Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "Avant-garde poetry" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-9 z 9
    Tytuł:
    Avangarda poslije avangarde u hrvatskoj poeziji
    Avant-garde After the Avant-garde in Croatian Poetry
    Autorzy:
    Oblučar, Branislav
    Powiązania:
    https://bibliotekanauki.pl/articles/636036.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    avant-garde
    neo-avant-garde
    post-avant-garde
    postmodernism
    poetry
    Croatian literature
    Opis:
    The article discusses the problem of the avant-garde in Croatian poetry during the second half of 20th century. It supports the thesis about the continuity of the avant-garde before and after World War II, and perceives the artistic and literary experiments of the neo and post-avant-garde as a part of a long avant-garde tradition. The analysis brings forward the different perceptions of avant-garde in the works of Radovan Ivšić and Josip Sever, and post-avant-garde poets of 1970s and 80s.
    Źródło:
    Poznańskie Studia Slawistyczne; 2020, 18; 159-173
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Postawa surrealistyczna, czyli w stronę "nowej, krytycznej hermeneutyki"
    Surrealist Attitude, or Towards “New Critical Hermeneutics
    Autorzy:
    Kornhauser, Jakub
    Powiązania:
    https://bibliotekanauki.pl/articles/1389818.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    modernism
    avant-garde
    surrealism
    objects
    experimental poetry
    Opis:
    The aim of this article is to discuss the crucial difference between the notions of ‘avant-garde’ (from Lyotard’s or Danto’s essays) and Perloff’s or Bolecki’s ‘modernism’ and to suggest a new, exclusive rather than inclusive, approach to literary studies, based on the experimental theory and poetics of Surrealism. This so-called “surrealist attitude” could be applied in the literary and cultural studies as a twofold paradigm: on the one hand, it focuses on the verbal or textual aspect of the avant-garde experiments (utilizing Bürger’s or Barthes’ theories), on the other hand, it gives an opportunity to acknowledge their anthropological or sociological character marked by Baudrillard, Danto, Foster, or Krajewski. In this perspective, the substantial process of abandonment of reality (Lyotard), which stands for the dominant element of the avant-garde aesthetics, could be connected with the crisis of represetation and with the binary nature of the objects (simultaneously, the textual/internal and contextual/exteral forms).
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 24; 55-69
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Timor, ira, despectio. O postsekularnej retoryce międzywojennej awangardy
    Timor, ira, despectio. About the postsecular rhetoric of the interwar avant-garde
    Autorzy:
    Pietryga, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/2232078.pdf
    Data publikacji:
    2022-10-10
    Wydawca:
    Uniwersytet Warszawski. Katedra Italianistyki. Polskie Towarzystwo Retoryczne
    Tematy:
    awangarda
    polska poezja
    postsekularyzm
    retoryka awangardy
    avant-garde
    Polish poetry
    postsecularism
    avant-garde rhetoric
    Opis:
    Celem artykułu jest naświetlenie najważniejszych strategii retorycznych stosowanych przez poetów awangardowych do pisania o społecznych problemach II Rzeczypospolitej. Autor wykazuje, że pojawiające się na przełomie lat 20. i 30. XX wieku odniesienia do języka religijnego w twórczości poetów awangardowych służyły celom perswazyjnym, wzbudzaniu emocji (jak chociażby ira, timor, despectio) i obrazowemu komentowaniu sytuacji społeczno-politycznej po wydarzeniach majowych, kryzysie gospodarczym, a wreszcie – do wyrażania niepokoju związanego z widmem nadchodzących kryzysów. Omawiając wybrane utwory Juliana Przybosia, Anatola Sterna, Brunona Jasieńskiego i Jalu Kurka, autor skupia się przede wszystkim na środkach retorycznych i figurach zaczerpniętych z dyskursu religijnego przez poetów konstruktywistycznych oraz byłych futurystów. Niniejszy artykuł wpisuje się w rozważania postsekularne oraz analizy retoryczne polskiej poezji współczesnej, rzucając nowe światło na wpływ biblizmów i języka religijnego na społecznie zaangażowany wiersz awangardowy.  
    The article aims to highlight the most important rhetorical strategies used by some avant-garde poets to write about the social problems of the Second Polish Republic. The author shows that the references to religious language appearing at the turn of the 1920s in the works of avant-garde poets served the purposes of persuasion: to evoke emotions (such as ira, timor, despectio), to visually comment on the socio-political situation after the May events and the economic crisis, and finally to express anxiety over the specter of imminent crisis. When discussing selected works by Julian Przyboś, Anatol Stern, Bruno Jasieński, and Jalu Kurek, the author focuses on rhetorical means and figures taken from religious discourse by constructivist poets and former futurists. This article contributes to the post-secular considerations and rhetorical analyses of contemporary Polish poetry, shedding new light on the influence of biblicisms and religious language on the socially engaged avant-garde poetry.
