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    Wyświetlanie 1-3 z 3
    Tytuł:
    Designing Goddesses: Shakespeare’s "Othello" and Marian Nowiński’s "Otello Desdemona"
    Autorzy:
    Laskowska-Hinz, Sabina
    Powiązania:
    https://bibliotekanauki.pl/articles/1033498.pdf
    Data publikacji:
    2020-06-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Desdemona
    William Shakespeare
    Othello
    Marian Nowiński
    Shakespeare in visual arts
    Opis:
    The article discusses the intertextual relationship between the poster by Marian Nowiński, Otello Desdemona, and the content of Shakespeare’s play, while presenting the most important elements of the plot that are decisive for the portrayal of Desdemona. It also discusses the tradition of female nudes in Western art. This allows to usher out these characteristic features of elements of Desdemona that fashion her into Venus Caelestis and Venus Naturalis. The article focuses on the ambivalence of Nowiński’s poster and discusses the significance of the paintings by Titian, Giorgione, and Fuseli in designing the figure of Desdemona as a goddess.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2020, 21, 36; 135-151
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Seeing the Spider: The Jealous Rage of Exchange in The Winter’s Tale and Othello
    Autorzy:
    Innes, Paul
    Powiązania:
    https://bibliotekanauki.pl/articles/888736.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    William Shakespeare
    The Winter’s Tale
    Othello
    social encoding of behaviour
    gender roles
    Opis:
    A venerable critical tradition has long flavoured the reception of Shakespeare’s plays with psychology. Characters are read as real people, and as a consequence, the plays are analysed from the starting point of an individual character’s inward personality. However, this literary reading of the plays fails to take into account not only the performance of character on the Renaissance stage but also the theatrical culture that predetermines forms of characterisation for that audience. The playing of roles within this drama needs to be continually re-investigated, and in the case of The Winter’s Tale and Othello, fully reimagined. The conventional ascription of the plot development entirely to the jealousy of both Leontes and Othello can accordingly be reworked. The modern obsession with psychology obscures a field of semantic forces that goes well beyond the purview of any individual to a social encoding of possible behaviours. This restores multiple potentialities to the plays in performance, freeing them from a narrow insistence that meaning is rooted entirely in the individual. This in turn provides a context for deeper analysis of gender roles and how they intersect with the impetus generated by patriarchal modes of inheritance.
    Źródło:
    Anglica. An International Journal of English Studies; 2016, 25/3; 69-80
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Publishing Shakespeare in India: Macmillan’s English Classics and the Aftereffects of a Colonial Education
    Autorzy:
    Mannan, Joya
    Powiązania:
    https://bibliotekanauki.pl/articles/39770825.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Kenneth Deighton
    William Shakespeare
    postcolonial
    colonialism
    Merchant of Venice
    Othello
    The Tempest
    Macmillan
    English Classics
    resistance
    race
    publishing
    translation
    book history
    India
    Opis:
    India’s rejection of Macmillan’s English Classics series constitutes an important counter-origin that exposes and dismantles underlying assumptions about how colonial Indian readers valued and consumed Shakespeare. In this paper, I examine the failure of Macmillan’s English Classics series to bring about Indian assimilation to British values. I specifically consider Kenneth Deighton’s Shakespeare editions in the series and argue that Deighton’s Shakespeare attempted to utilize its extensive explanatory notes as a primer on Englishness for Indians. The pedantic notes, as well as the manner in which the texts were appropriated into Indian educational systems, were determining factors in their ultimate failure to gain widespread popularity in the colony. The imperial agenda that insists upon one dominant, valid discourse led to Macmillan misreading the market and misreading an already viable field of Shakespeare studies in India. Reflecting on narratives and histories surrounding the origins of Shakespeare studies in India, as well as how Shakespeare’s works were produced for the colonies and the way in which they were duly rejected, reveals how exchanges of power and capital between metropole and colony shape Western systems just as heavily as they do others.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2023, 27, 42; 47-64
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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