Temat: Holocaust in Poland - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Why we stayed: Polish Jews’ reasons for remaining in Poland during two waves of postwar emigration
Autorzy:: Mazurczak, Filip
Powiązania:: https://bibliotekanauki.pl/articles/31803978.pdf
Data publikacji:: 2023
Wydawca:: Ośrodek Pamięć i Przyszłość
Tematy:: Polska
Jews
1968 events in Poland
communism
Holocaust
antisemitism
emigration
oral history
Opis:: Although Poland’s Jewish presence had been widely considered to be near-obsolete in 1980s, since the 1990s a small but visible revival of Polish-Jewish life has been taking place as many Polish Jews have opened up about and embraced their origins. By interviewing five Polish Holocaust survivors who never left their country of origin, I attempted to answer the question of why they remained while many others fled.
Źródło:: Wrocławski Rocznik Historii Mówionej; 2023, 13; 108-134
2719-7522
2084-0578
Pojawia się w:: Wrocławski Rocznik Historii Mówionej
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Framing Polish-Jewish Relations Through Shakespeare in Post-war and Contemporary Polish Theatre
Autorzy:: Kowalski, Tomasz
Powiązania:: https://bibliotekanauki.pl/articles/39774053.pdf
Data publikacji:: 2023
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Polish-Jewish relations
Holocaust
antisemitism
Jerzy Grotowski
Krzysztof Warlikowski
'Hamlet' in Poland
'Hamlet Study'
'The Merchant of Venice' in Poland
Opis:: The paper aims to analyse how the staging of Shakespeare’s texts in post-war and contemporary Poland reflected the indifferent and hostile attitudes of Poles towards Jews, particularly during the Holocaust, and the distortions and gaps in the collective memory regarding the events. In the first part, the author focuses on Hamlet Study (dir. Jerzy Grotowski) performed in 1964 by Laboratory Theatre of 13 Rows in Opole, which is symptomatic of silencing the matter during the communist period. The second part draws from the statement of Jan Ciechowicz, a Polish theatre historian, who claimed that “the Holocaust killed Shylock for Polish stage.” While verifying it, the author analyses selected aspects of three productions directed by Krzysztof Warlikowski (The Tempest (2003), The Merchant of Venice (1994) and The African Tales by Shakespeare (2011)) and juxtaposes them against the background of the changes in collective memory. He argues that the most cogent productions concerning Polish attitudes towards Jews are those that position the audience as witnesses of the acts of re-enacted violence and thus provoke an affective response.
Źródło:: Multicultural Shakespeare: Translation, Appropriation and Performance; 2023, 28, 43; 193-207
2083-8530
2300-7605
Pojawia się w:: Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:: Biblioteka Nauki

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