    Źródło:
    Res Rhetorica; 2022, 9, 3; 5-24
    2392-3113
    Pojawia się w:
    Res Rhetorica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Els entra-i-surts del poeta”. Joan Brossa entre la vanguardia y el postmodernismo
    Els entra-i-surts del poeta”. Joan Brossa between the avant-garde and the postmodernism
    Autorzy:
    Kurek, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/1051216.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Joan Brossa
    Catalan poetry
    avant-garde
    postmodernism
    Opis:
    The poetry of Joan Brossa (1919-1998), because of its complexity and size, testifies the adventures that has lived the Western literature in the second half of the twentieth century: from the depletion of traditional avant-gardes, going through the movements of neo- or transavantgarde, up to the manifestos of the “literature of exhaustion” or postmodern. The present study aims to discuss the collection of seven volumes of poetry of Joan Brossa, written between 1969 and 1975, and published between 1983 and 1989 under the general title "Els entra-i-surts del poeta", which we consider as one of the most consistent editorial and lyrical author’s projects. We put emphasis on the issue of continuation / break up between the modernist concepts of language and the postmodern plurality, treatment of reality as text or writing, free play of imagination: all this not as a picture of disintegrated world but as positive reflection of a polymorphic reality.
    Źródło:
    Studia Romanica Posnaniensia; 2013, 40, 2; 91-104
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zapomniana poezja Wandy Melcer-Rutkowskiej
    Autorzy:
    Sobieraj, Sławomir
    Powiązania:
    https://bibliotekanauki.pl/articles/1826714.pdf
    Data publikacji:
    2019-07-02
    Wydawca:
    Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
    Tematy:
    Wanda Melcer-Rutkowska
    avant-garde
    feminism
    futurism
    poetry
    Opis:
    The author presents a glossary for Wanda Melcer-Rutkowska’s biography, which draws on her social and literary activity in the context of cultural trans-formations at the beginning of the 20th century. Moreover, the author clearly outlines Melcer Rutkowska’s active engagement in a variety of initiatives intended to revolutionise the realm of customs and art. The article draws on the literary output of the author of Miasto zwierząt, indicating the impact it had during the interwar years. Special attention is paid to the forgotten poetry which was eventually included in a compilation of previously printed volumes and those poems which had been formally scattered throughout the press. Two aspects of Melcer-Rutkowska’s literary work were primarily analysed: feministic and avant-garde.
    Źródło:
    Conversatoria Litteraria; 2019, 13; 233-246
    1897-1423
    Pojawia się w:
    Conversatoria Litteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wyjścia. Awangardyzacja jako asumpt do kanonizacji (kazus Różewicza-poety)
    Exits: Avant-gardisation as an Incentive to Canonization (the Case of Różewicz the Poet)
    Autorzy:
    Goczał, Ewa Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/467783.pdf
    Data publikacji:
    2017
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    awangarda
    kanon
    poezja współczesna
    avant-garde
    canon
    contemporary poetry
    Opis:
    Ewa Maria GoczałThe Faculty of PhilologyPedagogical University of Cracow  Exits: Avant-gardisation as an Incentive to Canonization (the Case of Różewicz the Poet) Abstract: The article aims at determining the specificity of canonical character of the poetry of Tadeusz Różewicz – one of the most important writers of the Polish literature of the 20th century and the beginning of the 21st century, whose just recently finished work – although there are already numerous studies – is only now subjected to all-embracing summaries. The discussion has been submitted to the concept of continual canonization which corresponds with the diagnosis of multiplicity and dynamism of modern canons as well as conforms with, the basic to the author of Faces of Anxiety, the movement of transgression – constant avant-gardisation, going beyond individual and non-individual norms and established models. The study is divided into four parts corresponding with four aspects of Różewicz's excesses. The first one is a general description of the postulated category of canonical character in the context of the work of the author of Exit; the second one describes a type of avant-garde specific to the author; the third one concerns negative poetics. The fourth part sums up the issue by discussing the newest selection of Różewicz's poetry – Znikanie [Disappearance] edited and commented by Jacek Gutorow, poet and literature scholar. The problem of paradoxical continuation based on variability, poetic tradition, and the strategy of external canonization of the writer will be discussed – through the creation of a new canon of his poems which will be potential, alternative, personal and explicitly submitted to the subject of the sense of writing and the autotelic nature of poetry.Keywords: avant-garde, canon, contemporary poetry
