, which could kill the role?
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 75-94
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Filmowe wcielenia Krzysztofa Kamila Baczyńskiego
Film Incarnations of Krzysztof Kamil Baczyński
Autorzy:
Szpulak, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/1039082.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Krzysztof Kamil Baczyński
Ludmiła Niedbalska
Konrad Piwowarski
biographical film
film and literature
Opis:
Szpulak Andrzej, Filmowe wcielenia Krzysztofa Kamila Baczyńskiego [Film Incarnations of Krzysztof Kamil Baczyński]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 301–322. ISSN 1644-6763. DOI 10.14746/pt.2019.32.16. The text concerns two film biographies of Krzysztof Kamil Baczyński, an outstanding and legendary poet of the Second World War killed in 1944 during the Warsaw Uprising. The films Fourth Day by Ludmiła Niedbalska (1984) and Baczyński by Konrad Piwowarski (2013) were subject to a comparative analysis. It covered genaelogical issues, the poet’s biography and a presentation of his work. The analysis shows the extreme difference in creative concepts, and thus the various possibilities that the biographical film faces.
Źródło:
Przestrzenie Teorii; 2019, 32; 301-322
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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