Wszystkie pola: Semiotics of Culture - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: „Podstawą obcowania jest pamięć”. Władysława Panasa semiotyczna wizja kultury wobec koncepcji Jurija Łotmana
„Memory as the Foundation of Coexistence”. Władysław Panas' Semiotic Conception of Culture in Debate With Yuri Lotman's conception
Autorzy:: Durkalewicz, Wiktoria
Powiązania:: https://bibliotekanauki.pl/articles/1902508.pdf
Data publikacji:: 2012
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:: Władysław Panas
Jurij Łotman
pamięć
Inny
semiotyka kultury
Yuri Lotman
memory
Other
semiotics of culture
Opis:: This paper is an attempt at reconstructing and recontextualizing the semiotic understanding of culture and literature as a key aspect of the theory of interpretation by Władysław Panas. Special emphasis is put on the debate on this aspect in the context of Panas' analysis of the semiotic discourse proposed by the Moscow-Tartu school, presented in his book W kręgu metody semiotycznej [In the realm of the semiotic method]. According to Panas, the Moscow-Tartu conception has it that semiotics comes into being as a holistic, constantly developing text, as the “Other” struggling for his/her memory and for multiplicity of voices.
Źródło:: Roczniki Humanistyczne; 2012, 60, 1; 179-192
0035-7707
Pojawia się w:: Roczniki Humanistyczne
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Koncepcja semiotycznej pamięci kultury Jurija Łotmana jako zasada generatywna w badaniach nad pamięcią społeczną
Yuri Lotman’s Concept of the Semiotic Memory of Culture as a Generative Principle in the Study of Social Memory
Autorzy:: Winiarski, Paweł
Powiązania:: https://bibliotekanauki.pl/articles/1373007.pdf
Data publikacji:: 2017-10-10
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: culture
social memory
semiotics of culture
semiosphere
language
social structure
sociology of culture
Yuri Lotman
kultura
pamięć społeczna
semiotyka kultury
semiosfera
język
struktura społeczna
socjologia kultury
Jurij Łotman
Opis:: For sociologically oriented research into memory, the finding of connections between cultural mechanisms of constructing the past and their socio-structural effects is important. In this context, a principle linking phenomena of memory, culture, and social structure should be of use. This article is devoted to Yuri Lotman’s concept of the semiotic memory of culture, which the author believes could serve as a generative rule for this type of research in the sociology of culture. In the case of studies on social memory, Lotman’s concept constitutes a methodological bridge between phenomena of social memory and the transmission of culture, enabling the question of how the memory of the individual participates in collective memory to be answered.
Źródło:: Kultura i Społeczeństwo; 2017, 61, 4; 147-167
2300-195X
Pojawia się w:: Kultura i Społeczeństwo
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Testament naukowy Jurija Łotmana
Yuri Lotman’s Scientific Testament
Autorzy:: Żyłko, Bogusław
Powiązania:: https://bibliotekanauki.pl/articles/444758.pdf
Data publikacji:: 2012
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: Yuri Lotman
semiotics
structuralism
theory of culture
Opis:: Yuri Lotman started his research activity in the field of literary theory (widely: theory of culture) as orthodox structuralist at the beginning of the 1970s. The concept of structure has been based on the structural linguistic theories and adopted to develop research on literary works as well as “cultural texts”. The last ones concern the perception of structure not only in terms of the “level of expression”, but also the “level of content” that can be analysed with the use of peculiar procedures. The strict procedures rely on distinguishing the set of “binary oppositions” in the “structure of content” to illustrate the author’s perception of reality and his “model of the world”. Lotman was convinced that ideological and artistic structures are immersed in history. They have a dynamic nature (likewise the culture which was seen as the complicated “semiosphere” with its processes, predictable or unpredictable as well as the innovative “explosion” mechanisms). Therefore, Lotman in his later years moves away from cultural self-models based on “binary oppositions” to “ternary” system. In spite of the evident evolution of his concepts Lotman was always devoted to the doctrine of knowledge and never left the humanistic ideals using them for research purposes. The scientific models and sources of inspiration could be changeable, but pathos and scientific rationality never left him. His structuralism was at its peak with possibility of evolution, infinitely flexible, individual, accidental, unpredictable or even “explosive”, but never was the betrayal of previous ideals.
Źródło:: Acta Neophilologica; 2012, XIV/2; 259-273
1509-1619
Pojawia się w:: Acta Neophilologica
Dostawca treści:: Biblioteka Nauki

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