    Ewa Maria GoczałThe Faculty of PhilologyPedagogical University of Cracow  Exits: Avant-gardisation as an Incentive to Canonization (the Case of Różewicz the Poet) Abstract: The article aims at determining the specificity of canonical character of the poetry of Tadeusz Różewicz – one of the most important writers of the Polish literature of the 20th century and the beginning of the 21st century, whose just recently finished work – although there are already numerous studies – is only now subjected to all-embracing summaries. The discussion has been submitted to the concept of continual canonization which corresponds with the diagnosis of multiplicity and dynamism of modern canons as well as conforms with, the basic to the author of Faces of Anxiety, the movement of transgression – constant avant-gardisation, going beyond individual and non-individual norms and established models. The study is divided into four parts corresponding with four aspects of Różewicz's excesses. The first one is a general description of the postulated category of canonical character in the context of the work of the author of Exit; the second one describes a type of avant-garde specific to the author; the third one concerns negative poetics. The fourth part sums up the issue by discussing the newest selection of Różewicz's poetry – Znikanie [Disappearance] edited and commented by Jacek Gutorow, poet and literature scholar. The problem of paradoxical continuation based on variability, poetic tradition, and the strategy of external canonization of the writer will be discussed – through the creation of a new canon of his poems which will be potential, alternative, personal and explicitly submitted to the subject of the sense of writing and the autotelic nature of poetry.Keywords: avant-garde, canon, contemporary poetry
    Źródło:
    ER(R)GO: Teoria – Literatura – Kultura; 2017, 35
    1508-6305
    2544-3186
    Pojawia się w:
    ER(R)GO: Teoria – Literatura – Kultura
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Tuwim’s Dialogues with Banality
    Autorzy:
    Bocheński, Tomasz
    Powiązania:
    https://bibliotekanauki.pl/articles/650013.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Julian Tuwim
    Tuwim’s poetry
    20th-century literature
    avant-garde
    Opis:
    The article examines the relation between Tuwim’s poetry and modern colloquial language. The avant-garde artists for whom in the beginning of the 20th-century art was an elite occupation, treated every-day speech as a mass form of communication. Tuwim’s poetry was frequently criticised for banality. Matywiecki presents the poet as a hero fighting with the demon of commonness. The crucial thesis of the article is that banality which is modified in a creative way says more about the epoch than elitist visions. In his poetry, satire and cabaret work Tuwim transformed triviality into dialog and a common human being into a creative person. Transition of the street talk into original speech is the defence against reducing individual being to cliché which means the fear of 20th-century killing ideologies.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 36, 6
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wspomnienie o prof. Stanisławie Jaworskim
    In Memory of Professor Stanisław Jaworski
    Autorzy:
    Burzyńska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1040124.pdf
    Data publikacji:
    2019-01-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    literary study
    theory of literature
    history of literature
    avant-garde
    literary criticism
    poetry
    Opis:
    Professor Stanisław Jaworski, the prominent literary theoretician and historian, literary critic, poet, worker of the Faculty of Polish Studies at the Jagiellonian University and the long-time member of the editorial board and editor-in-chief of “Ruch Literacki” died on 15th July 2018.
    Źródło:
    Przestrzenie Teorii; 2018, 29; 383-386
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Światło w poezji modernistów. ŚWIATŁOWSTĄPIENIE Tymoteusza Karpowicza i fragmenty The Pisan Cantos Ezry Pounda
    Light in the Poetry of Modernists. ŚWIATŁOWSTĄPIENIE by Tymoteusz Karpowicz and the Fragments of The Pisan Cantos by Ezra Pound
    Autorzy:
    Górniak, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/1389808.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    avant-garde
    Karpowicz
    modernism
    neoplatonism
    poetry of the 20th century
    Pound
    the motif of light
    Opis:
    The aim of this article was to present a comparative interpretation of the selected poems by Tymoteusz Karpowicz (the poem alfaŚWIATŁOWSTĄPIENIE and a few accompanying poems) and Ezra Pound (The Cantos: LXXX, LXXXI and LXXXIII). The texts have been selected because of the theme of light, sun and visual perception. The comparative method is supposed to show 20th-century Polish poetry in the context of Anglo-American modernism. The relationship between the two poets seems to be hypothetical and one-sided. It has not been established so far whether the writings of Karpowicz were inspired by Pound’s texts. Thus, the article realized a model of contactless, comparative literary study, where comparisons are made on the basis of a typologic relationship. The first part of the article presented the theme of light in some non-poetic texts by Karpowicz and Pound and in their conception of art. The next two parts focus on the interpretation of poetry. The last chapter contained the conclusions drawn from the comparative analysis of chosen texts. The motif of light became not only a link between the selected poems, but also a reason for the comparison of the poetical techniques, specificity of style and the functions of linguistic experiments. The philosophical, Biblical, literary and even scientific contexts were evoked. A theoretical background was represented by the notion of reading/interpretation by Wolfgang Iser, transtextuality by Gérard Genette and the category of a model reader by Umberto Eco. The literary projects of Karpowicz and Pound impel readers to consider several issues. The most significant are: the limits of interpretation, obscurity or inexplicability of modern poetry and the problems of literary communication.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 24; 185-211
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-9 z 9

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies